The Parables Of Sunlight

A memoir of a neglected farm, an abandoned and injured horse and the prevailing resilience of hope.

For many years Rudolf Arnheim, known as the leading psychologist of art, has been keeping notebooks in which to jot down observations, ideas, questions, and even (after a stay in Japan for a year) poems in the haiku pattern. Some of these notes found their way into his books—known and prized the world over—such as Art and Visual Perception, Visual Thinking, and The Power of the Center (see list below). Now he has selected, from the remaining riches of his notebooks, the items in this volume. The book will be a joy to ramble through for all lovers of Arnheim's work, and indeed for anyone who shares Arnheim's contagious interest in the order that lies behind art, nature, and human life. It is a seedbed of ideas and observations in his special fields of psychology and the arts. "I have avoided mere images and I have avoided mere thoughts," says Arnheim in the Introduction, "but whenever an episode observed or a striking sentence read yielded a piece of insight I had not met before, I wrote it down and preserved it." There are also glimpses of his personal life—his wife, his cats, his students, his neighbors and colleagues. He is always concrete, in the manner that has become his trademark, often witty, and sometimes a bit wicked. In the blend of life and thought caught in these jottings, psychology and the arts are of course prominent. But philosophy, religion, and the natural sciences add to the medley of topics—always addressed in a way to sharpen the senses of the reader who, sharing Arnheim's cue from Dylan Thomas, may accompany him through "the parables of sun light and the legends of the green chapels and the twice told fields of childhood." All of Rudolf Arnheim's books have been published by the University of California Press.

For many years Rudolf Arnheim, known as the leading psychologist of art, has been keeping notebooks in which to jot down observations, ideas, questions, and even (after a stay in Japan for a year) poems in the haiku pattern. Some of these notes found their way into his books—known and prized the world over—such as Art and Visual Perception, Visual Thinking, and The Power of the Center (see list below). Now he has selected, from the remaining riches of his notebooks, the items in this volume. The book will be a joy to ramble through for all lovers of Arnheim's work, and indeed for anyone who shares Arnheim's contagious interest in the order that lies behind art, nature, and human life. It is a seedbed of ideas and observations in his special fields of psychology and the arts. "I have avoided mere images and I have avoided mere thoughts," says Arnheim in the Introduction, "but whenever an episode observed or a striking sentence read yielded a piece of insight I had not met before, I wrote it down and preserved it." There are also glimpses of his personal life—his wife, his cats, his students, his neighbors and colleagues. He is always concrete, in the manner that has become his trademark, often witty, and sometimes a bit wicked. In the blend of life and thought caught in these jottings, psychology and the arts are of course prominent. But philosophy, religion, and the natural sciences add to the medley of topics—always addressed in a way to sharpen the senses of the reader who, sharing Arnheim's cue from Dylan Thomas, may accompany him through "the parables of sun light and the legends of the green chapels and the twice told fields of childhood." All of Rudolf Arnheim's books have been published by the University of California Press.

A memoir about a neglected farm, an abandoned horse, and the innate battle between hope and death.

A study and analysis of the more than 250 parables in Scripture.

In the latest chapter of his bestselling Joshua series, Joseph Girzone offers fresh inspiration in this collection of fifty never-before-published contemporary vignettes that underscore the most important lessons of the gospel. Joseph Girzone's novels about Joshua, the carpenter who transforms ordinary lives with words of peace and loving actions, have sold more than three million copies and captured the hearts of readers around the world. In The Parables of Joshua, perhaps his most powerful book since the original Joshua, Girzone distills the essence of Christian teaching in entertaining and inspiring "bite-sized" tales set against the background of current society. For some today, the parables of the New Testament are quaint, old-fashioned stories, with little relevance to everyday life in the twenty-first century. As Girzone writes in his Introduction, "I have heard the most callous people comment with such great piety on the parables that I could not help but wonder if we haven't made parables pleasant-sounding fables about human situations long past, but with no present-day meaning." In order to recapture their original vitality Girzone revives the timeless messages behind the original parables by "dressing them in modern clothes," presenting them through Joshua in a conversational style that will resonate with a modern audience.