The Princes Brides The Italian Prince S Pregnant Bride The Greek Prince S Chosen Wife The Spanish Prince S Virgin Bride Mills Boon By Request

Single mom Lucy Abbott is working as many hours as she can, but still can barely afford to feed her baby daughter. Then Prince Maximo d'Aquilla offers her millions, and a way out of her desperate life. Max whisks her away to Italy…and soon she's totally his! Max has seduced her completely. But is he driven by revenge, or desire? And is he ruthless enough to walk away from his captive bride?

This carefully crafted ebook: "ULYSSES (Modern Classics Series)" is formatted for your eReader with a functional and detailed table of contents. Ulysses is a modernist novel by Irish writer James Joyce. It is considered to be one of the most important works of modernist literature, and has been called "a demonstration and summation of the entire movement". Ulysses chronicles the peripatetic appointments and encounters of Leopold Bloom in Dublin in the course of an ordinary day, 16 June 1904. Ulysses is the Latinised name of Odysseus, the hero of Homer's epic poem Odyssey, and the novel establishes a series of parallels between its characters and events and those of the poem (the correspondence of Leopold Bloom to Odysseus, Molly Bloom to Penelope, and Stephen Dedalus to Telemachus). Joyce divided Ulysses into 18 chapters or "episodes". At first glance much of the book may appear unstructured and chaotic; Joyce once said that he had "put in so many enigmas and puzzles that it will keep the professors busy for centuries arguing over what I meant", which would earn the novel "immortality". James Joyce (1882-1941) was an Irish novelist and poet, considered to be one of the most influential writers in the modernist avant-garde of the early 20th century. Joyce is best known for Ulysses, the short-story collection Dubliners, and the novels A Portrait of the Artist as a Young Man and Finnegans Wake.

Everybody has been in Milan, but who knows Milan? The traveller in search of the picturesque and mediæval sees nothing to arrest him—except comfortable hotels—in a city which seems to tell only of yesterday. A glance at the Cathedral, at St. Ambrogio, at the most famous of the pictures, and he hurries on. Yet a little longer stay reveals a wealth of artistic interest in the many fine churches, in the rich galleries and museums, and much also that is worth learning even in the outward aspect of the city in the present day. The historic buildings have mostly fallen, the old crooked ways have given place to broad thoroughfares, the picturesque life of the past has been smothered by the sombre bustle of modern commercialism. But her heritage of beauty is to some extent inalienable. She remains always Italian. Colour and atmosphere lend an indestructible charm even to her modernity. The warm brick of the buildings against the limpid blue sky, the gold and grey of sunshine and shadow, the shining canals that border some of the further streets with a still and pensive melancholy, make a lovely and characteristic harmony still, as in the days of the Quattrocentist artists who painted them in the backgrounds of their Madonnas and San Roccos. And there are some old xivstreets left, mostly in the heart of the city, such as the Via del Pesce and the Via Tre Alberghi, long cobbled alleys ribboned with triple lines of pavement, where the tall houses and bowed-out balconies of curious ironwork, rusted by age and weather, if they cannot remember the days of Milan's earlier glory, must have known at least something of the sad centuries of bondage which followed, before they shook to the roar of the Cinque Giornate sixty years ago. The compass of this small volume has made it impossible to tell otherwise than summarily of the great past of this city and of her artistic riches to-day. I have had to pass over, or barely mention, many noteworthy things.

In the time of a devastating pandemic, seven women and three men withdraw to a country estate outside Florence to give themselves a diversion from the death around them. Once there, they decide to spend some time each day telling stories, each of the ten to tell one story each day. They do this for ten days, with a few other days of rest in between, resulting in the 100 stories of the Decameron. The Decameron was written after the Black Plague spread through Italy in 1348. Most of the tales did not originate with Boccaccio; some of them were centuries old already in his time, but Boccaccio imbued them all with his distinctive style. The stories run the gamut from tragedy to comedy, from lewd to inspiring, and sometimes all of those at once. They also provide a detailed picture of daily life in fourteenth-century Italy.