The Preface

A Preface to Oscar Wilde provides a detailed study of the cultural, personal and political influences that shaped Wilde's writing. The study concentrates primarily on his fiction, critical dialogues and plays that were published between 1890 and 1895, and detailed accounts of Wilde's lesser known works such as his poetry, journalism and letters are also presented. The first section places his work in a variety of cultural contexts: Wilde's family life and his Irish inheritance are examined, the impact of his sexuality on his writing and reputation is considered, and a description is provided of how Wilde became a legendary figure in the arts. Major innovations and successes, such as The Picture of Dorian Gray, Salome and The Importance of Being Earnest are related to avant garde movements of their day such as aestheticism, decadence, and symbolism. Reference sections provide supporting material such as a Wilde chronology, a glossary of terms and a bibliography for further study. Anne Varty sets out in this study to bring to life the work of Wilde, and to make his writing accessible to readers who are unfamiliar with his achievements. In so doing, she confronts the ethical drive of his work, and demonstrates the coherent evolution of his work from the aestheticism of the early poetry, through the sophisticated handling of theatre, to the dark self-scrutiny of autobiography. The comprehensive and accessible approach makes this a useful reference work to all who are studying Oscar Wilde, both at A Level and undergraduate level. The content will also appeal to the general reader who is seeking to gain a greater understanding and appreciation of Wilde's work.

Hailed by readers and critics alike, The Venging has been described as an “excellent collection” and its author praised as “one of the freshest writers to break into the science fiction field in many a year.” This is the first published collection of short stories by one of the foremost voices in science fiction today. This significant volume contains many characters and situations that later evolved into their own novels. “Mandala” features technologically perfect cities that eject their sinful human occupants, a premise that can be found at the root of Bear’s later novel, Strength of Stones. In “Hardfought,” Bear brilliantly handles the classic science fiction dilemma of human communication with aliens. Other stories include “The Wind From a Burning Woman” in which a woman holds the world hostage by controlling a giant asteroid; “Scattershot,” in which the inhabitants of many universes meet in an undefined limbo space; and the Nebula Award finalist “Petra,” a story of a world where chaos rules, stone moves, and the mind controls reality.

This book, first published in 1944, assesses the prospects of peace following the Allied victory in the Second World War. It examines the tasks that victory would impose on the victors; the development during the war of US policies, military and political; the errors that caused the war; and the viewpoints and needs of the Allied powers. Concluding that the future peace could be only achieved through the power and influence of the United States, it argues that the process of uniting the Allies in peace would need greater statesmanship than united them in war against a common enemy.

When handsome young Dorian Gray sees a painter’s stunning portrait of him, he is transfixed by its reflection of his own beauty. He is also troubled by the knowledge that the image in the painting will remain forever youthful and handsome while he himself will grow older and less desirable. He wishes aloud that the roles were reversed, saying that he would give his soul if only the painting would suffer the ravages of time and he were to remain forever young. From that point on, Dorian lives a life of hedonistic indulgence, knowing that only the painting will show his moral corruption.

Robert Dahl's Preface helped launch democratic theory fifty years ago as a new area of study in political science, and it remains the standard introduction to the field. Exploring problems that had been left unsolved by traditional thought on democracy, Dahl here examines two influential models--the Madisonian, which represents prevailing American doctrine, and its recurring challenger, populist theory--arguing that they do not accurately portray how modern democracies operate. He then constructs a model more consistent with how contemporary democracies actually function, and, in doing so, develops some original views of popular sovereignty and the American constitutional system.