The Play Of The Gods

A New Expanded And Illustrated Edition Of The Work First Published In 1980. Relates Two Festivals-Durgapuja In Some Of Goddess Durga, And Gajan In Honour Of Lord Siva. Presents An Inside New Of Society And Is The Only Complete Ethnographic Account Of A Major Ritual Cycle In India. 4 Chapters And 4 Appendices.

This book studies the close connections between politics, culture, art, and philosophy in seventeenth-century Europe. As an emblem of this interrelationship, the author has chosen the phenomenon of the “splendid festive performance” of spectacular plays and operas given at absolutist courts in Rome, Madrid, Paris, Versailles, and Vienna between 1631 and 1668. Gods of Play fills voids in the scholarly literature on the seventeenth-century, on absolutism, on courtly theatricality, and on the philosophy of play. Aercke demonstrates that such splendid performances were not just frivolous entertainment for the courtly class but were serious activities with far-ranging political consequences.

A beautifully observed narrative of American sport: character, grit, tragedy, unremarked heroism, and, always, the illuminating story behind the story. As a columnist for Time magazine, among many other publications, Tom Callahan witnessed an extraordinary number of defining moments in American sport across four decades. He takes us from Roberto Clemente clinching his 3,000th, and final, regular-season hit in Pittsburgh; to ringside for the Muhammad Ali–George Foreman fight in Zaire; and to Arthur Ashe announcing, at a news conference, that he’d tested positive for HIV. There are also little-known private moments: Joe Morgan whispering thank you to a virtually blind Jackie Robinson on the field at the 1972 World Series, or Kareem Abdul-Jabbar saying he was more interested in being a good man than in being the greatest basketball player. Brimming with colorful vignettes and enlivened by Callahan’s eye for detail, Gods at Play offers surprising portraits of the most celebrated names in sports. Roger Rosenblatt calls Callahan “the most complete sportswriter in America. He knows the most and writes the best."

We had the Fray of the Gods. Now we have the Play of the Gods - a tale of lust for gold, lust for power, and lust for cheese dip. The Gods themselves watch this story from the above so it must be good enough for you. This handsome paperback volume collects all four issues of the series: in one package, you get a lot of Groo doing real stupid things and causing mass destruction. Just what you wanted!

This is the story of M. Francisco Fabrigas, explorer, philosopher, heretical physicist, who took a shipful of children on a frightening voyage to the next dimension, assisted by a teenaged Captain, a brave deaf boy, a cunning blind girl, and a sultry botanist, all the while pursued by the Pope of the universe and a well-dressed mesmerist. Dark plots, demonic cults, murderous jungles, quantum mayhem, the birth of creation, the death of time, and a creature called the Sweety: all this and more waits beyond the veil of reality.

THE STORY: A playground altercation between eleven-year-old boys brings together two sets of Brooklyn parents for a meeting to resolve the matter. At first, diplomatic niceties are observed, but as the meeting progresses, and the rum flows, tension

GodÕs Middle Name is the compelling tale of one motherÕs journey through the uncharted territory of raising an autistic child.Jennifer is the mother of the child with autism. The play, in a series of episodic scenes, follows JenniferÕs family over the course of 10 years: from confusion to a life-altering diagnosis, through stages of denial, anger, depression, bargaining and finally acceptance. Along the way are flights of fancy and a great deal of humour, found both in JenniferÕs own approach to the challenge, and in NicÕs perception of the world around him.Written with sensitivity and lightness of touch, the play does not flinch from describing the grief involved in parenting an autistic child, yet the dominant emotion is one of joy in NicholasÕ accomplishments.GodÕs Middle Name premiered at the On The Waterfront Festival at Eastern Front Theatre in 2006. The play earned Jennifer the 2007 Robert G. Merritt Award for Best New Play, and In Good Company the award for Best Production. The production went on to the prestigious Magnetic North Theatre Festival in Ottawa and then had a very successful provincial and Canadian national tour. The play was also shortlisted for the coveted Lieutenant GovernorÕs Masterworks Award in 2008 and 2009.

God is playful. Like a child building sand castles on the beach, God creates the world and destroys it again. God plays with his (or her) devotees, sometimes like a lover, sometimes like a mother with her children, sometimes like an actor in a play.The idea of God's playfulness has been elaborated in Hinduism more, perhaps, than any other religion, providing one of the most distinctive and charming aspects of Indian religious life. Lila or "divine play" can refer to many things: to God's playful creation of the world and to religious dramas or "plays," as well as to various motifs in Hindu art. But despite the importance of lila in the cultural history of South Asia, few comprehensive studies of it are available, partly because scholars have tended to emphasize only one dimension of lila--either the theological or the performative--at the expense of the other. The Gods at Play fills this gap by bringing together scholarly essays on all aspects of this important Hindu idea, providing students with a broader understanding of popular Hindu culture and religion.