The Radical Soldier S Tale

First published in 1988, The Radical Soldier’s Tale is both an introduction to and a transcript of his ‘Memoirs’, written after his retirement in 1881. In this autobiography he presents his life as a soldier during the Sikh Wars, his life as a policeman, and the ideologies which divided people from each other in the societies he had known and read about. Carolyn Steedman introduces the ‘Memoirs’ by placing the document in its textual context, as well as the context of history and politics, and shows how it directs fascinating light on popular political thought in the mid-Victorian years. In her introduction she looks closely at the kind of narratives people have access to in different social circumstances and the stories they tell themselves to explain who they are. This book will be of particular interest to students of Victorian history and politics.

In the theater of war, how important is costume? And in peacetime, what purpose does military spectacle serve? This book takes us behind the scenes of the British military at the height of its brilliance to show us how dress and discipline helped to mold the military man and attempted to seduce the hearts and minds of a nation while serving to intimidate civil rioters in peacetime. Often ridiculed for their constrictive splendor, British army uniforms of the early nineteenth century nonetheless played a powerful role in the troops' performance on campaign, in battle, and as dramatic entertainment in peacetime. Plumbing a wide variety of military sources, most tellingly the memoirs and letters of soldiers and civilians, Scott Hughes Myerly reveals how these ornate sartorial creations, combining symbols of solidarity and inspiration, vivid color, and physical restraint, enhanced the managerial effects of rigid discipline, drill, and torturous punishments, but also helped foster regimental esprit de corps. Encouraging recruitment, enforcing discipline within the military, and boosting morale were essential but not the only functions of martial dress. Myerly also explores the role of the resplendent uniform and its associated gaudy trappings and customs during civil peace and disorder--whether employed as public relations through spectacular free entertainment, or imitated by rioters and rebels opposing the status quo. Dress, drills, parades, inspections, pomp, and order: as this richly illustrated book conducts us through the details of the creation, design, functions, and meaning of these aspects of the martial image, it exposes the underpinnings of a mentality--and vision--that extends far beyond the military subculture into the civic and social order that we call modernity.

This is the first scholarly study of the subject for twenty years, and the only one based on extensive archival research. The Indian Army conquered India for the British, and protected the Raj against its enemies within and without. In this evocative and compassionate work, David Omissi examines the origins, motives and protests of the several million Indian peasant- soldiers who served the colonial power.

For many East Asian nations, cinema and Japanese Imperialism arrived within a few years of each other. Exploring topics such as landscape, gender, modernity and military recruitment, this study details how the respective national cinemas of Japan's territories struggled under, but also engaged with, the Japanese Imperial structures. Japan was ostensibly committed to an ethos of pan-Asianism and this study explores how this sense of the transnational was conveyed cinematically across the occupied lands. Taylor-Jones traces how cinema in the region post-1945 needs to be understood not only in terms of past colonial relationships, but also in relation to how the post-colonial has engaged with shifting political alliances, the opportunities for technological advancement and knowledge, the promise of larger consumer markets, and specific historical conditions of each decade.

Matt and Maya move to their deceased relative’s abode in the country when they discover a secret fireplace that leads to the magical land of Nalor. They arrived at the worst time since the War of the Dark Prince had been in effect. They were enlisted in the Nalorian Military, and had to defeat the Prince in order to return home. Dealing with dragons and sphinxes, they knew their lives would never be the same again. Would they survive? Would they win? How many strange and different people would they meet along the way? Dive into Nalor and all its mysterious twists and turns.

Kuwasi Balagoon was a participant in the Black Liberation struggle from the 1960s until his death in prison in 1986. A member of the Black Panther Party and defendant in the infamous Panther 21 case, Balagoon went underground with the Black Liberation Army (BLA). Captured and convicted of various crimes against the State, he spent much of the 1970s in prison, escaping twice. After each escape, he went underground and resumed BLA activity. Balagoon was unusual for his time in several ways. He combined anarchism with Black nationalism, he broke the rules of sexual and political conformity that surrounded him, he took up arms against the white-supremacist state—all the while never shying away from developing his own criticisms of the weaknesses within the movements. His eloquent trial statements and political writings, as much as his poetry and excerpts from his prison letters, are all testimony to a sharp and iconoclastic revolutionary who was willing to make hard choices and fully accept the consequences. Balagoon was captured for the last time in December 1981, charged with participating in an armored truck expropriation in West Nyack, New York, an action in which two police officers and a money courier were killed. Convicted and sentenced to life imprisonment, he died of an AIDS-related illness on December 13, 1986. The first part of this book consists of contributions by those who knew or were touched by Balagoon. The second section consists of court statements and essays by Balagoon himself, including several documents that were absent from previous editions and have never been published before. The third consists of excerpts from letters Balagoon wrote from prison. A final fourth section consists of a historical essay by Akinyele Umoja and an extensive intergenerational roundtable discussion of the significance of Balagoon’s life and thoughts today.