The Princess And The Peacocks Or The Story Of The Room

A princess in a portrait by the famous American painter, James McNeill Whistler, tells how he transforms the dreary room where she hangs in his wealthy patron's house in London into the spectacular Peacock Room.

En gennemgang af Smithsonian Institutions Peacock Room, indrettet af J.A.M. Whistler (1834-1903)

Resource guide supports the Picturing America program, which encourages children to learn about art and history by observing and talking about art works.

From award-winning, genre-hopping author C. S. Johnson comes an original fairy tale that's sure to enchant you ... The first time I fell in love with Princess Mele was when I saw her smile, and I fell in love with her the second time the moment I heard her sing. Two memories burn within Kaipo's heart -- the death of his mother, which left him alone to die, and the arrival of Princess Mele, which gave him a new reason to live. Together with his adopted brother, Kaipo seeks out Jaya, the Fae Queen who lives on the Forbidden Mountain, in order to gain the beauty he requires to win Mele's heart. But Jaya has other plans for the scarred outcast who climbs up her mountain ... The Princess and the Peacock is the first in Birds of Fae, a fantasy fairy tale novella series from C. S. Johnson featuring original, standalone fairy tales. FROM THE BOOK: “Hey, Kaipo, we are almost at the top!” Rahj lets out a cheer as he appears beside me again. He daringly loosens his grip before twisting around to see the sights behind us. “Can you believe the view from up here? No wonder Jaya chose to live here.” I carefully look down at the view below. I can see our whole side of Maluhia as I glance around us. The skies are clear, shining in a way that seems both too light and too blue; the clouds just above the Forbidden Mountain are fluffy and starkly white, as if they know they are used in service to a higher power. The seas that surround Maluhia are a mix of blue and green, the sun and sky eagerly battling for the right to blend their beauty. I can see the coral reef that bends around the beach that leads to the other side of the mountain, where the kingdom’s rich merchants, warriors, and royal family live in the capital city of Shanthi. “You’re right,” I say to Rahj, who somehow smiles even more brightly. “This is incredible.” “This is how the God of all creation must see the world,” Rahj says, his voice full of awe. “From up here, it only looks beautiful. There is no way to see the full ugliness the world carries.” I frown at him, surprised by the remark. There was nothing in his tone to suggest a sullen feeling, but the words were enough to make me wonder. “I am happy to share this with you, Kaipo.” Despite the danger, Rahj reaches out and I clasp his hand in mine. I might have hated Rahj before, but since my scars had branded me as both an outcast and an orphan, he had remained by my side. With Appa gone, and my mother dead and burned, there is no one else. So I smile at him. “Thank you, brother,” I reply, and this time, Rahj does not smile. Instead, I can see the solemn gratitude and pride in his gaze as he nods. His sudden and uncharacteristic seriousness is the last thing I see before the rock under his anchored hand crumbles, and he cries out my name as he falls. “Kaipo!” WHAT READERS ARE SAYING: "From the characters to the priceless message of true beauty, this was an engaging and creative tale that pulled me in. I very eagerly look forward to reading more in this series!" ~ Laura A. Grace, Unicorn Quester "Beautiful and satisfying read!" ~ Maurice, Book Reviewer

Calling for structured interaction between students and books, Leonard specifies how teachers and media specialists can collaborate to create a library media-centered program that develops the talents of all K-6 students. The ultimate goal is to encourage reading and build reading, comprehension, questioning, and thinking skills. Models, groupings, strategies, and materials are suggested in a grade-appropriate scope and sequence. The latest theories about the process of education, thinking, multiple intelligences, how children learn (individually and cooperatively), as well as effective grouping and teaching strategies for differentiation are discussed. The book also has sample lessons and scenarios drawn from the author's experience. Grades K-6.

The Smithsonian Institution is America's largest, most important, and most beloved repository for the objects that define our common heritage. Now Under Secretary for Art, History, and Culture Richard Kurin, aided by a team of top Smithsonian curators and scholars, has assembled a literary exhibition of 101 objects from across the Smithsonian's museums that together offer a marvelous new perspective on the history of the United States. Ranging from the earliest years of the pre-Columbian continent to the digital age, and from the American Revolution to Vietnam, each entry pairs the fascinating history surrounding each object with the story of its creation or discovery and the place it has come to occupy in our national memory. Kurin sheds remarkable new light on objects we think we know well, from Lincoln's hat to Dorothy's ruby slippers and Julia Child's kitchen, including the often astonishing tales of how each made its way into the collections of the Smithsonian. Other objects will be eye-opening new discoveries for many, but no less evocative of the most poignant and important moments of the American experience. Some objects, such as Harriet Tubman's hymnal, Sitting Bull's ledger, Cesar Chavez's union jacket, and the Enola Gay bomber, tell difficult stories from the nation's history, and inspire controversies when exhibited at the Smithsonian. Others, from George Washington's sword to the space shuttle Discovery, celebrate the richness and vitality of the American spirit. In Kurin's hands, each object comes to vivid life, providing a tactile connection to American history. Beautifully designed and illustrated with color photographs throughout, The Smithsonian's History of America in 101 Objects is a rich and fascinating journey through America's collective memory, and a beautiful object in its own right.