The Pinball And Chain Clean Wholesome Fake Marriage Romcom Romance

Can love become real when the marriage is fake? Hard-working Canadian expat Amy Bell found her home away from home in America. In a few short years, she’s built up a small pinball arcade into a coast-to-coast franchise, and nothing is going to stop her now. Nothing, that is, until immigration services comes knocking. The company she hired to get her a green card husband—a lumberjack so handsome he’s almost a cliché—is under investigation, and so are all the marriages they brokered, including Amy’s. She must convince the US government, as well as her new business partners, that she really is married to a man she hasn’t seen in years . . . Reclusive Victor Sullivan just wants to be left alone with his woodworking tools and his golden retriever on his own private stretch of Wyoming. So when the woman he married sends her lawyer to fetch him, he would return the man empty handed—if not for those pesky F words the attorney uses . . . fines, fraud, and federal prison. Vic finds himself heading to California. He isn’t disrupting his life just to see that gorgeous, smart, energetic woman again. It’s only to stay out of jail. No other reason. And maybe if he says it enough, he’ll actually believe it. Book three in The Unwedding Vow: Having just attended a wedding with the queen of all bridezillas, the ten unmarried members of wedding reception table nine have taken an oath. They will never, ever get married. Can this collection of oddball personalities keep their promise to be single? Or will love pick off each member of The Unwedding Vow?

“A sweet and honest rom-com that you don’t want to miss.” —Rachael Lippincott, New York Times bestselling author of Five Feet Apart To All the Boys I’ve Loved Before meets Save the Date in this sweet, hijinks-filled rom-com about a teen girl who will do whatever it takes to find a date for her sister’s wedding. Mia’s friends love rom-coms. Mia hates them. They’re silly, contrived, and not at all realistic. Besides, there are more important things to worry about—like how to handle living with her bridezilla sister, Sam, who’s never appreciated Mia, and surviving junior year juggling every school club offered and acing all of her classes. So when Mia is tasked with finding a date to her sister’s wedding, her options are practically nonexistent. Mia’s friends, however, have an idea. It’s a little crazy, a little out there, and a lot inspired by the movies they love that Mia begrudgingly watches, too. Mia just needs a meet-cute.

One of the most anticipated novels of 2018 according to Entertainment Weekly * Goodreads * Esquire * Elle * Cosmopolitan *BBC * Huffington Post * Bustle * Southern Living * Newsday * Bookish * Nylon “Transcendent . . . Triumphant . . . Gorgeous.”—Elle “A stunning epic love story . . . An exquisite, timely, and powerful novel that feels both urgent and indispensable.”—Edwidge Danticat Newlyweds Celestial and Roy are the embodiment of both the American Dream and the New South. He is a young executive, and she is an artist on the brink of an exciting career. But as they settle into the routine of their life together, they are ripped apart by circumstances neither could have imagined. Roy is arrested and sentenced to twelve years for a crime Celestial knows he didn’t commit. Though fiercely independent, Celestial finds herself bereft and unmoored, taking comfort in Andre, her childhood friend, and best man at their wedding. As Roy’s time in prison passes, she is unable to hold on to the love that has been her center. After five years, Roy’s conviction is suddenly overturned, and he returns to Atlanta ready to resume their life together. This stirring love story is a profoundly insightful look into the hearts and minds of three people who are at once bound and separated by forces beyond their control. An American Marriage is a masterpiece of storytelling, an intimate look deep into the souls of people who must reckon with the past while moving forward--with hope and pain--into the future.

British culture is strewn with names that strike a chord the world over such as Shakespeare, Churchill, Dickens, Pinter, Lennon and McCartney. This book examines the people, history and movements that have shaped Britain as it now is, providing key information in easily digested chunks.

American Ideal: How American Idol Constructs Celebrity, Collective Identity, and American Discourses explores ideals associated with American Idol, and includes deep examinations of contextual press coverage, official message boards, and the show itself. It finds that the representation of an idealized American culture endorses and supports contemporary cultural, economic, and institutional ideologies, particularly values of celebrity, beauty, American identity, and capitalism.

For decades the Village Voice set the benchmark for passionate, critical, and unique film coverage. Including reviews by some of America’s most respected critics, The Village Voice Film Guide compiles spirited landmark reviews of the Voice’s selection of the 150 greatest films ever made. Collecting some of the best writing on film ever put on paper, this is a perfect book for film buffs.

Doctoral Thesis / Dissertation from the year 2016 in the subject Film Science, grade: Pass, Kingston University London, language: English, abstract: The 1980s Hollywood teen genre is a topic which has not attracted significant academic interest in the context of doctoral research. Only recently have writers focused on this period in wider scholarly texts, often positioned in relation to other periods of the teen genre, but not extensively concentrating on the 1980s. This research will address what is a lack of detailed analysis of this cinematic era and offer a contribution to knowledge in terms of Hollywood genre cinema. The aim of this thesis is to argue that teen films produced during the 1980s effectively represent youth concerns and the coming-of-age process, for example, in terms of adolescent identity, the different 'roles' the characters play, sexuality, gender, relationships, class issues and the generational divide. These concerns will often resonate with the wider sociopolitical and economic landscape of the Reagan era. The research will investigate these themes in individual films and then go on to analyse them using several films across the generic spectrum to show how the genre achieves a unity and synergy, despite differences in tone and attitude of the films under scrutiny. The films covered herein will be a selection from the subgenres of the 1980s teen films: the teen sex comedies examined were produced during the first half of the decade; the more romantic comedies and dramas were generally made from the mid-1980s onwards. Also scrutinised will be several delinquent teen films. One of the methodologies used to underpin the central argument is related to the structuralist theories and their binary oppositional factors. This will attempt to make sense of the portrayal of a youth culture by exposing its contradictions. This approach will be merged with film genre theories, for instance, in relation to a film's semantic/syntactic axis and the symb