The Poems Of Adelaide A Procter

Adelaide Anne Procter was one of the most popular poets of the Victorian era. Her works, which often deal with themes of love, loss, and spirituality, have inspired generations of readers. This complete edition of her poems features Procter's best-known works, including the haunting poem 'A Lost Chord', as well as lesser-known gems. Procter's beautiful, lyrical style and poignant subject matter make this volume an essential addition to any poetry lover's library. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Experience the beauty of Victorian poetry with this collection of works by Adelaide Anne Procter. Featuring timeless classics such as "The Lost Chord" and "A Legend of Bregenz," this book is a must-read for anyone who loves poetry and literature. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Adelaide Anne Procter was born on 30th October, 1825 at 25 Bedford Square in the Bloomsbury district of London. Her literary career began whilst still a teenager. Many of her poems were published by the great Charles Dickens in his periodicals Household Words and All the Year Round before being later published in book form. A voracious reader, Procter was largely self-taught, though she did study at Queen's College in Harley Street in 1850. Her interest in poetry grew from an early age. Procter published her first poem, Ministering Angels, while still a teenager in 1843. By 1853 she was submitting pieces to Dickens's Household Words under her pseudonym Mary Berwick, electing that this way her work would be judged for its own worth rather than on the friendship between her father and Dickens. Dickens didn't learn of her true identity for over a year. Minstering Angels was to be the beginning of a long and mutually beneficial relationship of publishing in Dickens' journals that would eventually reach 73 poems in House words together with a further 7 poems in All the Year Round, most of which were collected and later published into her first two volumes of poetry, both entitled Legends and Lyrics. Proctor was also the editor of the journal Victoria Regia, which became the showpiece of the Victoria Press, a venture hoping to promote the employment of women in all manner of trades and professions. Procter's health failed in 1862. Dickens and others suggested that this illness was due to her extensive and exhausting schedule of charity work. An attempt to improve her health by taking a cure at Malvern failed. Adelaide Anne Proctor died on 3rd February 1864 of tuberculosis. She had been bed-ridden for almost a year. Procter was buried in Kensal Green Cemetery.

Adelaide Anne Procter was born on 30th October, 1825 at 25 Bedford Square in the Bloomsbury district of London. Her literary career began whilst still a teenager. Many of her poems were published by the great Charles Dickens in his periodicals Household Words and All the Year Round before being later published in book form. A voracious reader, Procter was largely self-taught, though she did study at Queen's College in Harley Street in 1850. Her interest in poetry grew from an early age. Procter published her first poem, Ministering Angels, while still a teenager in 1843. By 1853 she was submitting pieces to Dickens's Household Words under her pseudonym Mary Berwick, electing that this way her work would be judged for its own worth rather than on the friendship between her father and Dickens. Dickens didn't learn of her true identity for over a year. Minstering Angels was to be the beginning of a long and mutually beneficial relationship of publishing in Dickens' journals that would eventually reach 73 poems in House words together with a further 7 poems in All the Year Round, most of which were collected and later published into her first two volumes of poetry, both entitled Legends and Lyrics. Proctor was also the editor of the journal Victoria Regia, which became the showpiece of the Victoria Press, a venture hoping to promote the employment of women in all manner of trades and professions. Procter's health failed in 1862. Dickens and others suggested that this illness was due to her extensive and exhausting schedule of charity work. An attempt to improve her health by taking a cure at Malvern failed. Adelaide Anne Proctor died on 3rd February 1864 of tuberculosis. She had been bed-ridden for almost a year. Procter was buried in Kensal Green Cemetery.

Reprint of the original, first published in 1881.

First published in 1998, this volume follows the life and work of Adelaide Procter (1825-1864), one of the most important 19th-century women poets to be reassessed by literary critics in recent years. She was a significant figure in the Victorian literary landscape. A poet (who outsold most writers bar Tennyson), a philanthropist and Roman Catholic convert, Procter committed herself to the cause of single, fallen and homeless women. She was a key member of the Langham Place Circle of campaigning women and worked tirelessly for the society for Promoting the Employment of Women. Many of her poems are concerned with anonymous and displaced women who struggle to secure an identity and place in the world. She also writes boldly and unconventionally of women’s sexual desires. Loved and admired by her father the poet Bryan Procter, her editor Charles Dickens and her friend W.M. Thackeray, Procter wrote from the heart of London literary circles. From this position she mounted a subtle and creative critique of the ideas and often gendered positions adopted by male predecessors and contemporaries such as John Keble, Robert Browning and Dickens himself. Gill Gregory’s The Life and Work of Adelaide Procter: Poetry, Feminism and Fathers considers the career of this compelling and remarkable woman and discusses the extent to which she struggled to find her own voice in response to the works of some seminal literary ‘fathers’.