The Philosopher S New Clothes

This book takes a new approach to the question, "Is the philosopher to be seen as universal human being or as eccentric?". Through a reading of the Theaetetus, Pappas first considers how we identify philosophers – how do they appear, in particular how do they dress? The book moves to modern philosophical treatments of fashion, and of "anti-fashion". He argues that aspects of the fashion/anti-fashion debate apply to antiquity, indeed that nudity at the gymnasia was an anti-fashion. Thus anti-fashion provides a way of viewing ancient philosophy’s orientation toward a social world in which, for all its true existence elsewhere, philosophy also has to live.

A remarkably clear explication of the tenets of Object-Oriented Philosophy and an acute critique of the movement's ramifications for philosophy today. How does the patience and rigour of philosophical explanation fare when confronted with an irrepressible desire to commune with the object and to escape the subjective perplexities of reference, meaning, and sense? Moving beyond the hype and the inflated claims made for “Object-Oriented” thought, Peter Wolfendale considers its emergence in the light of the intertwined legacies of twentieth-century analytic and Continental traditions. Both a remarkably clear explication of the tenets of OOP and an acute critique of the movement's ramifications for philosophy today, Object-Oriented Philosophy is a major engagement with one of the most prevalent trends in recent philosophy.

A collection of three popular folk tales; Emperor's new clothes, Steadfast tin soldier and Puss in boots.

Perfect for readers of Women in Clothes, this beautifully designed philosophical guide to fashion explores art, literature, and film to uncover the hidden meaning of a well-chosen wardrobe. We all get dressed. But how often do we pause to think about what our clothes say? When we dress ourselves, we are presenting to the world an essence of who we are, who we want to be. Dressed ranges freely from suits to suitcases, from Marx's coat to Madame X's gown. Through art and literature, film and philosophy, philosopher Shahidha Bari unveils the surprising personal implications of what we choose to wear. The impeccable cut of Cary Grant's suit projects masculine confidence, just as Madonna's oversized denim jacket and her armful of orange bangles loudly announces big ambition. How others dress tells us something fundamental about them -- we can better understand how people live and what they think through their garments. Clothes tell our stories. Dressed is the thinking person's fashion book. In baring the hidden power of clothes in our culture and our daily lives, Bari reveals how our outfits not only cover our bodies but also reflect our minds.

This book takes an in-depth look at the integration of fashion and philosophy. It challenges the deeply rooted prejudice or misconception that fashion is a field limited to body-oriented and appearance-related themes and practices. It also reveals that fashion is intermeshed with distinctively modern issues that belong to the realm of the mind as well as the body. In doing so, it refashions philosophy and philosophizes fashion, which ultimately amount to the same thing. The book argues that while the philosophization of fashion can give a clearer understanding of some esoteric areas of philosophy and fashion’s close connection to modern societies and politics, it also shows that philosophy can assist in redeeming fashion from the objective, bodily world, positioning it as an indispensable part of the humanities. This is because fashion manifests critical aspects of human culture in our time, and is an expression of the zeitgeist, which is interwoven with the unfolding of history. This book will be highly relevant to students and researchers in fashion studies who are looking for the theoretical underpinnings and insights for their own work. It will also be of keen interest to scholars in the field of philosophy who are seeking to apply philosophical concepts to both everyday life and our empirical world.

This book offers a unique analysis of how ideas about science and technology in the public and scientific imaginations (in particular about maths, logic, the gene, the brain, god, and robots) perpetuate the false reality that values and politics are separate from scientific knowledge and its applications. These ideas are reinforced by cultural myths about free will and individualism. Restivo makes a compelling case for a synchronistic approach in the study of these notoriously 'hard' cases, arguing that their significance reaches far beyond the realms of science and technology, and that their sociological and political ramifications are of paramount importance in our global society. This innovative work deals with perennial problems in the social sciences, philosophy, and the history of science and religion, and will be of special interest to professionals in these fields, as well as scholars of science and technology studies.

That Martin Heidegger supported National Socialism has long been common knowledge. Yet the relation between his philosophy and political commitments remains highly contentious and recently has erupted into a vociferous debate. Boldly refuting arguments that the philosopher's political stance was accidental or adopted under coercion, Rockmore argues that Heidegger's philosophical thought and his Nazism are inseparably intertwined, that he turned to National Socialism on the basis of his philosophy, and that his later evolution is largely determined by his continuing concern with Nazism. After developing a framework that clearly outlines the interrelation of Nazism and Heidegger's philosophy, Rockmore analyzes the famous rectoral address the philosopher delivered in 1933 upon becoming rector of the University of Freiburg. In that speech Heidegger sought to ground politics in philosophy. Rockmore examines the inseparable relation of politics and philosophy in Heidegger's Being and Time, the recently published Contributions to Philosophy (written from 1936 to 1938), and the interpretations of Hlderlin, Nietzsche, and technology. In his conclusion Rockmore considers the ongoing discussion of Heidegger's thought and Nazism in France. Combining extensive documentation of the Heidegger controversy with philosophical and historical analysis, this book raises profound questions about the social and political responsibility of philosophy. That Martin Heidegger supported National Socialism has long been common knowledge. Yet the relation between his philosophy and political commitments remains highly contentious and recently has erupted into a vociferous debate. Boldly refuting arguments that the philosopher's political stance was accidental or adopted under coercion, Rockmore argues that Heidegger's philosophical thought and his Nazism are inseparably intertwined, that he turned to National Socialism on the basis of his philosophy, and that his later evolution is largely determined by his continuing concern with Nazism. After developing a framework that clearly outlines the interrelation of Nazism and Heidegger's philosophy, Rockmore analyzes the famous rectoral address the philosopher delivered in 1933 upon becoming rector of the University of Freiburg. In that speech Heidegger sought to ground politics in philosophy. Rockmore examines the inseparable relation of politics and philosophy in Heidegger's Being and Time, the recently published Contributions to Philosophy (written from 1936 to 1938), and the interpretations of Hlderlin, Nietzsche, and technology. In his conclusion Rockmore considers the ongoing discussion of Heidegger's thought and Nazism in France. Combining extensive documentation of the Heidegger controversy with philosophical and historical analysis, this book raises profound questions about the social and political responsibility of philosophy.

Fashion | Sense is designed to explode “fashion,” and with it, the stigma in philosophy against fashion's superficiality. Fashion appears to be altogether differently occupied, disingenuous and insubstantial, even sophistic in its pretense to peddle surfaces as if they were something deep. But is fashion's apparent beguilement more philosophical than it seems? And is philosophy's longing for exposed depth concealing fashion in its anti-fashion stance? Using primarily ancient Greek texts, peppered with allusions to their echoes across the history of philosophy and contemporary fashion and pop culture, Gwenda-lin Grewal not only examines the rift between fashion and philosophy, but also challenges the claim that fashion is modern. Indeed, fashion's quarrel with philosophy may be at least as ancient as that infamous quarrel between philosophy and poetry alluded to in Plato's Republic. And the quest for fashion's origins, as if a quest for a neutrally-outfitted self, stripped of the self-awareness that comes with thinking, prompts questions about human agency and our immersion in time. The touch of reality's fabric bristles in our relationship to our looks, not simply through the structure of clothes but in the plot of our wearing them. Meanwhile, the fashion of our words sharpens our meaning like a cutting silhouette. Grewal's own writing is playfully and daringly self-conscious, aware of its style and the entrapment it arouses from the very first line. The reactions provoked by fashion's flair, not only among the philosophical set but also among those who would never deck themselves out in the title, “philosopher,” show it forth as perhaps philosophy's most important and underestimated doppelgänger.