The Poetic Garden Of Liu Zongyuan

Liu Zongyuan's remarkable poetry reflects the complex experience of political exile and observes the natural world of his new home in South China with a caring eye. The Poetic Garden of Liu Zongyuan presents poems by the Tang Dynasty cofounder of the Classical Prose Movement written on the Chinese empire’s southern margins. In these remarkable pieces, Liu intertwines South China’s landscapes and plants—such as scarlet canna, banyan, and white myoga ginger—with reflections on honor, duty, banishment, and belonging in ways unique in the history of Chinese poetry. The two translators, Nathaniel Dolton-Thornton and Yu Yuanyuan, one American and one Chinese, preserve and showcase the singular beauty of Liu's poetic garden for the English-speaking world.

Winner of the State Prize for Poetry in Cyprus, these experimental linked poem-threads move across time, linking a young Cypriot to ancestors, contemporaries, and descendants through striking, disparate polyphony. In this bilingual collection of linked poems, Kefala creates a tapestry of motifs that transcend time and identity across early 20th Century Cyprus, 16th Century Scotland, a sailor on Christopher Columbus’ ship La Pinta, and more. As the poem threads draw together, it is as if the protagonist, in his travels through the twentieth century, encounters Odysseus, Cervantes, Columbus, Rembrandt, and others, all moving in multidimensional synchronicity. In this way, the readers take part in the production of meaning by pulling the threads together, stitching together their own reading of the story. Through the reading of these threads, time remains fluid, creating a masterful declaration about the function of poetry: perhaps history is nothing more than the presence of innumerable human voices, some more and some less powerful, coexisting in an eternal present.

A poetry collection where personal is inevitably political and ecological, Motherfield is a poet’s insistence on self-determination in authoritarian, patriarchal Belarus. Julia Cimafiejeva was born in an area of rural Belarus that became a Chernobyl zone during her childhood. The book opens with a poet’s diary recording the course of violence unfolding in Belarus since its 2020 presidential election. Motherfield paints an intimate portrait of the poet’s struggle with fear, despair, and guilt as she goes to protests, escapes police, longs for readership, learns about the detention of family and friends, and ultimately chooses life in exile. But can she really escape the contaminated farmlands of her youth and her Belarusian mother tongue? Can she escape the radiation of her motherfield? This is the first collection of Julia Cimafiejeva’s poetry in English, prepared by cotranslators and poets Valzhyna Mort and Hanif Abdurraqib.

Trash interweaves the voices of three women with lived connections to the municipal garbage dump of Ciudad Juárez, Mexico. Aguilar Zéleny's Trash shows the complexities of survival and joy, love and violence for three women: a teenager abandoned by her guardian at the dump, a scientist doing research on the residents of the dump, and a transwoman living nearby who is the matriarch of a group of sex workers. Each one of the characters navigates family, abandonment, power, jealousy, greed, and multiple taboos around sexuality and gender violence. Their stories are linked by geography and by ideas of waste and abandonment. As Aguilar Zéleny explores these territories in her book, she asks crucial questions: Who is seen as disposable and why? How do women find their own means of survival and joy in the midst of a perilous sociopolitical context? What does it mean to live a life in a time of austerity and extreme violence? Trash is a critical intervention in Mexican literature.

One of the most important Ukrainian voices throughout the Russian invasion, the author of Death and the Penguin and Grey Bees collects his searing dispatches from the heart of Kyiv. This journal of the invasion, a collection of Andrey Kurkov's writings and broadcasts from Kyiv, is a remarkable record of a brilliant writer at the forefront of a 21st-century war. Andrey Kurkov has been a consistent satirical commentator on his adopted country of Ukraine. His most recent work, Grey Bees, is a dark foreshadowing of the devastation in the eastern part of Ukraine in which only two villagers remain in a village bombed to smithereens. The author has lived in Kyiv and in the remote countryside of Ukraine throughout the Russian invasion. He has also been able to fly to European capitals where he has been working to raise money for charities and to address crowded halls. Kurkov has been asked to write for every English newspaper, as also to be interviewed all over Europe. He has become an important voice for his people. Kurkov sees every video and every posted message, and he spends the sleepless nights of continuous bombardment of his city delivering the truth about this invasion to the world.

Yanick Lahens leads us into a breathless intrigue with her newest portrait of Haiti, Sweet Undoings. In Port-au-Prince, violence never consumes. It finds its counterpart in a "high-pitched sweetness", a sweetness that overwhelms Francis, a French journalist, one evening at the Corossol Restaurant-Bar, when the broken, rich voice of lounge singer Brune rises from the microphone. Brune's father, Judge Berthier, was assassinated, guilty of maintaining integrity in a city where everything is bought. Six months after this disappearance, Brune wholly refuses to come to terms with what happened. Her uncle Pierre, a gay man who spent his youth abroad to avoid persecution, refuses to give up on solving this unpunished crime. Alongside Brune and Pierre, Francis becomes acquainted with myriad other voices of Port-au-Prince, including Ézèchiel, a poet desperate to escape his miserable neighborhood; Waner, a diligent pacifist; and Ronny the American, at ease in Haiti as in a second homeland. Drawing its power from the bowels of the city, Sweet Undoings moves with a rapid, electric syncopation, gradually and tenderly revealing the richness of the lives within.

Based on a true story set in the final years of the Ottoman Empire, The Purchased Bride tells the tale of Maria, a Greek girl who was bought at age fifteen by a much older, wealthy Ottoman man. As the Ottoman Empire falls and insurgents torch their Greek village in the Caucasus, Maria and her parents flee and find shelter in a refugee camp across the border in Ottoman territory. Cholera and plague are impending, and the priest running the camp takes a desperate measure, arranging to marry Maria off to a wealthy Ottoman Turk in the capital. She and her best friend, Lita, then travel toward the Black Sea coast through a fascinating world of ancient and forgotten Ottoman mountain communities. They encounter escalating violence, sniper attacks, and marauding troops amid the Empire’s collapse, as breakaway provinces declare themselves independent caliphates in defiance of the Sultan. And when Lita escapes, Maria is left to face her fate alone. A story of war, struggle, and ultimate success, based on the life of Constantine’s grandmother, The Purchased Bride sheds light on a turbulent and dangerous part of history.