The Politics Of Public Space

Why is public space disappearing? Why is this disappearance important to democratic politics and how has it become an international phenomenon? Public spaces are no longer democratic spaces, but instead centres of private commerce and consumption, and even surveillance and police control. "The Politics of Public Space" extends the focus of current work on public space to include a consideration of the transnational - in the sense of moving people and transformations in the nation or state - to expand our definition of the 'public' and public space. Ultimately, public spaces are one of the last democratic forums for public dissent in a civil society. Without these significant central public spaces, individuals cannot directly participate in conflict resolution. "The Politics of Public Space" assembles a superb list of contributors to explore the important political dimensions of public space as a place where conflicts over cultural and political objectives become concrete.

The Politics of Public Space is a quarterly publication of transcripts that speak directly to the city and the way we read it. The publication is edited and published by not for profit, design and research practice, OFFICE. Beginning in 2018 at OFFICE curated a series of informal lectures within contentious public places around Melbourne. Every Wednesday evening via an Instagram tip-off, students and members of the general public would meet for the discussions. The theme for the series was the Politics of Public Space, and it only seemed fitting for this to occur in situ. Thirty-one speakers have contributed to this discourse so far with backgrounds in; architecture, landscape architecture, planning, law, criminology, activism, urban design, public housing, sociology and public art, all with varying readings of the city. Each issue draws out new forms of investigation between the individual practices and the content gathered from the discussions.The second volume addresses the effects of COVID-19, including the sudden changes in the way we interact and view our public spaces. It contains excerpts from Myria Georgiou, Saskia Sassen, Jack Self, Brooke Holmes, Ian Strange and Alfredo Brillembourg.This publication curates a series of global perspectives as we all come to terms with a new way of life due to the virus. Myria Georgiou observes the emergence of digital solidarity groups throughout the UK as inequalities and vulnerabilities are foregrounded. World-renowned sociologist Saskia Sassen reveals the pervasiveness of power as the fragility of our global connectedness is further disclosed. The true publicness of our cities is revealed in Jack Self's account of protest and opposition to the political structures. Brooke Holmes depicts an interconnectedness between the health of the city and it's citizens traced back to antiquity. Australian artist Ian Strange unpacks his understanding of the home as he recounts a decade of practice into the subject. And Venezuelan architect Alfredo Brillembourg calls to arms the architecture profession to deal directly with issues of injustice within the built environment.

This book explores how public space in Republican Rome was an unstable category marked, experienced, and defined by multiple actors and audiences.

This volume takes a global view of the emergence of public protest movements over the last decade, asking whether such movements contribute to the globalization of civil society. Through a variety of studies, organised around the themes of public agency, public norms, public memory and public art, it considers the tendency of political contestations to move beyond national boundaries and create transnational connections. Departing from the approaches of social movements perspectives, it focuses on public space as a site of social "mixity" and opens up a new field for the study of politics and cultural controversies. An analysis of the paradigmatic change in the way in which society is made and politics is conducted, this study of the new enactment of citizenship in public space will appeal to scholars of sociology, anthropology, geography and politics with interests in protest movements and contentious politics, citizenship and the public sphere, and globalization.

DIVAnalyzes the ways national histories are told in public representations, with a particular focus on the impact of political transformations on national narratives./div

Robert B. Textor Prize for Excellence in Anticipatory Anthropology, American Anthropological Association, 2000 Honorable Mention, Victor Turner Award, Society for Humanistic Anthropology, 2001 Leeds Prize, Society of Urban, National, and Transnational/Global Anthropology, 2001 Friendly gossip, political rallies, outdoor concerts, drugs, shoeshines, and sex-for-sale—almost every aspect of Latin American life has its place and time in the public plaza. In this wide-ranging, multi-disciplinary study, Setha M. Low explores the interplay of space and culture in the plaza, showing how culture acts to shape public spaces and how the physical form of the plaza encodes the social and economic relations within its city. Low centers her study on two plazas in San José, Costa Rica, with comparisons to public plazas in the United States, Europe, and elsewhere. She interweaves ethnography, history, literature, and personal narrative to capture the ambiance and meaning of the plaza. She also uncovers the contradictory ethnohistories of the European and indigenous origins of the Latin American plaza and explains why the plaza is often a politically contested space.

This book is about understanding, contextualizing and carrying out critical analyzes of the policies intended and/or implemented by the various public and private actors in urban public spaces, as well as the daily, or eventual, politics exercised by the organized civil society and by citizens. It presents a collection of contributions about the public space in different theoretical, conceptual and methodological approaches. Coming from different disciplines, the authors share an understanding about the need to analyze the uses and appropriations of the city by social subjects and groups as they represent difference and see the city as a place to share life experiences; as such, they argue, through their cases studies, that places of public use should be thought of and understood as concept and as social practice. As an analytic tool, the book offers a five-dimension model to explore how people relate to daily life activities and confront imposed inequalities in their meeting places, how they engage in individual and collective manifestations and/or how they symbolically appropriate public spaces in face of the late capitalism led by large corporations and globalization. Together the authors seek to contribute to a city of utopia, where all differences can be seen and dealt with in public spaces and where free individuals can present themselves and engage in a vita activa.

Public spaces are important places in city and urban life. The functions ascribed to public space are broad, ranging from political representation, the possibility of political protest and demonstration, to economic use (such as street markets) and the politics of memory. They are also places where different expectations and interests are negotiated. Public spaces are arenas of social life and interaction, and an irreplaceable characteristic of the European city. In the context of both a growing and increasingly diversified city and a neoliberal urban development model, to what extent can the development processes that manifest in public space still be steered? There are stark differences in the reception of public space, its qualities and accessibility (or lack of), which lead to conflicts between different actors about the conditions of its use. This publication provides a comprehensive overview on theoretical debates, methodological approaches and implementation of public space analyses.