The Philosophy Of Giambattista Vico

Credited as the inventor of the philosophy of history, Vico's influential pre-Enlightenment theories about knowledge, metaphysics, and moral consciousness gained a wider audience with this acclaimed 20th-century exposition.

This book is a blend of Croce's exceptional brand of idealism and aesthetic philosophy with Vico's epistemological, moral, and historical ideas. Giambattista Vico is a genius of pre-Enlightenment Naples who gained fame after his death. Croce's insightful analysis of Vico's theories played a significant role in bringing the readers' attention to his unique voice.

Long a shadowy figure in the history of philosophy, it was only in the twentieth century that Giambattista Vico (1668-1744) achieved renown as a major and original thinker. There has been a steadily widening interest in this figure who, had he been known in his own day, might have altered the course of European thought. Much has been written in an attempt to clarify his historical stature, but in Time and Idea A. Robert Caponigri approaches Vico's thought in terms of its relevance to problems of modern philosophy. Viewing the essential problem of twentieth-century philosophy as the elimination of human subjectivity from nature, Caponigri shows how Vico offers us a principle for the vindication of our own spirituality through history. In Caponigri's reading, Vico establishes an absolute dichotomy between nature and history. The latter is seen as the sum of the active, fully realized human spirit and thus the context for the true understanding of human nature. Although Vico's major work, The New Science, incorporates vast amounts of concrete historical research and contruction, Caponigri's focus is on Vico's theoretical apparatus. Following an introductory biographical chapter, the author turns to Vico's theory of history, emphasizing its importance as a genuine philosophical undertaking rather than mere methodology. Caponigri shows how the speculative problem of history first presented itself to Vico in matters of jurisprudence and natural law from which he derived the concepts of time and idea as the terms in which the historical process of culture becomes comprehensible. He then introduces the human subject as the principle of the synthesis of time and idea, and discusses the Vichian concept of the "modification of the human mind," and his idea of "providence" as the rectifying principle of human history. First published in 1953, Time and Idea remains an essential contribution to the ongoing dialog on Vico's work.

The Autobiography of Giambattista Vico is significant both as a source of insight into the influences on the eighteenth-century philosopher's intellectual development and as one of the earliest and most sophisticated examples of philosophical autobiography. Referring to himself in the third person, Vico records the course of his life and the influence that various thinkers had on the development of concepts central to his mature work. Beyond its relevance to the development of the New Science, the Autobiography is also of interest for the light it sheds on Italian culture in the seventeenth and eighteenth centuries.Still regarded by many as the best English-language translation of this classic work, the Cornell edition was widely lauded when first published in 1944. Wrote the Saturday Review of Literature: "Here was something new in the art of self-revelation. Vico wrote of his childhood, the psychological influences to which he was subjected, the social conditions under which he grew up and received an education and evolved his own way of thinking. It was so outstanding a piece of work that it was held up as a model, which it still is."

It would be an understatement to say that the New Science is difficult to read. Most contemporary readers conclude with a Russian scholar that Vico's thought "is expressed in extremely naive forms, profound thoughts are interspersed with all sorts of pedantic trifles, the exposition is very confusing, yet it is beyond doubt that the basic idea is a work of genius. " 1 There can be no disputing the fact that the New Science is difficult to read; the dispute emerges in the effort to explain how a work which is at once "confusing," "naive" and "pedantic," can be a "work of genius. " The purpose of this brief study is to suggest that a good deal of the confusion can be dispelled when the New Science is read with care and an eye to the possibility of two levels of meaning. We must never forget that Vico was a professor of rhetoric and was therefore familiar with the techniques of cautious writing. It is our conviction that the New Science is an exoteric book which means that it contains two levels of meaning: one which conveys a popular and orthodox message, and another which 2 conveys a philosophical message addressed to philosophers. A large number of contemporary scholars tend to minimize or dismiss this type of writing.

Barely acknowledged in his lifetime, the New Science of Giambattista Vico (1668-1744) is an astonishingly perceptive and ambitious attempt to decipher the history, mythology and laws of the ancient world. Discarding the Renaissance notion of the classical as an idealised model for the modern, it argues that the key to true understanding of the past lies in accepting that the customs and emotional lives of ancient Greeks and Romans, Egyptians, Jews and Babylonians were radically different from our own. Along the way, Vico explores a huge variety of topics, ranging from physics to poetics, money to monsters, and family structures to the Flood. Marking a crucial turning-point in humanist thinking, New Science has remained deeply influential since the dawn of Romanticism, inspiring the work of Karl Marx and even influencing the framework for Joyce's Finnegan's Wake.

For today's readers, the great Italian philosopher of history Giambattista Vico (1668-1744) can be startlingly relevant to the social and educational divisiveness we confront at century's end: here Giuseppe Mazzotta, one of the leading Italianists in the United States, shows how much Vico, properly read, can bring to an understanding of contemporary social problems. To explore Vico's body of thought in all its monumental complexity, Mazzotta highlights the place of poetry, or "writerliness," in Vico's educational project, which links literature, history, religion, philosophy, and politics. The New Map of the World is the first book since Benedetto Croce's The Philosophy of G. B. Vico (1911) to interpret the immense range of Vico's creativity. Beginning with Vico's autobiography, Mazzotta explains that Vico's heroic attempt to unite the arts and sciences was meant to offer a desperately needed political unity to modern society. In contrast to past thematic studies of Vico that focus on a single one of his ideas, The New Map of the World explores the vital interaction of the issues that fascinated him: his educational and political project, his sense of the necessity for a new way of conceiving authority, and his belief in the power of poetry. Mazzotta ends by examining Vico's awareness of the tragic limits of politics itself. Originally published in 1999. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.