The Pharaoh S Daughter

A fictionalized account of the Biblical tale in which a Hebrew infant, rescued by the daughter of the Pharaoh, passes through a turbulent adolescence to eventually become a prophet of his people while his sister finds her true self as a priestess to the Egyptian gods.

The first book in the Treasures of the Nile series Anippe has grown up in the shadows of Egypt’s good god Pharaoh, aware that Anubis, god of the afterlife, may take her--or her siblings--at any moment. She watched him snatch her mother and infant brother during childbirth, a moment which awakens in her a terrible dread of ever bearing a child. When she learns that she is to be become the bride of Sebak, a kind but quick-tempered Captain of Pharaoh Tut’s army, Anippe launches a series of deceptions with the help of the Hebrew midwives—women ordered by Tut to drown the sons of their own people in the Nile—in order to provide Sebak the heir he deserves and yet protect herself from the underworld gods. When she finds a baby floating in a basket on the great river, Anippe believes Egypt’s gods have answered her pleas, entrenching her more deeply in deception and placing her and her son Mehy, whom handmaiden Miriam calls Moses, in mortal danger. As bloodshed and savage politics shift the balance of power in Egypt, the gods reveal their fickle natures and Anippe wonders if her son, a boy of Hebrew blood, could one day become king. Or does the god of her Hebrew servants, the one they call El Shaddai, have a different plan for them all?

Pharaoh's Daughter, published in Ireland by Gallery Press in 1990, contains forty-five poems in Irish by Nuala Ní Dhomhnaill with translations by thirteen distinguished poets from Ireland. In this revised form, it appears for the first time in North America as a companion volume to The Astrakhan Cloak, new poems by Nuala Ní Dhomhnaill with translations by Paul Muldoon.

Egypt, 1400s BC. The pharaoh’s pampered second daughter, lively, intelligent Hatshepsut, delights in racing her chariot through the marketplace and testing her archery skills in the Nile’s marshlands. But the death of her elder sister, Neferubity, in a gruesome accident arising from Hatshepsut’s games forces her to confront her guilt...and sets her on a profoundly changed course. Hatshepsut enters a loveless marriage with her half brother, Thut, to secure his claim to the Isis Throne and produce a male heir. But it is another of Thut’s wives, the commoner Aset, who bears him a son, while Hatshepsut develops a searing attraction for his brilliant adviser Senenmut. And when Thut suddenly dies, Hatshepsut becomes de facto ruler, as regent to her two-year-old nephew. Once, Hatshepsut anticipated being free to live and love as she chose. Now she must put Egypt first. Ever daring, she will lead a vast army and build great temples, but always she will be torn between the demands of leadership and the desires of her heart. And even as she makes her boldest move of all, her enemies will plot her downfall.... Once again, Stephanie Thornton brings to life a remarkable woman from the distant past whose willingness to defy tradition changed the course of history.

The Chronicles of the Pharaoh's Daughter presents a passionate, ironic, and symbolic collection of poems that blends antiquity, history, memory, reincarnation, wealth, poverty, sex, love, life, birth, and afterlife. Poet Davina Rhine shares a tormented adventure lamenting the loss of her idealized father and recalling the grudging acceptance of a woman's experience in domesticity, mundane work, and child-rearing. This confessional poet, torn by grief, erotica, responsibility, mature love, and dreams, goes from sinner to forgiver in the course of the collection. Unlike other confessionals, her journey in dreams and everyday life does not end in misery, but in rapture both strong and defiant as she is resurrected. The clashing metaphors of the past and present take us all over the ancient world and into the heart of modern love; the journey begins with an act of vengeance for the women raped at the birth of Rome. Rhine explores the sacred, the vulgar, and the human experience as her poems explode into sharp, dizzying shards of emotion and drama. The Chronicles of the Pharaoh's Daughter is a collection that exhales classical archaeology while reinventing the past with the vigor and vision of a strong, defiant activist and writer.

