The Plain Sense Of Things

Edwards (philosophy, Furman U.) describes a religious way of living that relies on neither religion's traditional power nor the current enthusiasm for values. He first provides an historical introduction, paying special attention to Kierkegaard and the early work of Heidegger. He then analyzes Heidegger's notion of "poetic dwelling on the earth as a mortal," and shows how this notion is exemplified in Thoreau's Walden, Norman Maclean's Young Men and Fire, and Wallace Stevens' poem "The Plain Sense of Things." Paper edition (unseen), $17.95. Annotation copyrighted by Book News, Inc., Portland, OR

In prose as clean and beautiful as the stark prairie setting, The Plain Sense of Things tells the stories of three generations of a western Nebraska family. These tales of sorrow and hope are connected by the sinews of need and flawed love that keep families together. A farm wife struggles to support her children after the death of her second husband; a young woman grapples with the shift from girlhood to motherhood; World War II wreaks havoc on those left behind; and a failing farmstead breaks a family's heart. Amid hardship and change, these interwoven stories illuminate the resilience and d.

Wallace Stevens the poet and Wallace Stevens the insurance executive: for more than one critical generation it has seemed as if these two men were unacquainted--that Stevens was a poet who existed only in the rarefied world of language. However, the idea that Stevens lived a double life, the author maintains, is misleading. This compelling book uncovers what Stevens liked to think of as his "ordinary" life, a life in which the demands of politics, economics, poetry, and everyday distractions coexisted, sometimes peacefully and sometimes not. Examining the full scope of Stevens's career (from the student-poet of the nineteenth century to the award-winning poet of the Cold War years), Longenbach reveals that Stevens was not only aware of events taking place around him, but often inspired by those events. The major achievements of Stevens's career are shown to coalesce around the major historical events of his lifetime (the Great Depression and two World Wars); but Longenbach also dwells on Stevens's two extended periods of poetic silence, exploring the crucial aspects of Steven's life that were not exclusively poetic. Longenbach demonstrates that through Stevens's work in surety law he was far more intimately acquainted with legal and economic concerns than most poets, and he consequently thought deeply about the strengths--and, equally important, the limitations--of poetry as a social product and force.

Wallace Stevens is a major American poet and a central figure in modernist studies and twentieth-century poetry. This Companion introduces students to his work. An international team of distinguished contributors presents a unified picture of Stevens' poetic achievement. The Introduction explains why Stevens is among the world's great poets and offers specific guidance on how to read and appreciate his poetry. A brief biographical sketch anchors Stevens in the real world and illuminates important personal and intellectual influences. The essays following chart Stevens' poetic career and his affinities with both earlier and contemporary writers, artists, and philosophers. Other essays introduce students to the peculiarity and distinctiveness of Stevens' voice and style. They explain prominent themes in his work and explore the nuances of his aesthetic theory. With a detailed chronology and a guide to further reading, this Companion provides all the information a student or scholar of Stevens will need.

This detailed critical study of Wallace Stevens identifies the major concerns of his poetry. Lucy Beckett presents Stevens as a contemplative poet, engaged on a long enquiry into the nature of the relationship between the creative imagination and the world it illuminates and recreates.

Frank Kermode is one of the pre-eminent practitioners of the art of criticism in the English speaking world. It has been his distinction to make a virtue – as all the best critics have done – of the necessarily occasional nature of his profession. That virtue is evident on every page of this collection of essays. In one group of essays he asks the reader to share his pleasure in a number of major writers – Milton, T.S. Eliot, Wallace Stevens. In another, he discusses ideas about problems in biblical criticism and their implications for the study of narrative in particular and the interpretation of secular literary texts in general. In them he gives clear accounts of questions relating to interpretation and the debate about canons. A key essay looks at the career of William Empson, a career lived between literature and criticism, between the pleasure of the text and the delight in conceptual issues which is characteristic of so much of the contemporary taste for theory. It is Empson's career, perhaps, which is the foundation for the polemical prologue to the book, where Kermode challenges those who doubt the possibility (and the necessity) of the cross-over between literature and criticism, and who argue that criticism is mere appreciation, mere connoisseurship, that theory has displaced criticism and has left literature in the dust, that theory is the avant-garde of critical thought. This piece defines the author's position in the debate about literature and value.

This fruitful pairing of literary and biographical interpretation follows Wallace Stevens’s poetry through the lens of its dominant metaphor—the seasons of nature—and illuminates the poet’s personal life experiences reflected there. From Stevens’s first collection, Harmonium (1923), to his last poems written shortly before his death in 1955, George S. Lensing offers clear and detailed examination of Stevens’s seasonal poetry, including extensive discussions of “Autumn Refrain,” “The Snow Man,” “The World as Meditation,” and “Credences of Summer.” Drawing upon a vast knowledge of the poet, Lensing argues that Stevens’s pastoral poetry of the seasons assuaged a profound and persistent personal loneliness. An important scholarly assessment of a major twentieth-century modernist, Wallace Stevens and the Seasons also serves as an appealing introduction to Stevens.