The Pride Of Havana

From the first amateur leagues of the 1860s to the exploits of Livan and Orlando "El Duque" Hernandez, here is the definitive history of baseball in Cuba. Roberto Gonzalez Echevarria expertly traces the arc of the game, intertwining its heroes and their stories with the politics, music, dance, and literature of the Cuban people. What emerges is more than a story of balls and strikes, but a richly detailed history of Cuba told from the unique cultural perch of the baseball diamond. Filling a void created by Cuba's rejection of bullfighting and Spanish hegemony, baseball quickly became a crucial stitch in the complex social fabric of the island. By the early 1940s Cuba had become major conduit in spreading the game throughout Latin America, and a proving ground for some of the greatest talent in all of baseball, where white major leaguers and Negro League players from the U.S. all competed on the same fields with the cream of Latin talent. Indeed, readers will be introduced to several black ballplayers of Afro-Cuban descent who played in the Major Leagues before Jackie Robinson broke the color barrier once and for all. Often dramatic, and always culturally resonant, Gonzalez Echevarria's narrative expertly lays open the paradox of fierce Cuban independence from the U.S. with Cuba's love for our national pastime. It shows how Fidel Castro cannily associated himself with the sport for patriotic p.r.--and reveals that his supposed baseball talent is purely mythical. Based on extensive primary research and a wealth of interviews, the colorful, often dramatic anecdotes and stories in this distinguished book comprise the most comprehensive history of Cuban baseball yet published and ultimately adds a vital lost chapter to the history of baseball in the U.S.

In February 1947, the most memorable season in the history of the Cuban League finished with a dramatic series win by Almendares against its rival, Habana. As the celebration spread through the streets of Havana and across Cuba, the Brooklyn Dodgers were beginning spring training on the island. One of the Dodgers' minor league players was Jackie Robinson. He was on the verge of making his major-league debut in the United States, an event that would fundamentally change sports--and America. To avoid harassment from the white crowds in Florida during this critical preseason, the Dodgers relocated their spring training to Cuba, where black and white teammates had played side by side since 1900. It was also during this time that Major League Baseball was trying its hardest to bring the "outlaw" Cuban League under the control of organized baseball. As the Cubans fought to stay independent, Robinson worked to earn a roster spot on the Dodgers in the face of discrimination from his future teammates. Havana Hardball captures the excitement of the Cuban League's greatest pennant race and the anticipation of the looming challenge to MLB's color barrier. Illuminating one of the sport's most pivotal seasons, veteran journalist César Brioso brings together a rich mix of worlds as the heyday of Latino baseball converged with one of the most socially meaningful events in U.S. history.

A luminous history of Cuba’s most dynamic and defining rituals and the ever-improvisational character of Cuban culture In the Cuban town of Sagua la Grande, a young Roberto González Echevarría peers out the window of his family home on the morning of the Nochebuena fiesta as preparations begin for the slaughter of a feast day pig. The author recalls “watching them at a distance, though thinking, fearing, that once I grew older I would have to participate in the whole event.” Now an acclaimed scholar of Latin American literature, González Echevarría returns to the rituals that defined his young life in Cuban Fiestas. Drawing from art, literature, film, and even the national sport of baseball, he vividly reveals the fiesta as a dynamic force of both destruction and renewal in the life of a people. Roberto González Echevarría masterfully exposes the distinctive elements of the fiesta cubana that give depth and coherence to more than two centuries of Cuban cultural life. Reaching back to nineteenth-century traditions of Cuban art and literature, and augmenting them, in the twentieth, with the arts of narrative, the esthetic performances of sport and entertainment in nightclubs, on the baseball diamond, and in movie theaters, Cuban Fiestas renders the lilting strains of the fiesta and drum beats of the passage of time as keys to understanding the dynamic quality of Cuban culture. González Echevarría’s explorations are also illuminated by autobiographical vignettes that unveil the ever-shifting impact of the fiesta on the author’s own story of exile and return.

