The Poethical Wager

Annotation The interrelated essays in this book explore the coming together of ethics and poetics in literatures that engage with their contemporary moments to become wagers on the future of meaning. The central concern of The Poethical Wager is the relation of poetics to agency in a chaotic world.

Annotation The interrelated essays in this book explore the coming together of ethics and poetics in literatures that engage with their contemporary moments to become wagers on the future of meaning. The central concern of The Poethical Wager is the relation of poetics to agency in a chaotic world.

Thought experiments beginning with Suppose -- Manifestos, conversations -- thought experiments, cont'd -- Supposium 2014, documentation -- Swerved, a procedural poem from Supposium 2014.

“A fine and selective anthology that’s also a critical introduction to some of the most provocative, and some of the most original, poetry out there.” —Stephanie Burt, author of Don’t Read Poetry: A Book About How to Read Poems The American Poets in the 21st Century series continues with another anthology focused on female poets. Like the earlier books, this volume includes generous selections of poetry by some of the best poets of our time as well as illuminating poetics statements and incisive essays on their work. This unique organization makes these books invaluable teaching tools. Broadening the lens through which we look at contemporary poetry, this new volume extends its geographical net by including Caribbean and Canadian poets. Representing three generations of women writers, among the insightful pieces included in this volume are essays by Karla Kelsey on Mary Jo Bang’s modes of artifice, Christine Hume on Carla Harryman’s kinds of listening, Dawn Lundy Martin on M. NourbeSe Phillip (for whom “english / is a foreign anguish”), and Sina Queyras on Lisa Robertson’s confoundingly beautiful surfaces. In addition, a companion website presents audio of each poet’s work.

Poets Forrest Gander and John Kinsella offer an experiment, a collaborative volume of prose and poetry that investigates--both thematically and formally--the relationship between nature and culture, language and perception. They ask whether, in an age of globalization, industrialization, and rapid human population growth, an ethnocentric view of human beings as a species independent from others underpins our exploitation of natural resources. Does the disease of Western subjectivity constitute an element of the aesthetics that undermine poetic resistance to the killing of the land? Why does "the land" have to give something back to the writer?

This book offers a new reading of Marcell Mauss’ and Lewis Hyde’s theories of poetry as gift, exploring poetry exchanges within 20th and 21st century communities of poets, publishers, audiences and readers operating along a gift economy. The text considers trans-Atlantic case studies across fields of performance and ecopoetics, small press publishing and poetry institutions, with focus on Joan Retallack, Bob Holman, Anne Waldman, Bob Cobbing, and feminist performance. Elizabeth-Jane Burnett focuses on innovative poetry that resists commodification, drawing on ethnography to show parallels with gift giving tribal societies; she also considers the ethical, philosophical and psychological motivations for such exchanges with particular reference to poethics. This book will appeal to researchers in modern poetry, poetry teachers, advanced students of modern literature, and those with an interest in poetry.

Poetry. MEMNOIR is a high-speed chase through intersections of chance and consciousness in the "experience of experiencing" our lives. Movies and memory swap visceral/visual thrill with mathematics and philosophy as Retallack plays with our reliance on symbols and cultural frames of reference to get "to the point" of a given moment. "Joan Retallack's marvelous Memnoir is so much more than what one can say about it. The unforgettable words she offers look back on 'one of those periods when life seems superficially friendly' or is this the 'hot majestic interlude' of a film version of the same?"--John Ashbery.

If theatre is a way of seeing, an event onstage but also a fleeting series of moments; not a copy or double but more vitally metamorphosis, transformation, and change, how might we speak to – and of – it? How do we envision and frame a fluid reality that moves faster than we can write? Arranged over two parts, 'Figurations' and 'Translations', Essays on Theatre and Change reflects on the animal, history, doubling, translation, and the performative potential of writing itself. Each fictocritical essay weaves between voices, genres and contexts to consider what theatre might be, offering a 'partial object' rather than a complete theory. Leaving the page radically open to its reader, Essays on Theatre and Change is a dazzling, multi-lensed account of what it is to think and write on theatre.