The Poetry Chest

With over 250 poems divided into themed sections, this bumper collection of John Foster's original poetry includes a vast range of types of poems, such as shape poems, acrostic poems, limericks, diary poems, raps, story poems and recipe poems.

"After / the afterlife, there's an afterlife." In Silverchest, his twelfth book, Carl Phillips considers how our fears and excesses, the damage we cause both to others and to ourselves, intentional and not, can lead not only to a kind of wisdom but also to renewal, maybe even joy, if we're willing to commit fully to a life in which "I love you / means what, exactly?" In poems shot through with his signature mix of eros, restless energy, and moral scrutiny, Phillips argues for the particular courage it takes to look at the self squarely—not with judgment but with understanding—and extend that self more honestly toward others. It's a risk, there's a lot to lose, but if it's true that "we'll drown anyway—why not / in color?"

The story of America’s first Muslim institution of higher education, Zaytuna College In the fall of 2010, anti-Muslim furor in the United States reached a breaking point, capping a decade in which such sentiment had surged. Loud, angry crowds gathered near New York’s Ground Zero to protest plans to build an Islamic cultural center, while a small-time Florida minister appeared on national television almost nightly promising to celebrate the anniversary of 9/11 with the burning of Korans. At the same time, fifteen devout Muslims quietly gathered in a basement in Berkeley, California, to execute a plan that had been coming together for over a decade: to found Zaytuna College, “Where Islam Meets America.” It would be the nation’s first four-year Muslim liberal arts college, its mission to establish a thoroughly American, academically rigorous, and traditional indigenous Islam. In Light without Fire, Scott Korb tells the story of the school’s founders, Sheikh Hamza Yusuf and Imam Zaid Shakir, arguably the two most influential leaders in American Islam, “rock stars” who, tellingly, are little known outside their community. Korb also introduces us to Zaytuna’s students, young American Muslims of all stripes who admire—indeed, love—their teachers in ways college students typically don’t and whose stories, told for the first time, signal the future of Islam in this country. From a heady theology classroom to a vibrant storefront mosque, from the run-down streets Oakland to grand ballrooms echoing with America’s most powerful Muslim voices, Korb follows Zaytuna’s students and teachers as they find their place and their voice. He ultimately creates an intimate portrait of the school and provides a new introduction to Islam as it is being lived and re-envisioned in America. It’s no exaggeration to say that here, at Zaytuna, are tomorrow’s Muslim leaders.

This is the first critical study to offer a sustained analysis of the theme of cancer in contemporary poetry. In discussing works by major poets, including Paul Muldoon, Jo Shapcott and Christopher Reid, Cancer Poetry traces the complex ways in which poets represent cancer, and assesses how poetry can be instrumental to emotional recovery.

This expanded edition adds sixteen new exercises designed to inspire creativity and help poets hone their skills. Each exercise includes a clearly-stated learning objective, historical background matter on the particular subgenre being explored, and an example written by undergraduates at Western Kentucky University. The text also analyzes work by leading American poets including Billy Collins, Denise Duhamel and Dean Young. The book's five chapters correspond with the five canons of classical rhetoric: invention, arrangement, style, memory, and delivery.

This book reads the work of Salinas, Guillén, Larrea, Diego, Alberti, Méndez, and Lorca in analogical relation with Cubism and with the revolutionary discoveries of modern physics. Gala advances traditional criticism by considering these artists in the broader cultural context of Spain, Europe, and European Modernism.

Diana Prince has a Master’s Degree in English and a Master’s Degree in Philosophy from California State University at San Diego. She completed a doctorate in Psychology at United States International University. Ms. Prince has published in several poetry magazines including Roanoke Review, Southern Poetry Review, and Western Review. She published Blackbird Spring, a book of her poetry, and edited Woman Soul, a collection of work by women poets. She collaborated with two other poets to write The Bedtime Book, a book of children’s poetry. She has worked as an Aerospace technical writer, and as a college professor in the English and Philosophy departments at National University.

Oxford Scholarly Classics is a new series that makes available again great academic works from the archives of Oxford University Press. Reissued in uniform series design, the reissues will enable libraries, scholars, and students to gain fresh access to some of the finest scholarship of the last century.