The Pagan S Muse

The only compendium of pagan poetry ever published, this collection contains over 160 poems written for Pagans by Pagans for use in rituals, in invocations and as inspiration in everyday life.

An exploration of the increasingly popular phenomenon of solitary practice within contemporary paganism Solitary Pagans is the first book to explore the growing phenomenon of contemporary Pagans who practice alone. Although the majority of Pagans in the United States have abandoned the tradition of practicing in groups, little is known about these individuals or their way of practice. Helen A. Berger fills that gap by building on a massive survey of contemporary practitioners. By examining the data, Berger describes solitary practitioners demographically and explores their spiritual practices, level of social engagement, and political activities. Contrasting the solitary Pagans with those who practice in groups and more generally with other non-Pagan Americans, she also compares contemporary U.S. Pagans with those in the United Kingdom, Australia, and Canada. Berger brings to light the new face of contemporary paganism by analyzing those who learn about the religion from books or the Internet and conduct rituals alone in their gardens, the woods, or their homes. Some observers believe this social isolation and political withdrawal has resulted in an increase in narcissism and a decline in morality, while others argue to the contrary that it has produced a new form of social integration and political activity. Berger posits the implications of her findings to reveal a better understanding of other metaphysical religions and those who shun traditional religious organizations.

A lyrical sourcebook for creating your own Pagan rituals. The Pagan's Muse contains a wealth of vividly descriptive verse to help practitioners craft their own personal celebrations of spirit. Written by poets from all times, including ancient poems translated into English and verse written specifically for this collection by contemporary practitioners, it contains inspiring sections on Ritual and Devotion, Nature, Passion, Magic Laughter, Grief and Remembrance, Chants and Songs and an introduction to Pagan poetry for ritual creators.

A collection of Pollmann's previously-published essays on early Christian poetry, most newly-translated from German and all updated and corrected. It is a genre that has tended to be overlooked by both Classicists and Patristics scholars and this collection will rectify that.

A groundbreaking new portrait of the apostle Paul, from one of today’s leading historians of antiquity Often seen as the author of timeless Christian theology, Paul himself heatedly maintained that he lived and worked in history’s closing hours. His letters propel his readers into two ancient worlds, one Jewish, one pagan. The first was incandescent with apocalyptic hopes, expecting God through his messiah to fulfill his ancient promises of redemption to Israel. The second teemed with ancient actors, not only human but also divine: angry superhuman forces, jealous demons, and hostile cosmic gods. Both worlds are Paul’s, and his convictions about the first shaped his actions in the second. Only by situating Paul within this charged social context of gods and humans, pagans and Jews, cities, synagogues, and competing Christ-following assemblies can we begin to understand his mission and message. This original and provocative book offers a dramatically new perspective on one of history’s seminal figures.

A compelling portrait of an emerging religious group Voices from the Pagan Census provides unprecedented insight into the expanding but largely unstudied religious movement of Neo-Paganism in the United States. Helen A. Berger, Evan A. Leach, and Leigh S. Shaffer present the findings of "The Pagan Census," which was created and distributed by Berger and Andras Corban Arthen of the Earthspirit Community. Analyzing the most comprehensive and largest-scale survey of Neo-Pagans to date, the authors offer a portrait of this emerging religious community, including an examination of Neo-Pagan political activism, educational achievements, family life, worship methods, experiences with the paranormal, and beliefs about such issues as life after death. A collection of religious groups whose practices evolved from Great Britain's Wicca movement of the 1940s, Neo-Paganism spread to the United States in the 1960s. While the number of people who identify themselves with the religion has continued to rise, quantitative study of Neo-Paganism has been difficult given the movement's lack of centralized leadership and doctrine and its development as scattered, independent groups and individuals. Endorsed by all major Neo-Pagan leaders, "The Pagan Census" generated a demographically diverse response. In contrast to most previous surveys, which were limited to Neo-Pagan festivals, this survey incorporates input from the large population of practitioners who do not participate in such events. Keenly anticipated by the academic and Neo-Pagan communities, the results of the census provide the most in-depth information about the group yet assembled. Comparing Neo-Pagans with American society at large, Berger, Leach, and Shaffer show that although the two groups share certain statistical characteristics, there are differences as well. The scholars also identify variations within the Neo-Pagan population, including those related to geography and to the movement's multiple spiritual paths.

Pagan: The Origin of Modern Burma offers major contributions in three areas: the manner in which it integrates original, indigenous source material with social science theory; the significant association it makes between religion and the economy of redistribution; and the model it provides for the rise and decline of a major Buddhist kingdom in Southeast Asia. This is an important book for Southeast Asia scholars and Burma specialists. It will be standard reference work for historians, social scientists, and philologists with an interest in Southeast Asia. Readers interested in general issues of church and state, religion and society, as well as those more specifically concerned with historic and institutional Buddhism will find it a valuable work.

This is an open access title available under the terms of a CC BY-NC-ND 4.0 International licence. It is free to read at Oxford Scholarship Online and offered as a free PDF download from OUP and selected open access locations. With the rise of Christianity in the Roman Empire increasing numbers of educated people converted to this new belief. As Christianity did not have its own educational institutions the issue of how to harmonize pagan education and Christian convictions became increasingly pressing. Especially classical poetry, the staple diet of pagan education, was considered to be morally corrupting (due to its deceitful mythological content) and damaging for the salvation of the soul (because of the false gods it advocated). But Christianity recoiled from an unqualified anti-intellectual attitude, while at the same time the experiment of creating an idiosyncratic form of genuinely Christian poetry failed (the sole exception being the poet Commodianus). In The Baptized Muse: Early Christian Poetry as Cultural Authority, Karla Pollmann argues that, instead, Christian poets made creative use of the classical literary tradition, and—in addition to blending it with Judaeo-Christian biblical exegesis—exploited poetry's special ability of enhancing communicative effectiveness and impact through aesthetic means. Pollman explores these strategies through a close analysis of a wide range of Christian, and for comparison partly also pagan, writers mainly from the fourth to sixth centuries. She reveals that early Christianity was not a hermetically sealed uniform body, but displays a rich spectrum of possibilities in dealing with the past and a willingness to engage with and adapt the surrounding culture(s), thereby developing diverse and changing responses to historical challenges. By demonstrating throughout that authority is a key in understanding the long denigrated and misunderstood early Christian poets, this book reaches the ground-breaking conclusion that early Christian poetry is an art form that gains its justification by adding cultural authority to Christianity. Thus, in a wider sense it engages with the recently developed interdisciplinary scholarly interest in aspects of religion as cultural phenomena.