The Portrait Of The Master

St. Francis has decided to travel to the Crusades and arrange a meeting between himself and the Sultan in Syria, believing that if the Sultan knew what Jesus was really trying to say that he would stop the terrible war on his own.

The art of portraiture approached its apex during the sixteenth century in Europe with the discovery of oil painting when the old masters developed and refined techniques that remain unsurpassed to this day. The ascendance of nonrepresentational art in the middle of the twentieth century displaced these venerable skills, especially in academic art circles. Fortunately for aspiring artists today who wish to learn the methods that allowed the Old Masters to achieve the luminous color and subtle tonalities so characteristic of their work, this knowledge has been preserved in hundreds of small traditional painting ateliers that persevered in the old ways in this country and throughout the world. Coming out of this dedicated movement, Portrait Painting Atelier is an essential resource for an art community still recovering from a time when solid instruction in art technique was unavailable in our schools. Of particular value here is a demonstration of the Old Masters’ technique of layering paint over a toned-ground surface, a process that builds from the transparent dark areas to the more densely painted lights. This method unifies the entire painting, creating a beautiful glow that illuminates skin tones and softly blends all the color tones. Readers will also find valuable instruction in paint mediums from classic oil-based to alkyd-based, the interactive principles of composition and photograph-based composition, and the anatomy of the human face and the key relationships among its features. Richly illustrated with the work of preeminent masters such as Millet, Géricault, and van Gogh, as well as some of today’s leading portrait artists—and featuring seven detailed step-by-step portrait demonstrations—Portrait Painting Atelier is the first book in many years to so comprehensively cover the concepts and techniques of traditional portraiture.

Masterpieces of drawing from the great schools and traditions of Italy and northern Europe, spanning four centuries from Filippino Lippi, Andrea del Sarto, and Titian to Rembrandt, Van Dyck, and Ingres. 47 plates.

Boudoir by Kara Marie is a gorgeous and detailed posing guide for boudoir portrait photographers. While a practical how-to guide, it is also a gorgeous art book that your clients can browse in your studio.If you purchase the Boudoir Book, you get the digital posing cards for free, just email The Portrait Masters Customer Support. support at the portrait masters dot com

Rembrandt, one of the greatest painters of all time, was sensationally successful as a young man but lonely, bankrupt, and virtually ignored by the end of his life--when he painted some of his most powerful works. This book traces his life and career and analyzes his paintings, including his unique handling of light, which would change the course of art forever. 204 illustrations, 169 in full color.

"From stories shared by his son, this book paints a portrait of the famous Wing Chun Grand Master, Ip Man, providing a set of fifteen principles as a guide to mastery."--Back cover.

How portraits of artists during the Renaissance helped create the first art stars in modern history Michelangelo was one of the biggest international art stars of his time, but being Michelangelo was no easy thing: he was stalked by fans, lauded and lambasted by critics, and depicted in unauthorized portraits. Still Lives traces the process by which artists such as Michelangelo, Dürer, and Titian became early modern celebrities. Artists had been subjects of biographies since antiquity, but Renaissance artists were the first whose faces were sometimes as recognizable as their art. Maria Loh shows how this transformation was aided by the rapid expansion of portraiture and self-portraiture as independent genres in painting and sculpture. She examines the challenges confronting artists in this new image economy: What did it mean to be an image maker haunted by one's own image? How did these changes affect the everyday realities of artists and their workshops? And how did images of artists contribute to the way they envisioned themselves as figures in a history that would outlive them? Richly illustrated, Still Lives is an original exploration of the invention of the artist portrait and a new form of secular stardom.

Leonardo da Vinci is, undeniably, one of the most famous men in the history of the world - architect and sculptor, painter and engineer, writer and student of anatomy - his was a genius such as the world may never know again. Yet little is known about his personal life - even to his contemporaries Leonardo was considered a mystery. Magnificently illustrated, this volume offers readers an unparalleled reconstruction of Da Vinci¿s life and times based only on what is considered by scholars to be reliable information - much of it drawn from the National Edition of the Manuscripts and Drawings of Leonardo da Vinci, the Italian collection of all da Vinci¿s drawings and codices which Giunti was entrusted with editing and reproducing by Decree of the Republic of Italy from 1964 onwards.