The Promise Of Melusine

Melusine’s Footprint: Tracing the Legacy of a Medieval Myth offers nineteen new critical essays from an international and interdisciplinary group of scholars examining the cultural, literary, and mythical inheritance of the legendary half-fairy, half-serpent Melusine.

Readers have long been fascinated by the enigmatic figure of M lusine - a beautiful fairy woman cursed to transform into a half-serpent once a week, whose part-monstrous sons are the ancestor of several European noble houses. This study is the first to consider how this romance developed from a local legend to European bestseller, analysing versions in French, German, Castilian, Dutch, and English. It addresses questions on how to study medieval literature from a European perspective, moving beyond national canons, and reading M lusine's bodily mutability as a metaphor for how the romance itself moves and transforms across borders. It also analyses key changes to the romance's content, form, and material presentation - including its images - and traces how the people who produced and consumed this romance shaped its international transmission and spread. The author shows how M lusine's character is adapted within each local context, while also uncovering previously unknown connections between the different branches of this multilingual tradition. Moving beyond established paradigms of separate national traditions, manuscript versus print, and medieval versus Renaissance literature, the book integrates literary analysis with art historical and book historical approaches. LYDIA ZELDENRUST is a Leverhulme Early Career Fellow at the Department of English and Related Literature at the University of York.

Jean d’Arras’s splendid prose romance of Melusine, written for Jean de Berry, the brother of King Charles V of France, is one of the most significant and complex literary works of the later Middle Ages. The author, promising to tell us “how the noble and powerful fortress of Lusignan in Poitou was founded by a fairy,” writes a ceaselessly astonishing account of the origins of the powerful feudal dynasty of the Lusignans in southwestern France, which flourished in western Europe and the Near East during the age of the Crusades. The spellbinding story of the destinies of the fairy Melusine, her mortal husband, and her extraordinary sons blends history, myth, genealogy, folklore, and popular traditions with epic, romance, and Crusade narrative. Preceded by a substantial introduction, this translation, the first in English to be amply annotated, captures the remarkable range of stylistic registers that characterizes this extravagant and captivating work.

Following his father’s death, Adam Delaney has acquired his father’s title as Earl of Delaney and married Anne, who has given birth to their twin sons, Lance and Tristan. Now Adam and Anne have taken a much-needed vacation in France, leaving their sons at Delaney Castle with Adam’s mother and grandmother and Anne’s father. But what begins as a pleasant and long overdue honeymoon soon becomes another strange mythical adventure when Anne reunites with her old friend, Morgan, while the couple is visiting Lusignan, home to the legendary fairy Melusine. Before Anne knows it, she finds herself listening to stories within stories about the fairy Melusine and the magical rings she left to her children, magical rings that are tied to Adam and Anne’s future in ways they can scarcely imagine. Melusine’s Gift is the second of five books in Tyler R. Tichelaar’s Children of Arthur series following Arthur’s Legacy.

In our galactic neighborhood, surveyors for the Federation of Intelligent Species determined that humans are a dangerous outlier race whose violent nature and rapidly developing technology will be destabilizing to their vast ancient culture. Following an established species extinction plan, FIS agents installed mass drivers to guide large asteroid missiles toward Earth. In The Swordfish Island Covenant French Huguenots who experienced persecution under Louis XIV agreed to burden their descendants with defending Earth over three hundred years in the future. The Promise of Melusine is the fulfillment of that agreement. Hidden from the FIS, from other humans, and ignorant of what is happening in them, the people of Swordfish Island gradually transform. A teenage girl is the key to their activation. Lida lives in a Los Angeles suburb. She must discover her heritage and survive to find her people. Still, even if she succeeds can a hundred thousand amplified human beings have any significant impact against a culture of ten million worlds and four million space faring alien species?

Considerable interest in faery tradition has grown up in recent years and not least in the story of Melusine of Lusignan, the subject of a prose romance by Jean d'Arras at the end of the 14th century, swiftly followed by one in verse by Couldrette. This book provides a collection of material from various sources to give an all round picture of the remarkable faery, her town, her church, her immediate family, and the great Lusignan dynasty she founded. An established authority on Melusine, Gareth Knight collects together all the best source material, which he translates from the French, and presents his own researches into the Lusignan family of the 12th century, whose dynasty included kings of Cyprus and Jerusalem, examining the possibility of a familiar spirit guiding the family in its destiny.

Sensible Ecstasy investigates the attraction to excessive forms of mysticism among twentieth-century French intellectuals and demonstrates the work that the figure of the mystic does for these thinkers. With special attention to Georges Bataille, Simone de Beauvoir, Jacques Lacan, and Luce Irigaray, Amy Hollywood asks why resolutely secular, even anti-Christian intellectuals are drawn to affective, bodily, and widely denigrated forms of mysticism. What is particular to these thinkers, Hollywood reveals, is their attention to forms of mysticism associated with women. They regard mystics such as Angela of Foligno, Hadewijch, and Teresa of Avila not as emotionally excessive or escapist, but as unique in their ability to think outside of the restrictive oppositions that continue to afflict our understanding of subjectivity, the body, and sexual difference. Mystics such as these, like their twentieth-century descendants, bridge the gaps between action and contemplation, emotion and reason, and body and soul, offering new ways of thinking about language and the limits of representation.