The Pillow Book Of The Flower Samurai

I am Kozaisho: Fifth daughter, Woman-For-Play, teller of stories, lover, wife and Flower Samurai. In the rich, dazzling, brutal world of twelfth century Japan, one young girl begins her epic journey, from the warmth of family to the Village of Outcasts. Marked out by an auspicious omen, she is trained in the ancient warrior arts of the samurai. But it is through the power of storytelling that she learns to fight her fate, twisting her life onto a path even she could not have imagined...

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An eleventh-century classic, The Pillow Book of Sei Shōnagon is frequently paired with The Tale of Genji as one of the most important works in the Japanese canon. Yet it has also been marginalized within Japanese literature for reasons including the gender of its author, the work’s complex textual history, and its thematic and stylistic depth. In Unbinding The Pillow Book, Gergana Ivanova offers a reception history of The Pillow Book and its author from the seventeenth century to the present that shows how various ideologies have influenced the text and shaped interactions among its different versions. Ivanova examines how and why The Pillow Book has been read over the centuries, placing it in the multiple contexts in which it has been rewritten, including women’s education, literary scholarship, popular culture, “pleasure quarters,” and the formation of the modern nation-state. Drawing on scholarly commentaries, erotic parodies, instruction manuals for women, high school textbooks, and comic books, she considers its outsized role in ideas about Japanese women writers. Ultimately, Ivanova argues for engaging the work’s plurality in order to achieve a clearer understanding of The Pillow Book and the importance it has held for generations of readers, rather than limiting it to a definitive version or singular meaning. The first book-length study in English of the reception history of Sei Shōnagon, Unbinding The Pillow Book sheds new light on the construction of gender and sexuality, how women’s writing has been used to create readerships, and why ancient texts continue to play vibrant roles in contemporary cultural production.

The sequel to the acclaimed novel Shinju again features detective Sano Ichiro as he trails a serial killer stalking feudal Japan. In 1689, an all-powerful shogun controls the state, surrounded by bitter machinations and political intrigues. When an ancient tradition suddenly and brutally reappears, Sano risks everything to bring the killer to justice. “Bundori is terrific. . . . So good you won’t want to put it down, even to get off a plane. . . . [Laura Joh] Rowland hits her stride as a writer who can deal equally well with the pacing of plot and the nuances of character development. . . . Rowland clearly knows how to build suspense and action, a talent that she demonstrates with great skill.”—New Orleans Times-Picayune “Bundori is one of those mysteries in which the itch to find out whodunit recedes before the pleasure of prowling through a different world.”—Washington Post Book World “Sano may carry a sword and wear a kimono, but you’ll immediately recognize him as an ancestor of Philip Marlowe or Sam Spade.”—Denver Post “A colorful pictorial style that conveys . . . excitement and . . . danger.”—The New York Times Book Review

First Published in 2005. Japan is often called the land of flowers. This book gives an account of those flowers that occur in the country that are most remarkable for their beauty and profusion and that are most typically Japanese. There are also pages on landscape gardening.

Thomas Jefferson had a radical dream for higher education. Designed to become the first modern public university, the University of Virginia was envisioned as a liberal campus with no religious affiliation, with elective courses and student self-government. Nearly two centuries after the university’s creation, its success now seems preordained—its founder, after all, was a great American genius. Yet what many don’t know is that Jefferson’s university almost failed. In Rot, Riot, and Rebellion, award-winning journalists Rex Bowman and Carlos Santos offer a dramatic re-creation of the university’s early struggles. Political enemies, powerful religious leaders, and fundamentalist Christians fought Jefferson and worked to thwart his dream. Rich students, many from southern plantations, held a sense of honor and entitlement that compelled them to resist even minor rules and regulations. They fought professors, townsfolk, and each other with guns, knives, and fists. In response, professors armed themselves—often with good reason: one was horsewhipped, others were attacked in their classrooms, and one was twice the target of a bomb. The university was often broke, and Jefferson’s enemies, crouched and ready to pounce, looked constantly for reasons to close its doors. Yet from its tumultuous, early days, Jefferson’s university—a cauldron of unrest and educational daring—blossomed into the first real American university. Here, Bowman and Santos bring us into the life of the University of Virginia at its founding to reveal how this once shaky institution grew into a novel, American-style university on which myriad other U.S. universities were modeled.