The Paris Mysteries Deluxe Edition

A beautiful gift edition of three macabre mysteries featuring the first and greatest of detectives, Auguste Dupin An apartment on the rue Morgue turned into a charnel house; the corpse of a shopgirl dragged from the Seine; a high-stakes game of political blackmail - three mysteries that have enthralled the whole of Paris, and baffled the city's police. The brilliant Chevalier Auguste Dupin investigates - can he find the solution where so many others before him have failed? These three stories from the pen of Edgar Allan Poe are some of the most influential ever written, widely praised and credited with inventing the detective genre. This edition contains: 'The Murders in the Rue Morgue', 'The Mystery of Marie Rogêt' and 'The Purloined Letter'.

A charming Parisian brasserie, a buried secret and a winding labyrinth of clues come together to form a terrifying triumvirate of mystery and shocking desire in the seventh An American in Paris Mystery. The American owner of a popular Left Bank eatery is arrested for his wife’s murder. Claire Baskerville, an American expat in Paris, must work quickly to find the real killer in order to return her grieving client to his two small children as soon as possible. The twist? The more she investigates, the more it starts to look as if her client really did it.

DigiCat presents to you this unique and meticulously edited murder mystery collection: Detective Stories The Purloined Letter (Edgar Allan Poe) A Scandal in Bohemia (A. Conan Doyle) The Safety Match (Anton Chekhov) Missing: Page Thirteen (Anna Katherine Green) . . . Suspense Stories The Birth Mark (Nathaniel Hawthorne) The Oblong Box (Edgar Allan Poe) A Terribly Strange Bed (Wilkie Collins) The Torture by Hope (Villiers de l'Isle Adam) The Mysterious Card (Cleveland Moffett) . . . Ghost Stories Thrawn Janet (Robert Louis Stevenson) The Horla (Guy de Maupassant) To Sura: A Letter (Pliny the Younger) . . . The Man Who Went Too Far (E.F. Benson) The Phantom Rickshaw (Rudyard Kipling) The Apparition of Mrs. Veal (Daniel Defoe) The Damned Thing (Ambrose Bierce) . . . The Deserted House (E. T. A. Hoffmann) The Withered Arm (Thomas Hardy) The House and the Brain (Lord Edward Bulwer-Lytton) The Roll-Call of the Reef (A. T. Quiller-Couch) The Open Door (Mrs. Margaret Oliphant) . . . Paranormal Psychic Stories When the World Was Young (Jack London) Joseph—A Story (Katherine Rickford) Ligeia(Edgar Allan Poe) A Ghost (Lafcadio Hearn) The Eyes of the Panther (Ambrose Bierce) Photographing Invisible Beings (William T. Stead) The Sin-Eater (Fiona Macleod) . . . Humorous Mystery Stories The Secret of Goresthorpe Grange (A. Conan Doyle) Mr. Bloke's Item (Mark Twain) The Man Who Went Too Far (E. F. Benson) The Man With The Pale Eyes (Guy de Maupassant) . . .

"The Rue Morgue Murders" is a pioneering tale in the mystery genre, in which detective Auguste Dupin uses his acute observation and logic to solve a brutal double murder in Paris, revealing a surprising and unusual outcome.

The first new translation in over a century of the brilliant epic novel that inspired Les Misérables Sensational, engrossing, and heartbreaking, The Mysteries of Paris is doubtless one of the most entertaining and influential works to emerge from the nineteenth century. It was one of France’s first serial novels, and for sixteen months, Parisians rushed in droves to the newsstands each week for the latest installment. Eugène Sue’s intricate melodrama unfolds around a Paris where, despite the gulf between them, the fortunes of the rich and poor are inextricably tangled. The suspenseful story of Rodolphe, a magnetic hero of noble heart and shadowy origins, was spun out over 150 issues—garnering wild popularity, influencing political change, and inspiring a raft of successors, including Les Misérables and The Count of Monte Cristo. At long last, this lively translation makes the riveting drama of Sue’s classic available to a new century of readers. For more than sixty-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,500 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

In this ambitious and exciting work Richard Maxwell uses nineteenth-century urban fiction--particularly the novels of Victor Hugo and Charles Dickens--to define a genre, the novel of urban mysteries. His title comes from the "mystery mania" that captured both sides of the channel with the runaway success of Eugene Sue's Les mysteres de Paris and G. W. M. Reynold's Mysteries of London. Richard Maxwell argues that within these extravagant but fact-obsessed narratives, the archaic form of allegory became a means for understanding modern cities. The city dwellers' drive to interpret linked the great metropolises with the discourses of literature and art (the primary vehicles of allegory). Dominant among allegorical figures were labyrinths, panoramas, crowds, and paperwork, and it was thought that to understand a figure was to understand the city with which it was linked. Novelists such as Hugo and Dickens had a special flair for using such figures to clarify the nature of the city. Maxwell draws from an array of disciplines, ideas, and contexts. His approach to the nature and evolution of the mysteries genre includes examinations of allegorical theory, journalistic practice, the conventions of scientific inquiry, popular psychiatry, illustration, and modernized wonder tales (such as Victorian adaptations of the Arabian Nights). In The Mysteries of Paris and London Maxwell employs a sweeping vision of the nineteenth century and a formidable grasp of both popular culture and high culture to decode the popular mysteries of the era and to reveal man's evolving consciousness of the city. His style is elegant and lucid. It is a book for anyone curious about the fortunes of the novel in thenineteenth century, the cultural history of that period, particularly in France and England, the relations between art and literature, or the power of the written word to produce and present social knowledge.

A charming series debut featuring two American sleuths in Paris, this traditional mystery is perfect for fans of M. L. Longworth and Juliet Blackwell The only thing chillier than a Parisian winter is cold-blooded murder. When French financier Edgar Bowen drowns in a bowl of soup, his former girlfriend, American Rachel Levis, is alarmed by the unnatural death. Who dies eating a nice vichyssoise? But when she overhears a mourner at his funeral describing the circumstances of his death, something sounds even stranger: a bottle of rosé was on the dining table when he died. The only problem: Edgar loathed rosé. If he wasn’t drinking it, who was? After the police rule the death accidental, Rachel knows it’s up to her and her best friend Magda to investigate. As the two Americans immerse themselves in Edgar’s upper-class world, the list of suspects grows: Could it have been his son, who inherited his money and lavish apartment? His icy ex-wife? His greedy new girlfriend? His impoverished personal assistant? But when the suspects start dropping like flies, Rachel and Magda realize the murderer is tying up loose ends. It’ll be up to two amateur sleuths to solve their first case before the murderer decides they’re next...