The Postmodern Sacred

From The Matrix and Harry Potter to Stargate SG:1 and The X-Files, recent science fiction and fantasy offerings both reflect and produce a sense of the religious. This work examines this pop-culture spirituality, or "postmodern sacred," showing how consumers use the symbols contained in explicitly "unreal" texts to gain a secondhand experience of transcendence and belief. Topics include how media technologies like CGI have blurred the lines between real and unreal, the polytheisms of Buffy and Xena, the New Age Gnosticism of The DaVinci Code, the Islamic "Other" and science fiction's response to 9/11, and the Christian Right and popular culture. Today's pervasive, saturated media culture, this work shows, has utterly collapsed the sacred/profane binary, so that popular culture is not only powerfully shaped by the discourses of religion, but also shapes how the religious appears and is experienced in the contemporary world.

This book shows the interconnections between postmodernism, religion, politics, economics, and art. It shows that the awareness of interconnectedness is at the center of the postmodern sensibility. Sacred Interconnections illustrates the rejection of the modern idea that these subjects can be discussed as separate disciplines. While the term “postmodern” has been widely used for deconstructive, cynical, even nihilistic attitude, especially in the world of art and literature, the book represents the emergence of a reconstructive, reenchanting postmodernism, even within the artistic and literary circles.

This introductory textbook familiarizes students with ideas of key thinkers and perspectives related to postmodern thought and everyday life. The book is unique in that it offers selections from key passages of works of important thinkers as well as from some of the author's own publications that serve as examples of how to interpret various aspects of culture. The book draws in readers with its engaging and conversational style and use of cases, illustrations and photographs, including fun discussions on everyday life under pandemic restrictions. This is a must read for students taking courses in sociology, cultural anthropology, culture and media studies, linguistics, social philosophy, and for specific courses on postmodernism.

The Sacred Santa is an inquiry into the religious dimension of postmodern culture, seriously considering the widespread perception that contemporary culture witnesses a profound struggle between two antithetical systems -- a collision of two worlds, both religious, yet each with vivid visions of the sacred that differ radically with regard to what the sacred is and what it means to human life and social endeavor.

Para/Inquiry represents the next generation of postmodern studies. Focusing on cultural studies religion, and literature, Victor E. Taylor provides us with a fresh look at the history and main themes of postmodernism, both in style and content. Central to the book is the status of the sacred in postmodern times. Taylor explores the sacred images in art, culture and literature. We see that the concept of the sacred is uniquely singular and resistant to an easy assimilation into artistic, cultural or narrative forms. Anyone wishing to gain a new and exciting understanding of postmodernism, will read this book with great pleasure.

For these volumes, the author has selected 50 articles and papers, ten of them not previously published, from his work as an Old Testament scholar over the last 30 years. Some of the papers, like 'The Evidence for an Autumnal New Year in Pre-exilic Israel Reconsidered', are far from postmodern in their outlook. But there is ample evidence here that the postmodern is indeed the direction in which his mind has been moving. The essays are organized in eight sections (Method, Literature, History, Theology, Language, Psalms, Job-and, for entertainment, Divertimenti). They include 'Reading Esther from Left to Right', 'Beyond Synchronic Diachronic', 'Story and Poem: The Old Testament as Literature and as Scripture', 'In Search of the Indian Job', and 'Philology and Power'-as well as 'The Postmodern Adventure in Biblical Studies'.

From the mid to the late 20th century various French thinkers have at times toyed wth the label of 'the saint', applying it to friends, colleagues, the revered nd even the worshipped such as Genet, Sartre, Camus or Foucault. Despite this profaning of the term, however, here are many subtle truths which emerge from its usage among such writers. This volume is devoted to exploring certain varied notions of 'the saint' in recent French philosophical and literary thought from within a theological context, offering insights and valuable contributions toward how we understand sainthood in cultural, philosophical and religious terms. Each essay focuses on the convergence of a particular author's work and their various (re)formulations of 'saintliness' in their writings, whether this concept is directly expressed in their writings or not. In general, the aim of the volume is to develop a critical engagement between each authors' philosophical worldview and historical notions of sainthood, such that we are capable of providing new understandings of what a 'saint' could be said to be in our world today.

Addressed to readers who have found liberal theology empty or who believe that one cannot be religious and fully rational and empirical at the same time.