The Poets And Poetry Of Scotland

In time for Burns Night (the annual celebration of Scottish culture that takes place on January 25, the birthday of Robert Burns)—a sweeping literary tour of Scotland from the Middle Ages to the present, the only single-volume collection of Scottish poetry currently available. Scottish poetry has a long and distinguished history in three languages—English, Scots, and Gaelic—and all are well represented here. The most renowned and beloved poets—Robert Burns, Sir Walter Scott, Robert Louis Stevenson, Hugh MacDiarmid, and Muriel Spark among them—mingle with their lesser-known but equally distinctive compatriots, including many of those who have emerged from the recent Scottish poetry renaissance. The poems are organized by theme: from matters of the heart to subjects spiritual and philosophical to the poetry of place. All of the verse is marked by a characteristic energy, wit, satire, and passionate lyrical intensity, and all demonstrates the power of art that proudly emanates from, but is never limited by, the place of its birth.

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This work offers an extensive survey of Scottish poetry from the early Middle Ages to the modern era. The author provides biographical sketches of the country's most notable poets and includes examples of their work. It is an excellent resource for any literature scholar or lover of Scottish poetry. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Throw a stone in Edinburgh or Glasgow today and you'll hit a poet. The Scottish spoken word scene has exploded, reaching a level of popularity last seen in the late 1970s, another era, coincidentally, when the issue of Scottish self-determination was in the air. A generation of poets has emerged who have grown up in an age of change, political and technological, with the internet providing them not only with new ways of sharing writing - through their websites, podcasts, Twitter - but also in some cases with a subject too. It's a scene where you are just as liable to encounter ancient gods as you are video game characters. This book is a survey, a yearbook, a celebration, and a promise of things to come.

The comparative study of the literatures of Ireland and Scotland has emerged as a distinct and buoyant field in recent years. This collection of new essays offers the first sustained comparison of modern Irish and Scottish poetry, featuring close readings of texts within broad historical and political contextualisation. Playing on influences, crossovers, connections, disconnections and differences, the 'affinities' and 'opposites' traced in this book cross both Irish and Scottish poetry in many directions. Contributors include major scholars of the new 'archipelagic' approach, as well as leading Irish and Scottish poets providing important insights into current creative practice. Poets discussed include W. B. Yeats, Hugh MacDiarmid, Sorley MacLean, Louis MacNeice, Edwin Morgan, Douglas Dunn, Seamus Heaney, Ian Hamilton Finlay, Michael Longley, Medbh McGuckian, Nuala ni Dhomhnaill, Don Paterson and Kathleen Jamie. This book is a major contribution to our understanding of poetry from these islands in the twentieth and twenty-first centuries.