The Phantom Wedding

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ The Phantom Wedding: Or, The Fall Of The House Of Flint; May G. Quigley Collection Emma Dorothy Eliza Nevitte Southworth, Frances Henshaw Baden T. B. Peterson & Brothers, 1878 Fiction; Romance; General; Fiction / Romance / General; Literary Criticism / American / General; Love stories; Short stories

'A modern urban chilly novel that will have you laughing and jittery simultaneously... one thing is for certain.. you will not want to put this book down...' 'It is a fresh modern voice which takes the reader on a synchronous rollercoaster journey of stomach-churning laughter and fear.' Patsy, a twenty-nine-year-old graduate working in music PR, was elated to receive the keys to her new North London flat. After all, acquiring a flat in the capital these days was like gold dust - so she couldn't have been more pleased. But she soon realises that this is no ordinary flat. She gets an eerie feeling, accompanied by strange sightings and unsettling noises. It quickly becomes apparent that there is something or someone else occupying the same space. She is not alone... Her world is soon turned upside down when strange unexplainable events unfold. What or who is determined to make their presence known? Patsy has hopes and dreams of getting married and starting a family with her fiancé Ben, but she quickly realises, that she may just get more than she'd bargained for...

Presenting the first full-length collection of essays on Eudora Welty’s novel, Delta Wedding (1946), this volume is the fourth book in Rodopi Press’s Dialogue Series. Within these pages, emerging and experienced literary critics engage in an exciting dialogue about Welty’s noted novel, presenting a wide range of scholarship that focuses on feminist concerns, pays tribute to the rhetoric of exclusion and empowerment, examines the role of outsider and boundaries, explores meaning-making, and highlights the novel’s humor and musicality. This volume will no doubt be of interest to Welty aficianados as well as southern studies and feminist scholars and to those who are interested in the craft of writing fiction.