The Poetry Of Robert Frost And William Carlos Williams

This Book Fulfils The Difficult Task Of Quickening, And Elucidating, Fortifying And Enlarging The Poetry Of Two Important Poets Of Our Time: Robert Frost And William Carlos Williams. It Puts Their Creative Act Under Scrutiny By The Common Parameter Of A Critical Canon, Aiming To Place Them As Poets At A Vantage Point Where The Idea Of Man Speaking Out On Behalf Of Man Can Find Its True And Free Expression.Written In A Lucid Style, And With A Content That Remain A Landmark In American Studies By An Indian Academic, The Book Does Also Privilege A Deeper Understanding Of American Poetry In General While Problematizing Its Inherent Opposition Between The Egocentric As Against The Theocentric, Man Without History As Against History Without Man, The Antinomian As Against The Orthodox, Personality As Against Culture And The Adamic As Against The Mythic.

William Carlos Williams's place among the great poets of our century is firmly established. This anthology of selections drawn from the whole range of his work--poetry, fiction, autobiography, drama and essays--shows conclusively that his prose was also remarkably original, versatile and powerful. It has been edited by M. L. Rosenthal, literary critic and Professor of English at New York University.

2009 Caldecott Honor Book An ALA Notable Book A New York Times Best Illustrated Children’s Book A Charlotte Zolotow Honor Book NCTE Notable Children’s Book When he wrote poems, he felt as free as the Passaic River as it rushed to the falls. Willie’s notebooks filled up, one after another. Willie’s words gave him freedom and peace, but he also knew he needed to earn a living. So he went off to medical school and became a doctor -- one of the busiest men in town! Yet he never stopped writing poetry. In this picture book biography of William Carlos Williams, Jen Bryant’s engaging prose and Melissa Sweet’s stunning mixed-media illustrations celebrate the amazing man who found a way to earn a living and to honor his calling to be a poet.

A collection of two of Robert Frost’s most celebrated poems in their original form: A Boy’s Will and North of Boston. The publication of A Boy’s Will (1913) and North of Boston (1914) marked the debut of Robert Frost as a major talent and established him as the true poetic voice of New England. Four of his volumes would win the Pulitzer Prize before his death in 1963, and his body of work has since become an integral part of the American national heritage. This is the only edition to present these two classics in their original form. A Boy’s Will introduced readers to Frost’s unmistakable poetic voice, and in North of Boston, we find two of his most famous poems, “Mending Wall” and “The Death of the Hired Man.” With an introduction by distinguished critic and Amherst professor William H. Pritchard and an afterword by poet and critic Peter Davison, this centennial edition stands as a complete and vital introduction to the work of the quintessential modern American poet.

Fine selection of early verse by influential ("no ideas but in things") American poet includes "Peace on Earth," "Willow Poem," "Queen-Anne's-Lace," "Tract," "El Hombre," "Danse Russe," "Keller Gegen Dom," "Portrait of a Lady," "The Widow's Lament in Springtime," many more.

Before William Carlos Williams was recognized as one of the most important innovators in American poetry, he commissioned a printer to publish 100 copies of Poems (1909), a small collection largely imitating the styles of the Romantics and the Victorians. This volume collects the self-published edition of Poems, Williams's foray into the world of letters, with previously unpublished notes he made after spending nearly a year in Europe rethinking poetry and how to write it. As Poems shows his first tentative steps into poetry, the notes show him as he prepares to make a giant transformation in his art. Shortly after Poems appeared, Williams went through a series of experiences that changed his life--a trip to Europe, a marriage to the sister of the woman he genuinely loved, and the establishment of his medical practice. In Europe he was introduced to a consideration of an unlikely trio: Heinrich Heine, Martin Luther, and Richard Wagner, resulting in an exposure that subsequently influenced his developing style. Williams looked back on Poems as apprentice work, calling them, "bad Keats, nothing else--oh well, bad Whitman too. But I sure loved them. . . . There is not one thing of the slightest value in the whole thin booklet--except the intent," and never republished the collection. Now that Williams's work is widely read and appreciated, his reputation secure, his development as a poet is a matter worth serious study, Poems can be seen as a point of departure, a clear record of where Williams began before his life and ideas about poetry made seismic shifts. Virginia M. Wright-Peterson's succinct introduction puts Poems in the context of his life and times, discusses the reception of the volume, his reconsideration of the poems, and what they reveal about his poetic ambitions.

A collection of poems written between 1950 and 1962 by the Pulitzer Prize-winning poet, including the complete texts of two earlier volumes, as well as a selection of previously uncollected works.