The Poet S Role

Bloomfield and Dunn describe the varying roles which "poets" have historically filled within society, whether ancient, medieval, or pre-modern and identify the key functions of the poet figure. He (or sometimes she) supports the ruler and is in turn rewarded for a central service to the tribe; he exercises his authority by an apparently magical understanding of the past, present, and future; and, whenever called upon to perform an official rite, he knows how to wield the appropriate traditional, esoteric utterances. In order to illustrate the ways in which this kind of poetic function can be seen to have been exercised in early Irish literature, pre-modern Scottish Gaelic, early Welsh, early Norse and Old English the authors draw on a wide-range of texts. The study concludes with an examination of the implications of their findings for twentieth century readers exploring the utterances of poets remote from them in time or space.

DigiCat Publishing presents to you this special edition of "The Function of the Poet, and Other Essays" by James Russell Lowell. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

Youth Poets documents an ethnographic study of the literacy learning of urban high school youth in June Jordan's Poetry for the People program. The book emphasizes how seven students adopted empowering literacies as they read, wrote, published, and performed poetry in and outside of school. Using a sociocultural and critical framework on literacy and pedagogy, the book focuses on the experiences of urban youth - from their own perspectives - to examine the various processes, products, and practices associated with poetry. It contributes to current research on literacy pedagogy in urban contexts, and further grounds connections between poetry production and academic and critical literacies. Not only does the research presented here support the use of poetry in itself, but it makes a case for the ways in which poetry can lead to transformative possibilities in diverse and multicultural classrooms.

This volume presents and analyses the work of four contemporary Saudi Bedouin poets, based on taped records, with special emphasis on this poetry's reflection of the tribal society's evolving self-image at a time of rapid social, economic, and political transformation.

This book gives an insight into panegyrics, a genre central to understanding medieval Near Eastern Society. Poets in this multi-ethnic society would address the majority of their verse to rulers, generals, officials, and the urban upper classes, its tone ranging from celebration to reprimand and even to threat.

Surveying the past two decades of scholarship on the medieval historiography of Norway, this book provides a critical appraisal of the principal issues involved in the study of the primary sources and the key areas of scholarship and future research.

The American Poet Laureate shows how the state has been the silent center of poetic production in the United States since World War II. It is the first history of the national poetry office, the U.S. poet laureate, highlighting the careers of Elizabeth Bishop, Robert Frost, Gwendolyn Brooks, Robert Pinsky, Tracy K. Smith, Juan Felipe Herrera, and Joy Harjo at the nation’s Capitol. It is also a history of how these state poets participated in national arts programming during the Cold War. Drawing on previously unexplored archival materials at the Library of Congress and materials at the John F. Kennedy Presidential Library, Amy Paeth describes the interactions of federal bodies, including the Central Intelligence Agency, the State Department, and the National Endowment for the Arts, with literary organizations and with private patrons, including “Prozac heiress” Ruth Lilly. The consolidation of public and private interests is crucial to the development of state verse culture, recognizable at the first National Poetry Festival in 1962, which followed Robert Frost’s “Mission to Moscow,” and which became dominant in the late 1990s and early 2000s. The American Poet Laureate contributes to a growing body of institutional and sociological approaches to U.S. literary production in the postwar era and demonstrates how poetry has played a uniquely important, and largely underacknowledged, role in the cultural front of the Cold War.

Oral poetry is a wide subject that ranges from American 'folk-songs', Eskimo lyrics or popular songs, to the heroic poems of Homer and distinct epic composers in Asia and the Pacific. Unlike previous works, this book takes a broad comparative view and considers oral poetry from Africa, Asia and Oceania as well as Europe and America. Dr Finnegan includes in her argument the results of topical research from all over the world, thus illuminating and suggesting fresh conclusions to many controversies: the nature of 'oral tradition'; possible connections between types of poetry and types of society; the differences between oral and written communication; and the role of poets in non-literate societies.