Cesare Pugni (1802–1870) made his debut as a composer at La Scala in 1826 with the opera Elerz e Zulmida, later becoming director of the Paganini Institute in Paris where he met the great choreogrpahers of the time. He began working closely with Jules Perrot, first in Paris, then in London. He also worked with Arthur Saint-Léon, Paolo Taglioni, Marius Petipa, and some of the greatest dancers of the century. His time in Paris with Perrot was marked by an extraordinarily intense activity, which accelerated when he reached Her Majesty’s Theatre in London where he presented some of the most renowned ballets of the 19th century, such as Esmeralda (1844) and the Pas de Quatre (1845), which still find their place in some modern repertories. Pugni later followed Perrot to St Petersburg and became official composer of the Imperial Theatres in St Petersburg. His most famous collaboration, with Marius Petipa, now followed, which lasted until Pugni’s death. Some of his ballets already well-known in Europe were transferred to St Petersburg, although he also composed new ballets in Russia. Pugni is known above all for his enormous output of musical works, including more than 300 ballets, a dozen operas, over 40 masses, other polyphonic works, and a few symphonies, among which was a Sinfonia a canone, highly praised by Meyerbeer. This extremely prolific composer was very popular with the public, as all his ballets are easy to to listen to and to understand. He also found no diffculty in adapting his music to suit all sorts of choreographic needs, and many different performers. Doch’ Faraona, or La Fille du Pharaon is a ballet in 3 acts and 9 scenes with prologue and epilogue. The scenario was devised by Vernoy de Saint-Georges and Marius Petipa, with choreography by Petipa. It was first performed on 30 January 1862, in St Petersburg at the Bolshoi Theatre. The principal dancers were Carolina Rosati, Nicholas Golts, Marius Petipa, and Lev Ivanov. The ballet was inspired by Théophile Gautier’s Le Roman de la Momie, and narrates the adventures of the English Lord Wilson and his servant John Bull,who seek shelter from a storm in an Ancient Egyptian tomb. They smoke opium and in their dreams are taken back to the times of the characters buried there: Lord Wilson meets the Pharaoh’s daughter Aspicia during a lion hunt, helps her to escape from the invidious attentions of the King of Nubia, and undergoes various adventures with her in the Egyptian countryside (including a visit to the watery underworld of the King of the Nile where all the great rivers of the world are represented in national dance). He is eventually saved from sacrifice and united with her in marriage, before waking to the cold light of reality. The ballet was a resounding success. The spectacle lasted over 4 hours and featured a cast of 400, 80 of them dancers. The spectacle was prepared in only 6 weeks for Carolina Rosati’s farewell performance. This success secured Marius Petipa’s appointment as maître de ballet (assistant ballet master) in St Petersburg. It marked the last of Rosati’s appearances in Russia, but thereafter tempted other great ballerinas, including Marie Petipa, Yekaterina Vazem, Virginia Zucchi, Mathilda Kschessinskaya and Anna Pavlova, each of them contributing her own interpretation of the heroine’s part. Marius Ivanovich Petipa (1818 -1910) was a hugely influential French balletmaster, teacher and choreographer who became Premier Maître de Ballet of the St. Petersburg Imperial Theatres from 1871 until 1903. Petipa created over fifty ballets, some of which have survived in versions either faithful to, inspired by, or reconstructed from the original, including Pharaoh's Daughter (1862); Don Quixote (1869); La Bayadère (1877); Le Talisman (1889); and Sleeping Beauty (1890) among others. Petipa also revived a substantial number of works created by other ballet masters. His productions became the definitive versions from which nearly all subsequent revivals would be based — Le Corsaire, Giselle, Coppélia, La Fille mal gardée (with Lev Ivanov), The Little Humpbacked Horse and Swan Lake (with Lev Ivanov). There are various dances from Petipa's original works and revivals that have survived in an independent form in versions either based on the original or choreographed anew by others.

This is a fictional story about the biblical Moses and Pharaoh's Daughter who saved the infant Moses from death in the Nile, called the "River" by the Egyptians. This story assumes that Hatshepsut is the Pharaoh's Daughter that saved Moses, adopted him and then educated him as an Egyptian. Egypt had been isolated by the vastness of the desert and allowed to prosper for thousands of years. In time foreign invaders, called "Hyksos", would cross the desert and conquer the Delta area in Lower Egypt. For 150 years of "chaos" the nation was divided. Fierce "Warrior Kings" who were Hatshepsut's ancestors in Upper Egypt defeated the vile Hyksos and reunited Lower and Upper Egypt. This time period of a united Upper and Lower Egypt is called the 18th Dynasty. Hatshepsut's father was the 3rd such warrior king in this dynasty. In this era, Egypt's reached its zenith in history. Egypt expanded its borders and produced great monuments. The pyramids are 1000 years old and Hatshepsut wants to continue Egypt's great growth.

This compelling story of adventure, romance, and intrigue, set in ancient Egypt, was written by the three-time Newbery Honor and Edgar Award winning author Eloise Jarvis McGraw. Mara is a proud and beautiful slave girl who yearns for freedom in ancient Egypt, under the rule of Queen Hatshepsut. Mara is not like other slaves; she can read and write, as well as speak the language of Babylonian. So, to barter for her freedom, she finds herself playing the dangerous role of double spy for two arch enemies—each of whom supports a contender for the throne of Egypt. Against her will, Mara finds herself falling in love with one of her masters, the noble Sheftu, and she starts to believe in his plans of restoring Thutmose III to the throne. But just when Mara is ready to offer Sheftu her help and her heart, her duplicity is discovered, and a battle ensues in which both Mara’s life and the fate of Egypt are at stake. “Dangerous espionage, an unusual love story, and richly drawn background make this a book to capture quick and lasting interest.”—Horn Book “Thoroughly engrossing.”—Kirkus Reviews