The Pacific Arts Of Polynesia And Micronesia

With more than one hundred illustrations--most in full color--this volume offers a stimulating and insightful account of two dynamic artistic cultures, traditions that have had a considerable impact on modern western art through the influence of artists such as Gauguin. After an introduction to Polynesian and Micronesian art separately, the book focuses on the artistic types, styles, and concepts shared by the two island groups, thereby placing each in its wider cultural context. From the textiles of Tonga to the canoes of Tahiti, Adrienne Kaeppler sheds light on religious and sacred rituals and objects, carving, architecture, tattooing, and much more.

The Pacific Ocean covers one-third of the earth's surface. Comprising thousands of islands and hundreds of cultural groups, Polynesia and Micronesia cover a large part of this vast ocean, from the dramatic mountains of Hawaii to the small, flat coral islands of Kiribati. Including both traditional and contemporary arts, this book introduces the rich artistic traditions of these two regions, traditions that have had a considerable impact on western art in the twentieth century through the influence of artists such as Gauguin. Instead of looking at Polynesia and Micronesia separately, the book focuses on the artistic types, styles, and concepts that they share, placing each in its wider cultural context. From the textiles of Tonga to the canoes of Tahiti, Adrienne Kaeppler looks at religious and sacred rituals and objects, carving, architecture, tattooing, personal ornaments, basket-making, clothing, textiles, fashion, the oral arts, dance, music and musical instruments - even canoe-construction - to provide the ultimate introduction to the rich and vibrant artistic cultures of the Polynesian and Micronesian islands.

The art of the Pacific Islands is exciting, varied, vibrant and ever-changing. Across the great breadth of the Pacific, artists have always employed a wide variety of materials and techniques to create objects for specific purposes. These have been central to the management of land and ocean, of political and spiritual power, and of connections to gods and ancestors. This book focuses on objects from the domestic to the sacred, from the elegantly simple to the sumptuously ornate, and from the historic to the contemporary. The author draws on striking and colourful examples from the Pacific's major cultural regions: Polynesia, Melanesia and Micronesia, beginning with an introduction asking 'What is Pacific art?' Each of the beautiful artworks is then explored further through close-ups, allowing intriguing comparisons between seemingly unrelated objects and media. Ideal as a spur to creative inspiration, this beautiful book offers a striking and unusual view of the wide array of Pacific art, evoking the skills of the most accomplished Pacific artists and craftworkers, past and present.

Includes detailed chapters devoted to each of the five major cultural regions of the Pacific: Australia, Melanesia, Micronesia, Polynesia, and the islands of Southeast Asia.

Includes detailed chapters devoted to each of the five major cultural regions of the Pacific: Australia, Melanesia, Micronesia, Polynesia, and the islands of Southeast Asia.

To the Westerner what culture seems more mysterious or exotic than Tahiti or Fiji? Yet, most of us know little about the arts and cultures of these islands. Mingling a deep appreciation for the beauty and variety of arts--sculpture, paintings, textiles, dance, jewelry, and architecture--found in these faraway islands with detailed knowledge of their traditions and meaning, Anne D'Alleva opens to us a beautiful world vibrantly alive.

Many of the papers of this collection were presented at the Special Session to Honor Dr. Philip J.C. Dark (editor of Pacific Arts, the publication of the Pacific Arts Association) held in October 1999 at the Field Museum in Chicago. Written by an international group of specialists, the 29 papers of this impressive volume consider topics that include the impact of commercial development on traditional culture, issues of collections and display in museums, the applications of ethnographic photography to anthropological study, as well as many papers on specific individuals, works, and collections. The volume is well illustrated with b&w and color plates. Annotation copyrighted by Book News, Inc., Portland, OR.