From 1900 through the 1940s Latino baseball players suffered discrimination, poor accommodations, low pay and homesickness to play a game they loved. Those who were both talented and light-skinned enough to make it to the majors were mocked for being foreign. Those in the Negro Leagues were, like African American ballplayers, segregated and largely ignored by the public and major league scouts. Building on the work of researchers who focused on the seasons and careers of these pioneer athletes, Nick Wilson draws on primary documents and interviews to round out our knowledge of the players as people. Jose Mendez, Miguel Gonzalez, Luis Tiant, Sr., Martin Dihigo, Rodolfo Fernandez, Roberto Ortiz, Cristobal Torriente, Hiram Bithorn and Pedro "Preston" Gomez are only a few examples of the players included here. Appendices on "Americans Who Positively Influenced Latin Migration" and "Latinos and the Washington Senators Spring Training Camps, 1939-1942" are included, along with 26 photos, appendices, notes, bibliography, index.

Few political figures of the modern age have been so vilified as Fidel Castro, and both the vilification and worship generated by the Cuban leader have combined to distort the true image of Castro. The baseball myths attached to Fidel have loomed every bit as large as the skewed political notions that surround him. Castro was never a major league pitching prospect, nor did he destroy the Cuban national pastime in 1962. In Fidel Castro and Baseball: The Untold Story, Peter C. Bjarkman dispels numerous myths about the Cuban leader and his association with baseball. In this groundbreaking study, Bjarkman establishes how Fidel constructed, rather than dismantled, Cuba’s true baseball Golden Age—one that followed rather than preceded the 1959 revolution. Bjarkman also demonstrates that Fidel was not at all unique in “politicizing” baseball as often maintained, since the island sport traces its roots to the 19th-century revolution. Fidel’s avowed devotion to a non-materialist society would ultimately sow the seeds of collapse for the baseball empire he built over more than a half-century, just as the same obsession would finally dismantle the larger social revolution he had painstakingly authored. A fascinating look at a controversial figure and his impact on a major sport, this volume reveals many intriguing insights about Castro and how his love of the game was tied to Cuba’s identity. Fidel Castro and Baseball will appeal to fans of the sport as well as to those interested in Cuba’s enduring association with baseball.

Graham Greene saw the Castros rise; Sarah Rainsford watched them leave. From the street where Wormold, the hapless hero of Greene’s Our Man in Havana, plied his trade, BBC foreign correspondent Rainsford reports on Fidel’s reshaping of a nation, and what the future holds for ordinary Cubans now that he and his brother Raul are no longer in power. Through tales of literary ghosts and forgotten reporters, believers in the revolution and dissidents, entrepreneurs optimistic about the new Cuba and the disillusioned still looking for a way out, Our Woman in Havana paints an enthralling picture of this enigmatic country as it enters a new era.

Kat D. Williams traces Isabel "Lefty" Alvarez's life from her childhood in Cuba, where she played baseball with the boys on the streets of El Cerro, to her reinvention as a professional baseball player and American citizen. Isabel "Lefty" Alvarez gives the reader a look into Alvarez's young life in Cuba during the turbulent years leading up to Castro's revolution, as political differences tore families apart. Alvarez came to the United States at fifteen, speaking no English, and experienced the challenge of immigration as her mother pushed her to become a professional athlete in her newly adopted country. Through all the changes and upheaval, Alvarez found acceptance and success as a player in the All-American Girls Professional Baseball League, where she was called "the Rascal of El Cerro." After the league ended, Alvarez struggled with an undiagnosed learning disability that limited her options. She persevered and reinvented herself as a factory worker but later battled alcoholism and depression until baseball returned to her life and she was able to reconnect with her former teammates and become part of the active community of former players. Alvarez's life story illustrates the struggle and strength of a young Latina immigrant and the importance of sport to her transition to her new country and her enduring identity.