The Plays Poems Of Robert Greene

A scholarly edition of a volume of plays and poems by Robert Greene. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Excerpt from The Plays Poems of Robert Greene, Vol. 2 This play was first published in quarto by Edward White in 1594, and in the May of that year it was entered on the Stationer's Registers, thus: It was reprinted also in quarto in 1630 and in 1655. The text printed here is that of the first Quarto collated with that of the second and third. Of the time of its composition and of its first appearance there is no record. It would seem from an entry in Henslowe's Diary that it had been performed in February, 1591. 'R at fryer bacone, the 19 of febrary, Satterdaye ... xvij iij.' Collier's Transcript, p. 20. Henslowe does not note that it was a new play, and it probably was not. In the Diary it heads the list of plays performed by 'my lord Stranges mene.' With regard to its composition and first appearance we have nothing to guide us but conjecture and inference. In point of merit it stands with James IV at the head of Greene's dramas. The versification and style, as well as its merit from a dramatic and idyllic point of view, seem to warrant us in concluding that its composition must have been subsequent to that of Alphonsus, the Looking Glasse, and Orlando Furioso. It is as plainly the work of a comparatively practised hand as they are the work of a tiro in his apprenticeship. If we assign it to the end of 1591 or the beginning of 1592 we shall probably not be far from the mark. Mr. F. G. Fleay (see Ward's Introduction, Appendix B) very ingeniously deduces from 1.137, 'Lacie, thou knowst next friday is S. lames, ' that the play was produced before August 1589. He observes that dramatic authors always used the almanac of the current year, and that St. James's day fell on a Friday in 1578, 1589, and 1595. Of these dates the first would be too early, the third too late, and thus we are limited to 1589. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.