The Prints Of Louise Bourgeois

Her increasing recognition since then culminated with the selection of her work to represent the United States at the 1993 Venice Biennale.

An exploration of the art and writing of Louise Bourgeois through the lens of her relationship with Freudian psychoanalysis From 1952 to 1985, Louise Bourgeois (1911-2010) underwent extensive Freudian analysis that probed her family history, marriage, motherhood, and artistic ambition--and generated inspiration for her artwork. Examining the impact of psychoanalysis on Bourgeois's work, this volume offers insight into her creative process. Philip Larratt-Smith, Bourgeois's literary archivist, provides an overview of the artist's life and work and the ways in which the psychoanalytic process informed her artistic practice. An essay by Juliet Mitchell offers a cutting-edge feminist psychoanalyst's viewpoint on the artist's long and complex relationship with therapy. In addition, a short text written by Bourgeois (first published in 1991) addresses Freud's own relationship to art and artists. Featuring excerpts from Bourgeois's copious diaries, rarely seen notebook pages, and archival family photographs, Louise Bourgeois, Freud's Daughter opens exciting new avenues for understanding an innovative, influential, and groundbreaking artist whose wide-ranging work includes not only renowned large-scale sculptures but also a plethora of paintings and prints.

The first publication to fully survey Louise Bourgeois's printmaking, a major component of her artistic practice. Louise Bourgeois: An Unfolding Portrait explores the prints, books and creative process of the celebrated sculptor Louise Bourgeois whose printed oeuvre, while lesser known than other aspects of her work, is vast in scope and comprises some 1,400 printed compositions. Over the course of her career, Bourgeois constantly revisited the themes and motifs of her art - all of which emerged from troubling emotions she struggled with for a lifetime. This investigation reveals the creative process underlying her artistic practice through evolving states for print compositions, as well as through the juxtaposition of works in different mediums and from different periods of her long career. Published in conjunction with an exhibition at The Museum of Modern Art, the book features over 250 prints organized thematically and placed within the context of the artist's sculpture, drawings and paintings. The book also sheds light on the collaborative relationships between Bourgeois and her printmaking associates who often came to her home studio to work with her there - sometimes on a daily basis - pulling trial proofs from printing presses she kept in her basement. Interviews with Bourgeois's primary assistant, with whom she worked for decades, as well as with a printer and a publisher, each of whom helped foster her creative engagement with the medium, provide insight into her working process.

Louise Bourgeois is widely regarded as one of the most remarkable and influential artists of the past hundred years. Drawing on the artist's own writings and interviews, Ann Coxon's text serves as both an introduction and a source of new insights into her work.

Featuring two series (25 works) by one of the most influential artists of recent decades Louise Bourgeois: Autobiographical Prints presents these highly personal and dreamlike expressions of this formidable creative force.Most of the French-American artist's work dealt with strongly autobiographical themes, invoking her childhood emotions of loneliness, desire, anxiety and jealousy.A prolific printmaker, Bourgeois' Autobiographical Series capture her deepest thoughts and memories, particularly in a suite of 14 etchings (from 1994).As a companion, the collection of 11 Drypoints (from 1999) offer a more abstract perspective, using metaphorical motifs and themes to conjure the dreams and images that haunted her to the very end of her life.Faithfully reproduced with arresting clarity, intriguing and highly immersive, both sets of prints open a window into the mind of the artist.Featuring two new texts: Roger Malbert provides an overview of the role that printmaking played in the artist's long career, while psychoanalyst and feminist Juliet Mitchell explores themes of childhood trauma and sexuality.Published to accompany a touring exhibition across the UK and Ireland in 2015-16.

Louise Bourgeois (1911–2010) is celebrated today for her sculptures. Less known are the paintings she produced between her arrival in New York in 1938 and her turn to three-dimensional media in 1949. Crucial to her artistic practice, these early works—the focus of this groundbreaking publication—show how Bourgeois evolved her deeply personal artistic lexicon, and how the themes and motifs she explored in her paintings coalesced into symbols of her sculptural practice. Informed by new archival research and the artist's extensive diaries, Louise Bourgeois: Paintings explores Bourgeois's relationship to the New York art world of the 1940s and her development of a unique pictorial language, adding a key element to our understanding of this crucial artist’s career.

Published to accompany the exhibition held at Marlborough Graphics, London - 31 March - 22 April 2005.