The Psychology Of The Grotesque In August Strindberg S The Ghost Sonata

Generally considered one of milestones in the development of modern drama, August Strindberg's chamber play "The Ghost Sonata" (1907) has variously been hailed as the first expressionist, surrealist and absurdist drama. In this monograph of the play as text and as performance --the first of its kind--Egil Tornqvist examines, in four chapters, the source text, various translations of it into English, the stage versions of Max Reinhardt, Olof Molander and Ingmar Bergman, and select radio and TV adaptations. In two framing chapters the background and impact of the play are illuminated. Focusing on Bergman's 1973 production, the book in addition contains a rehearsal diary and a transcription of this production. It is concluded with an annotated list of select productions.

This copiously annotated bibliography documents and examines the whole range of commentary on Strindberg's works and activity in many fields besides the plays for which he is internationally best known. These include his prose fiction and poetry, his work as an historian and natural historian, and his relationship to the other arts, most notably his painting. It is concerned with both lasting works of literary and dramatic criticism, as well as reviews of his books and plays in the theatre, and some more ephemeral material, all of this in several languages. Organised generically and by subject and individual work, the bibliography enables the reader to trace the changing impact of Strindberg and his works in various countries and during different periods. It is thus very much a study in reception as well as a bibliographical record of published material. It traces the developing image of Strindberg and his writing both during his lifetime and in subsequent years, and with frequent cross reference offers a comprehensive overview of a literary and existential project that has rarely been matched for its multifaceted diversity. The bibliography is published in three parts. Volume 1, General Studies (978-0-947623-81-4) and Volume 3, Prose, Poetry, Miscellaneous (978-0-947623-83-8) are also now available. Michael Robinson is Emeritus Professor of Drama and Scandinavian Studies at the University of East Anglia, Norwich.

This is a Ph.D. dissertation. The aim of this dissertation is to explore the Tao of theater through the study of the productions of Strindberg's A Dream Play on stage. For the purpose of understanding these dynamic relationships Taoism is used and especia

Consolidating and expanding arguments and conclusions he has made in two articles in English and a book in Arabic, Abdulla investigates the similarities in the ideas and critical criteria of two the important critics. Longinus wrote Peri Hupsous (On the Sublime) in the first or third century AD. Al-Qadi al Jurjani wrote Al-Wasata bayna al-Mutanabbi

During his lifetime, Strindberg's obsessional dramatic treatments of insanity, sexual domination and the psychological warfare between man and woman provoked abhorrence and incomprehension. Today his plays are seen as very relevant.

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