The Plays From Alienation And Freedom

Since the publication of The Wretched of the Earth in 1961, Fanon's work has been deeply significant for generations of intellectuals and activists from the 60s to the present day. Alienation and Freedom collects together unpublished works comprising around half of his entire output – which were previously inaccessible or thought to be lost. This book introduces audiences to a new Fanon, a more personal Fanon and one whose literary and psychiatric works, in particular, take centre stage. These writings provide new depth and complexity to our understanding of Fanon's entire oeuvre revealing more of his powerful thinking about identity, race and activism which remain remarkably prescient. Shedding new light on the work of a major 20th-century philosopher, this disruptive and moving work will shape how we look at the world.

Prior to becoming a psychiatrist, Frantz Fanon wanted to be a playwright and his interest in dialogue, dramatisation and metaphor continued throughout his writing and career. His passion for theatre developed during the years that he was studying medicine, and in 1949 he wrote the plays The Drowning Eye (L'Œil se noie), and Parallel Hands (Les Mains parallèles). This first English translation of the works gives us a Fanon at his most lyrical, experimental and provocative.

The sixtieth anniversary edition of Frantz Fanon’s landmark text, now with a new introduction by Cornel West First published in 1961, and reissued in this sixtieth anniversary edition with a powerful new introduction by Cornel West, Frantz Fanon’s The Wretched of the Earth is a masterfuland timeless interrogation of race, colonialism, psychological trauma, and revolutionary struggle, and a continuing influence on movements from Black Lives Matter to decolonization. A landmark text for revolutionaries and activists, The Wretched of the Earth is an eternal touchstone for civil rights, anti-colonialism, psychiatric studies, and Black consciousness movements around the world. Alongside Cornel West’s introduction, the book features critical essays by Jean-Paul Sartre and Homi K. Bhabha. This sixtieth anniversary edition of Fanon’s most famous text stands proudly alongside such pillars of anti-colonialism and anti-racism as Edward Said’s Orientalism and The Autobiography of Malcolm X.

Prior to becoming a psychiatrist, Frantz Fanon wanted to be a playwright and his interest in dialogue, dramatisation and metaphor continued throughout his writing and career. His passion for theatre developed during the years that he was studying medicine, and in 1949 he wrote the plays The Drowning Eye (L'Œil se noie), and Parallel Hands (Les Mains parallèles). This first English translation of the works gives us a Fanon at his most lyrical, experimental and provocative.

The Hegelian-Marxist idea of alienation fell out of favor after the postmetaphysical rejection of humanism and essentialist views of human nature. In this book Rahel Jaeggi draws on the Hegelian philosophical tradition, phenomenological analyses grounded in modern conceptions of agency, and recent work in the analytical tradition to reconceive alienation as the absence of a meaningful relationship to oneself and others, which manifests in feelings of helplessness and the despondent acceptance of ossified social roles and expectations. A revived approach to alienation helps critical social theory engage with phenomena such as meaninglessness, isolation, and indifference. By severing alienation's link to a problematic conception of human essence while retaining its social-philosophical content, Jaeggi provides resources for a renewed critique of social pathologies, a much-neglected concern in contemporary liberal political philosophy. Her work revisits the arguments of Rousseau, Hegel, Kierkegaard, and Heidegger, placing them in dialogue with Thomas Nagel, Bernard Williams, and Charles Taylor.

Frantz Fanon is a key figure in postcolonial and cultural studies. Born in 1925 on the French Caribbean island of Martinique, he passionately identified with Algeria's struggle for independence against the French. He became the leading voice in black liberationist writing. With the publication of this book, it is now possible to access all his important writings in one source.The Fanon Reader features extracts from each of Fanon's major works including Black Skin, White Masks, Studies in a Dying Colonialism, Toward the African Revolution and The Wretched of the Earth. Haddour contextualises Fanon -- the man and his work -- and provides a comprehensive summary of critical perspectives on his writings.This fully rounded critical introduction to Fanon's work will appeal to students and teachers in postcolonial studies, cultural studies, political theory, psychoanalysis, literary theory, race studies and anyone interested in the life and writings of one of the world's foremost pioneers of black liberation.

Drawn in hazy gray pencil and printed in blue pantone ink, this book is about Elizabeth, an exotic dancer in cyberspace, and Carlos, who was just fired from the last human-staffed oil rig, attempting to keep their romance alive. When they realize that their bodies are full of artificial organs and they live almost entirely online, they begin to question what being human actually means. Do our ancestral, or even animal, instincts eventually kick in, or are we transcending the limits of our bodies? When an unplanned pregnancy is caused by an AI hack, Elizabeth must decide if the child is the next step in evolution ― or a glitch that will wipe out humanity once and for all.

The theory of justice is one of the most intensely debated areas of contemporary philosophy. Most theories of justice, however, have only attained their high level of justification at great cost. By focusing on purely normative, abstract principles, they become detached from the sphere that constitutes their “field of application” - namely, social reality. Axel Honneth proposes a different approach. He seeks to derive the currently definitive criteria of social justice directly from the normative claims that have developed within Western liberal democratic societies. These criteria and these claims together make up what he terms “democratic ethical life”: a system of morally legitimate norms that are not only legally anchored, but also institutionally established. Honneth justifies this far-reaching endeavour by demonstrating that all essential spheres of action in Western societies share a single feature, as they all claim to realize a specific aspect of individual freedom. In the spirit of Hegel’s Philosophy of Right and guided by the theory of recognition, Honneth shows how principles of individual freedom are generated which constitute the standard of justice in various concrete social spheres: personal relationships, economic activity in the market, and the political public sphere. Honneth seeks thereby to realize a very ambitious aim: to renew the theory of justice as an analysis of society.