The People Of The Plains

In People of the Plains (first published in 1909), Amelia McLean Paget records her observations of the customs, beliefs, and lifestyles of the Plains Cree and Saulteaux among whom she lived.

In arresting, but harrowing, prose, James Daschuk examines the roles that Old World diseases, climate, and, most disturbingly, Canadian politics--the politics of ethnocide--played in the deaths and subjugation of thousands of aboriginal people in the realization of Sir John A. Macdonald's "National Dream." It was a dream that came at great expense: the present disparity in health and economic well-being between First Nations and non-Native populations, and the lingering racism and misunderstanding that permeates the national consciousness to this day. " Clearing the Plains is a tour de force that dismantles and destroys the view that Canada has a special claim to humanity in its treatment of indigenous peoples. Daschuk shows how infectious disease and state-supported starvation combined to create a creeping, relentless catastrophe that persists to the present day. The prose is gripping, the analysis is incisive, and the narrative is so chilling that it leaves its reader stunned and disturbed. For days after reading it, I was unable to shake a profound sense of sorrow. This is fearless, evidence-driven history at its finest." -Elizabeth A. Fenn, author of Pox Americana "Required reading for all Canadians." -Candace Savage, author of A Geography of Blood "Clearly written, deeply researched, and properly contextualized history...Essential reading for everyone interested in the history of indigenous North America." -J.R. McNeill, author of Mosquito Empires

The near disappearance of the American bison in the nineteenth century is commonly understood to be the result of over-hunting, capitalist greed, and all but genocidal military policy. This interpretation remains seductive because of its simplicity; there are villains and victims in this familiar cautionary tale of the American frontier. But as this volume of groundbreaking scholarship shows, the story of the bison’s demise is actually quite nuanced. Bison and People on the North American Great Plains brings together voices from several disciplines to offer new insights on the relationship between humans and animals that approached extinction. The essays here transcend the border between the United States and Canada to provide a continental context. Contributors include historians, archaeologists, anthropologists, paleontologists, and Native American perspectives. This book explores the deep past and examines the latest knowledge on bison anatomy and physiology, how bison responded to climate change (especially drought), and early bison hunters and pre-contact trade. It also focuses on the era of European contact, in particular the arrival of the horse, and some of the first known instances of over-hunting. By the nineteenth century bison reached a “tipping point” as a result of new tanning practices, an early attempt at protective legislation, and ventures to introducing cattle as a replacement stock. The book concludes with a Lakota perspective featuring new ethnohistorical research. Bison and People on the North American Great Plains is a major contribution to environmental history, western history, and the growing field of transnational history.

A long time ago, before the Plains region of the United States was divided up into states such as Nebraska, Colorado, and Wyoming, this land was home to American Indians. Twenty-eight unique Indian nations built homes and gathered food in the Plains. They spoke distinct languages, set up political systems, and made art. They used the natural resources available in their region in order to thrive. • The Wichita lived in houses made of grass. From the outside, they looked like giant haystacks. • Omaha and Ponca people wore caps made from eagleskin. • Lakota men carved flutes to play songs for the girls they hoped to marry. Many American Indians still live in the Plains region. Explore the history of these various nations and find out how their culture is still alive today.

From where--and what--does water come? How did it become the key to life in the universe? Water from Heaven presents a state-of-the-art portrait of the science of water, recounting how the oxygen needed to form H2O originated in the nuclear reactions in the interiors of stars, asking whether microcomets may be replenishing our world's oceans, and explaining how the Moon and planets set ice-age rhythms by way of slight variations in Earth's orbit and rotation. The book then takes the measure of water today in all its states, solid and gaseous as well as liquid. How do the famous El Niño and La Niña events in the Pacific affect our weather? What clues can water provide scientists in search of evidence of climate changes of the past, and how does it complicate their predictions of future global warming? Finally, Water from Heaven deals with the role of water in the rise and fall of civilizations. As nations grapple over watershed rights and pollution controls, water is poised to supplant oil as the most contested natural resource of the new century. The vast majority of water "used" today is devoted to large-scale agriculture and though water is a renewable resource, it is not an infinite one. Already many parts of the world are running up against the limits of what is readily available. Water from Heaven is, in short, the full story of water and all its remarkable properties. It spans from water's beginnings during the formation of stars, all the way through the origin of the solar system, the evolution of life on Earth, the rise of civilization, and what will happen in the future. Dealing with the physical, chemical, biological, and political importance of water, this book transforms our understanding of our most precious, and abused, resource. Robert Kandel shows that water presents us with a series of crucial questions and pivotal choices that will change the way you look at your next glass of water.

Based on the author's thesis. Part I was previously published in 1940 by the American Museum of Natural History. This revised edition includes two additional comparative sections.

Terpning, the storyteller of the Plains Indians, presents his most important paintings of the past 35 years Howard Terpning is one of the most lauded painters of Western art and considered by many to be a national treasure. He is known as the "storyteller of the Native American" because of his devotion to and respect for his subject matter, almost exclusively the Plains Indian. He particularly favors the period beginning in the late eighteenth century when a Great Plains culture of Indians and horses thrived along with the buffalo. Passion, compassion, extraordinary talent in palette and brushstroke, and an exceptional ability to evoke emotion and narrative in his paintings have made his work rise to the top as he strives to keep alive the heritage and culture of Native Americans through the power of art. With more than 120 full-color paintings, this volume is the most comprehensive collection of Howard Terpning's work to date. The text by fellow artist Harley Brown provides a unique artist's view of Terpning's oeuvre through discussions of his colors, composition, inspiration, and sheer talent.

The story of the Native peoples of the Great Plains--including the Arapaho, Cheyenne, Lakota, Shoshone, Blackfeet, Kiowa, Pawnee, Arikara, Gros Ventre, Assiniboine, Mandan, Hidatsa, and Crow tribes-- is integral to the history and heritage of the American West. These buffalo-hunting and horticultural people once dominated the vast open region of the Great Plains, west of the Mississippi River and east of the Rocky Mountains, that stretches from present-day Canada to Texas. The Native people of the Plains found this vast, harsh land rich in resources, with tall grass prairies abundant with herds of buffalo and other grazing animals and fertile river valleys that supported farming. Economic practices were intertwined with spiritual ceremonial activities and core beliefs about the people's relationships to the land, sky, and universe. The magnificent arts of Plains Indian people also had such spiritual underpinnings, which, together with their historical and cultural contexts, can provide greater insight into and appreciation of their tribal significances. Lavishly illustrated with more than 300 images of objects from traditional feather bonnets to war shirts, bear claw necklaces, pipe tomahawks, beadwork, and quillwork, as well as archival photographs of historical events and individuals and photographs of contemporary Native life, Memory and Vision is a comprehensive examination of the environments and historic forces that forged these cultures, and a celebration of their ongoing presence in our national society.