The Quest For The Nine Maidens

King Arthur went to Avalon with Morgan and her eight sisters. In this book McHardy traces similar groups of nine maidens throughout the ancient Celtic and Germanic worlds and far beyond. In Pictland, Wales, Ireland, Scandinavia, Gaul and Iberia the nine Maidens were known in mythology and as practising priestesses. As far away as Kenya the Kikuyu people claim descent from nine sisters, while a cave painting in Catalonia shows nine dancing maidens from almost 15,000 years ago. Weather-workers, shape-shifters, diviners and healers - the Nine Maidens are linked to the Old Religion over much of our planet.

Whether as the mothers of the Norse God Heimdall, Morgan and her sisters on Avalon, the nine sisters at the heart of the founding myth of the Gikuyu of Kenya, or witches battling with the Irish St Patrick, stories of nine women, often attending a goddess or linked to a heroic or divine male, exist across much of our world. Triggered by a local story still told in his native Dundee, Stuart McHardy has traced what seems to be memories of groups of nine women, most likely some kind of priestesses, across much of Europe and as far as Siberia, Korea, India and Africa. Whether as Pictish saints, Muses, Valkyries, Druidesses or witches, the tales of these groups of nine women transcend a vast range of cultural and linguistic boundaries. The painting of nine women dancing round a priapic male in a Catalonian cave painting over fifteen thousand years old suggests these groups may well have been one of the oldest cultural institutions humanity has known.

Land of the Gods is the historical, archeological story of the ancient inhabitants of Scotland, the Lothians and the Borders tribes, whom the Romans called the Goddodin. The Romans did not conquer these ancient inhabitants, though when they retreated from Britain, neighboring tribes tried to lay claim to their lands. Then a magnificent warrior emerged from these ancient Scottish tribes. Remembered as Arthur, he fought for the survival of his land and won, and his Camelot was the Lothians and Borders region. After his reign, the region was finally overrun and his people fled to Wales, where over time, the story of their magical kingdom to the north and their mythical hero coalesced into the myth of Camelot and King Arthur. Today, remnants of the spiritual architecture of these tribes are visible in Cairnpapple, Traprain Law and other ancient Scottish monuments. They accentuated their region's unique volcanic landscape to reflect their mythology, which spoke of gods descending to Earth from the sun god Loth.

An experiential guide to the spiritual path of the Holy Grail • Traces the evolution of the Holy Grail from the sacred vessel of the Celtic goddess to the Cup of Christ and how it represents the longing for the divine feminine • Provides exercises, meditations, and rituals to connect you with the powers of the Cauldron of Rebirth, the Chalice of Healing, the Sword of Light, and the Holy Grail • Explains how attaining the Grail brings full consciousness of the soul and Divine influence for the healing of self and others The primary myth of Western culture, the quest for the Holy Grail persists through the centuries like a recurring dream, embodying the longing for the divine feminine suppressed for more than two thousand years. The Holy Grail emerged not only as a symbol of the feminine but also as a symbol of the soul, for hidden within the sacred Grail legends lies an initiatory path that leads to the highest realms of consciousness and spiritual illumination. By working with the symbols of the Grail tradition we can gaze into our own hidden depths and heal the separation between masculine and feminine, Spirit and Matter, and Heaven and Earth. Mara Freeman traces the evolution of the Grail from the sacred vessel of the Celtic goddess to the Cup of Christ, revealing a spiritual path rooted in the mysteries of the Goddess, the Grail, and the Sword. She explains how the Sword has dominated over the Goddess and the Grail for far too long, leading to a spiritual wasteland as foretold in the Grail stories. She provides a practical workbook of exercises, visualizations, and magical rituals to restore the power of the divine feminine through spiritually transformative experiences with the Cauldron of Rebirth, the Chalice of Healing, the Sword of Light, and the Holy Grail itself. Drawing on folk traditions and medieval Arthurian romances as well as alchemy and the wisdom of the mystics of Glastonbury, Freeman reveals the ancient Celtic teachings of the Western Mystery tradition. She shows that attaining the Grail involves achieving full consciousness of the soul. Then, as a Grail-bearer, you can bring the light of the Grail into the world for the healing of self and others.

