The Pillar Of Salt

The renowned writer describes coming of age during the violent Mexican Revolution and living as an openly homosexual man in a brutally machista society. Salvador Novo (1904–1974) was a provocative and prolific cultural presence in Mexico City through much of the twentieth century. With his friend and fellow poet Xavier Villaurrutia, he cofounded Ulises and Contemporáneos, landmark avant-garde journals of the late 1920s and 1930s. At once “outsider” and “insider,” Novo held high posts at the Ministries of Culture and Public Education and wrote volumes about Mexican history, politics, literature, and culture. The author of numerous collections of poems, including XX poemas, Nuevo amor, Espejo, Dueño mío, and Poesía1915–1955, Novo is also considered one of the finest, most original prose stylists of his generation. Pillar of Salt is Novo’s incomparable memoir of growing up during and after the Mexican Revolution; shuttling north to escape the Zapatistas, only to see his uncle murdered at home by the troops of Pancho Villa; and his initiations into literature and love with colorful, poignant, complicated men of usually mutually exclusive social classes. Pillar of Salt portrays the codes, intrigues, and dynamics of what, decades later, would be called “a gay ghetto.” But in Novo’s Mexico City, there was no name for this parallel universe, as full of fear as it was canny and vibrant. Novo’s memoir plumbs the intricate subtleties of this world with startling frankness, sensitivity, and potential for hilarity. Also included in this volume are nineteen erotic sonnets, one of which was long thought to have been lost.

When The Pillar of Salt was first published in 1953, it caused a scandal in Tunis. Acclaimed sociologist Albert Memmi, the son of poor Jewish parents who lived at the edge of the equally poor Jewish and Muslim quarters, wrote candidly about the life of Tunisia’s small Jewish community and the failings of the tiny local bourgeoisie, “which thought itself opulent but was only ridiculous.” Memmi was no less critical of his Muslim fellow citizens or of the various European colonialists in his vicinity. “The Pillar of Salt reads like a general indictment,” Memmi writes in a new introduction to this 2013 eBook edition. This is an unusual man’s coming of age story and a document about a community that has now all but disappeared. “The grave torment of the truly homeless is the theme of Albert Memmi's mature, thoughtful book... His father an Italian Jew, his mother a Berber, Benillouche struggles on the tattered fringe of the Tunisian ghetto for the very air he breathes... Beneath this account of privation, there is a more deeply harrowing realization on the part of the protagonist that he belongs nowhere.” — New York Times “In the Celine-Sartre-Camus tradition of the contemporary French novel of despair, this autobiographical narrative has maturity, stylistic grace, and purpose... A thoughtful, perceptive work.” — Library Journal “Alexandre Mordekhai Benillouche, Memmi’s young hero and narrator, is a Jewish native of French-colonized Tunisia ... Memmi’s ... semiautobiographical novel powerfully distinguishes itself through its unblinking examination of the contradictions that thwart even Alexandre’s most altruistic ambitions. After volunteering to work in a labor camp during World War II, Alexandre discovers that the class and ethnic distinctions haunting him continued within the camp. Ultimately, only exile and fiction writing — ‘mastering ... life by recreating it’ — can avert despair.” — Publishers Weekly “Told with clarity of vision, a passionate sense of justice, and a warm heart.” — New York Herald Tribune

Pillars of Salt is the story of two women confined in a mental hospital in Jordan during and after the British Mandate. After initial tensions they become friends and share their life stories.

"For the next three years, Luzek slaved and barely survived in ten concentration camps, including Rzeszow, Plaszow, Flossenburg, Colmar, Sachsenhausen, Braunschweig, Ravensbruck, and Wobbelin. Cattle cars filled with skeletal men emptied into a train yard in Colmar, France. Luzek and the other prisoners marched under the whips and fists of SS guards. But here, unlike the taunts and rocks from villagers in Poland and Germany, there was applause. "I could clearly hear the people calling: 'Shame! Shame!' . . . Suddenly, I realized that the people of Golmar were applauding us! They were condemning the inhumanity of the Germans!"".

By collecting and presenting thirty-two examples of crime narratives ranging from the late-seventeenth to the late-eighteenth centuries, Williams explores the public ritual of capital punishment in colonial America.

A novel of Paris in the 1930s from the eyes of the Vietnamese cook employed by Gertrude Stein and Alice B. Toklas, by the author of The Sweetest Fruits. Viewing his famous mesdames and their entourage from the kitchen of their rue de Fleurus home, Binh observes their domestic entanglements while seeking his own place in the world. In a mesmerizing tale of yearning and betrayal, Monique Truong explores Paris from the salons of its artists to the dark nightlife of its outsiders and exiles. She takes us back to Binh's youthful servitude in Saigon under colonial rule, to his life as a galley hand at sea, to his brief, fateful encounters in Paris with Paul Robeson and the young Ho Chi Minh. Winner of the New York Public Library Young Lions Fiction Award A Best Book of the Year: New York Times, Village Voice, Seattle Times, Miami Herald, San Jose Mercury News, and others “An irresistible, scrupulously engineered confection that weaves together history, art, and human nature…a veritable feast.”—Los Angeles Times “A debut novel of pungent sensuousness and intricate, inspired imagination…a marvelous tale.”—Elle “Addictive…Deliciously written…Both eloquent and original.”—Entertainment Weekly “A mesmerizing narrative voice, an insider's view of a fabled literary household and the slow revelation of heartbreaking secrets contribute to the visceral impact of this first novel.”—Publishers Weekly, starred review

In this innovative study, Daniel A. Cohen explores a major cultural shift embodied in hundreds of early New England crime publications. Tracing the declining authority of Puritan ministers, he shows how the arbiters of an increasingly pluralistic literary marketplace gradually supplanted pious execution sermons with last-speech broadsides, gallows verses, criminal autobiographies, trial reports, newspaper stories, and romantic docudramas. Pillars of Salt, Monuments of Grace probes the forgotten origins of our modern mass media's preoccupation with crime and punishment.

Introduces the controversy over recollections of childhood sexual abuse as the window onto a broader field of ideas concerning memory, storytelling, and the psychology of women.