The Radetzky March

The author’s masterpiece, an epic saga of a family and an empire in decline, is “full of psychological penetration and tragic force” (The New Yorker). The Radetzky March, Joseph Roth’s classic novel of the Austro-Hungarian Empire, follows three generations of the privileged von Trotta family as Europe advances inexorably toward World War I. With a breadth and richness that draws comparison to Tolstoy, it encompasses the entire social fabric of Austro-Hungarian society. Shot through with dark humor and tragic irony, The Radetzky March is an unparalleled portrait of a civilization in decline, and as such a universal story for our times. “A masterpiece . . . The totality of Joseph Roth’s work is no less than a tragédie humaine achieved in the techniques of modern fiction. No other contemporary writer, not excepting Thomas Mann, has come close to achieving the wholeness . . . that Lukács cites as our impossible aim.” —Nadine Gordimer

From one of Britain's most distinguished historians and the bestselling author of Hitler, this is the definitive history of a divided Europe, from the aftermath of the Second World War to the present. After the overwhelming horrors of the first half of the 20th century, described by Ian Kershaw in his previous book as having gone 'to Hell and back', the years from 1950 to 2017 brought peace and relative prosperity to most of Europe. Enormous economic improvements transformed the continent. The catastrophic era of the world wars receded into an ever more distant past, though its long shadow continued to shape mentalities. Europe was now a divided continent, living under the nuclear threat in a period intermittently fraught with anxiety. Europeans experienced a 'roller-coaster ride', both in the sense that they were flung through a series of events which threatened disaster, but also in that they were no longer in charge of their own destinies: for much of the period the USA and USSR effectively reduced Europeans to helpless figures whose fates were dictated to them by the Cold War. There were striking successes - the Soviet bloc melted away, dictatorships vanished and Germany was successfully reunited. But accelerating globalization brought new fragilities. The impact of interlocking crises after 2008 was the clearest warning to Europeans that there was no guarantee of peace and stability. In this remarkable book, Ian Kershaw has created a grand panorama of the world we live in and where it came from. Drawing on examples from all across the continent, Roller-Coaster will make us all rethink Europe and what it means to be European.

The hotel that I love like a fatherland is situated in one of the great port cities of Europe, and the heavy gold Antiqua letters in which its banal name is spelled out shining across the roofs of the gently banked houses are in my eye metal flags, metal bannerets that instead of fluttering shine out their greeting. In the 1920s and 30s, Joseph Roth travelled extensively in Europe, leading a peripatetic life living in hotels and writing about the towns through which he passed. Incisive, nostalgic, curious and sharply observed - and collected together here for the first time - his pieces paint a picture of a continent racked by change yet clinging to tradition. From the 'compulsive' exercise regime of the Albanian army, the rickety industry of the new oil capital of Galicia, and 'split and scalped' houses of Tirana forced into modernity, to the individual and idiosyncratic characters that Roth encounters in his hotel stays, these tender and quietly dazzling vignettes form a series of literary postcards written from a bygone world, creeping towards world war.

"[Joseph Roth] is now recognized as one of the twentieth century's great writers."—Anthony Heilbut, Los Angeles Times Book Review The Joseph Roth revival has finally gone mainstream with the thunderous reception for What I Saw, a book that has become a classic with five hardcover printings. Glowingly reviewed, What I Saw introduces a new generation to the genius of this tortured author with its "nonstop brilliance, irresistible charm and continuing relevance" (Jeffrey Eugenides, New York Times Book Review). As if anticipating Christopher Isherwood, the book re-creates the tragicomic world of 1920s Berlin as seen by its greatest journalistic eyewitness. In 1920, Joseph Roth, the most renowned German correspondent of his age, arrived in Berlin, the capital of the Weimar Republic. He produced a series of impressionistic and political essays that influenced an entire generation of writers, including Thomas Mann and the young Christopher Isherwood. Translated and collected here for the first time, these pieces record the violent social and political paroxysms that constantly threatened to undo the fragile democracy that was the Weimar Republic. Roth, like no other German writer of his time, ventured beyond Berlin's official veneer to the heart of the city, chronicling the lives of its forgotten inhabitants: the war cripples, the Jewish immigrants from the Pale, the criminals, the bathhouse denizens, and the nameless dead who filled the morgues. Warning early on of the dangers posed by the Nazis, Roth evoked a landscape of moral bankruptcy and debauched beauty—a memorable portrait of a city and a time of commingled hope and chaos. What I Saw, like no other existing work, records the violent social and political paroxysms that compromised and ultimately destroyed the precarious democracy that was the Weimar Republic.

A powerful collection written on the eve of the destruction of Europe by the Second World War, by the great Joseph Roth Having fled to Paris in January 1933, on the very day Hitler seized power in Germany, Joseph Roth wrote a series of articles in that 'hour before the end of the world', that he foresaw was coming and which would see the full horror of Hitler's barbarism, the Second World War and most crucially for Roth, the final irreversible destruction of a pan European consciousness. Incisive and ironic, the writing evokes Roth's bitterness, frustration and morbid despair at the coming annihilation of the free world while displaying his great nostalgia for the Hapsburg Empire into which he was born and his ingrained fear of nationalism in any form.

History remembers Wellington's defeat of Napoleon, but has forgotten the role of Field Marshal Radetzky in the battles which led to Napoleon's abdication and first exile in 1814. As Chief of Staff to the allied coalition of 1813-14, Radetzky determined the shape of the most decisive campaigns of the Napoleonic Wars by creating the strategy that defeated the Corsican in Germany and then France. Neither Russia nor Prussia had been able to overcome Napoleon in battle and it took the brilliant diplomacy of Metternich and the military genius of Radetzky to ensure victory over the Emperor. In short, the Austrian contribution decisively tipped the balance against Napoleon - a fact which has always been overlooked by historians. It was Radetzky, too, at the age of eighty-two, who defeated the Italians in 1848 and 1849 and thus saved Europe once again from the prospect of international war and revolution. The wars Radetzky fought - and won - throughout his extensive military career were of the greatest possible significance in European history, yet today, he is almost forgotten - remembered only in the music of the Radetzky March, dedicated to him by Johann Strauss the elder. In this, the first biography of Radetzky to be published in English, Alan Sked paints a vivid picture of an exceptional, yet neglected commander of genius in a book which will be fascinating reading for enthusiasts of military and modern European history.

Rosenfeld suggests that more than any other component of Roth's varied fiction, his skillful portrayals of uprootedness and the search for home explain his international appeal, which has grown in recent decades with the translation of his novels into English."--BOOK JACKET.

The renowned author of The Radetzky March examines the mind of a Russian Revolutionary and the limitations of ideology in this classic n ovel. Based on his own observations during an extended stay in Moscow in the winter of 1926, The Silent Prophet is Joseph Roth’s vivid attempt to explain the Russian Revolution and its betrayal by exposing the personal motivations of its leaders. Written at the height of speculation about the fate of Marxist Revolutionary Leon Trotsky, it is a brilliant portrayal of revolutionary idealism-turned-cynicism. The illegitimate and rootless Friedrich Kargan—the Trotsky figure—becomes a leader of the Red Army during the civil war. But he soon realizes that the ideals he fought for were already lost. after openly defying the coldly amoral Savelli—the novel’s Stalin figure—Kargan is sent into exile in Siberia.