A black comedy of religious sexuality and pagan murder, which inhabits the same territory as The Wicker Man. If I am a Rabbi, Jehova is my God. If I am a Mullah, Allah the merciful is He. If a Christian, Jesus is my Lord. Millions of people worldwide worship the sun. Here in Tressock I believe the old religion of the Celts fits our needs at this time. Isn't that all you can ask of a religion? Gospel singer Beth and her cowboy boyfriend Steve, two virgins promised to each other through 'the Silver Ring Thing', set off from Texas to enlighten the Scottish heathens in the ways of Christ. When, after initial hostility, they are welcomed with joy and elation to the village of Tressock, they assume their hosts simply want to hear more about Jesus. How innocent and wrong they are. REVIEWS: 'Erotic, romantic, comic and horrific enough to loosen the bowels of a bronze statue.' --Christopher Lee 'Robin Hardy looks set to snare a new generation of followers with the long overdue follow-up... another tale of faith, sex and sacrifice.' --Sunday Herald'... the writing style is typical of the genre and Hardy has upped the stakes. After a slow set-up, the plot romps along, with unexpected twists and turns, to its inevitable and frustratingly avoidable conclusion. Those who identify with the youthful protagonists will find it thrilling and horrible, a story to disturb sleep.' --Scottish Review of Books 'Let's face it, there are strange communities in the world.' Purity rings in hand, a young evangelical Christian singer and her devoted fiancé leave the comfort of their Texas home to journey into heathen parts of the earth, hoping to spread the word of God across the land. Their mission takes them to a bizarre Scottish town whose people and practices turn their world inside out. To call it a culture clash would be too gentle. To reveal anything further would be a blight against the heavens. 38 years after directing THE WICKER MAN (and following a 22-year filmmaking sabbatical), celebrated iconoclast Robin Hardy has reunited with producer Peter Snell and returned to the Pagan pantheon with this hugely eccentric successor film, THE WICKER TREE. The distinction is an important one to make, as this is neither sequel nor re-imagining, but rather a film narrative cut from the same universe (or as its maker refers to it, 'a spiritual sequel'). Hardy is a one-of-a-kind filmmaker, and THE WICKER TREE is brimming with the stamp of his personality. It has ample Scottish colour, reaching out through tons of catchy folk songs interspersed throughout the film. Clever plays on religious iconography and an acute understanding of Pagan ritualism. Ethereal locations. A charged sense of the sexual. A dreamlike sense of the magical. Costumes, dances and animal masks. An off-centre look at the absurdities of faith (in this case, neither Christian nor Pagan get off easy), THE WICKER TREE could be called a black theological satire, a strange breed of irony-fuelled comedy-musical-horror-thriller-drama. Call it however you like, it will bring a smile to your lips and, perhaps, a torch to your belief system. Based on Hardy's novel [...] and featuring appearances by Christopher Lee, members of the Beltane Fire Society and a compellingly show-stopping Graham McTavish, this is a film that's been brewing for many years, one that has proved exceedingly difficult to mount. Now, finally, it is here. Prepare to ride the laddie and join us in celebrating the second coming of one of cinema s great seers. May Day is upon us. THE WICKER TREE is about to burn' --Mitch Davis, Director of Fantasia Film Festival, on the motion picture The Wicker Tree

The Quest series from Luath Press continues with the quest for all things Celtic, an investigation into aspects of Celtic history that have previously been neglected or lost. The authors argue strongly that the evidence they have uncovered within folklore, legends, the guilds, and the oral traditions of secret societies in Scotland, link together with striking similarities. They further suggest that these links are not coincidence but the last visible threads of belief systems that have been at the center of the Scottish psyche for centuries. The Celtic Key makes sense of the underlying beliefs that have contributed to, motivated, and shaped a nation through the ages. REVIEWS A fascinating journey through the mystery and magic of Scotland's past...the authors describe the people, places and traditions -- Watkins Review, London, Winter 2002, Issue no. 4A refreshing look at Scotland's past...we are presented with such a wealth of information; well worth reading -- Dalriada, journal of Celtic heritage, Scotland, 2003A spellbinding step into the...world of ancient Caledonia and the people who laid the foundations of Scotland -- West Lothian Courier newspaper, 27 June 2002An enthralling and informative journey through time which deserves a place on every Scottish bookshelf...their sources are well documented -- Scots magazine, Vol 158 No.2, 2003Without resorting to colourful conjecture...it nevertheless adds its own voice to the enduring mysteries of Scotland's Celtic heritage -- Historic Scotland magazine, Winter 2002-3 issue

One of the greatest films ever to be made in Scotland, The Wicker Man immediately garnered a cult following on its release for its intense atmosphere and shocking denouement. This book explores the roots of this powerful, enduring film. With contributors including The Wicker Man director Robin Hardy, it is a thorough and informative read for all fans of this indispensable horror masterpiece.

The culture of all nations is rooted in past experience, individual and communal. In Scotland's Future History McHardy looked at the misrepresentation of so much of Scotland's political and social history. In this new volume he takes a wider look at aspects of Scotland's culture that have been at the heart of how we have developed into who we are in today's world. Topics include literature, religion, history and story, the Radical 1790s, the remarkable Douglas Young and an introduction to Geomythography, a new way of melding prehistory and history to present a new and refreshing way seeing our past. Understanding our past is vital to the process of building a new Scotland in the years ahead. As Scotland moves towards reclaiming her status among the nations of the world it is important that we understand just how culturally distinctive we are. Being Scottish is no better than having any other nationality, but is is certainly no worse, and as this work hopefully shows, it is something worth celebrating.