The Rain God A Desert Tale

"The Rain God is a lost masterpiece that helped launch a legion of writers. Its return, in times like these, is a plot twist that perhaps only Arturo Islas himself could have conjured. May it win many new readers." — Luis Alberto Urrea, bestselling author of The House of Broken Angels and The Hummingbird’s Daughter "Rivers, rivulets, fountains and waters flow, but never return to their joyful beginnings; anxiously they hasten on to the vast realms of the Rain God." A beloved Southwestern classic—as beautiful, subtle and profound as the desert itself—Arturo Islas's The Rain God is a breathtaking masterwork of contemporary literature. Set in a fictional small town on the Texas-Mexico border, it tells the funny, sad and quietly outrageous saga of the children and grandchildren of Mama Chona the indomitable matriarch of the Angel clan who fled the bullets and blood of the 1911 revolution for a gringo land of promise. In bold creative strokes, Islas paints on unforgettable family portrait of souls haunted by ghosts and madness--sinners torn by loves, lusts and dangerous desires. From gentle hearts plagued by violence and epic delusions to a child who con foretell the coming of rain in the sweet scent of angels, here is a rich and poignant tale of outcasts struggling to live and die with dignity . . . and to hold onto their past while embracing an unsteady future.

Prolific poet, essayist, and short story writer, Arturo Islas (1938-1991) is well known for his two insightful novels, The Rain God and Migrant Souls. His untimely death to AIDS truncated a productive and influential career that has left a yawning gap in Latino letters. Islas was a dedicated, thoughtful, and style-conscious writer, who promoted a sense of responsibility to community and art for both writers and critics. The quality of his commitment was matched by the example he set in delving into the esthetics and psychology of gay creativity, an exploration that took him to uncompromising confrontations with his own traditional upbringing. Islas has made his mark as a writer of the U.S.-Mexico border and a leader at the forefront of exploring more social, psychological and philosophical boundaries. As a Chicano from El Paso, as a gay Latino writer, Islas surmounted many boundaries, borders and established roles; in this, he is a standard-bearer for all of Latino literature. A seasoned scholar and professor in the English Department at Stanford University for most of his professional life, Islas maintained an extensive collection of works, records, and papers. The present volume is the product of another Stanford graduate, Frederick Luis Aldama, who combed through the Islas archive and recovered the short fiction, poetry, and essays on Chicano letters that Islas did not have the opportunity to publish. Aldama has organized these materials and edited them so that they may be accessible and ñbroaden the vision of Arturo Islas as writer and thinker.î

A critical biography of novelist, poet, and former Stanford professor Arturo Islas (1938-1991).

This study explores the ways in which the desert, as topographical space and cultural presence, shaped and reshaped concepts and images of America. Once a territory outside the geopolitical and cultural borders of the United States, the deserts of the West and Southwest have since emerged as canonical American landscapes. Drawing on the critical concepts of American studies and on questions and problems raised in recent debates on ecocriticism, The Poetics and Politics of the Desert investigates the spatial rhetoric of America as it developed in view of arid landscapes since the mid-nineteenth century. Gersdorf argues that the integration of the desert into America catered to the entire spectrum of ideological and political responses to the history and culture of the US, maintaining that the Americanization of this landscape was and continues to be staged within the idiomatic parameters and in reaction to the discursive authority of four spatial metaphors: garden, wilderness, Orient, and heterotopia.

“America’s best novelist” (The Denver Post) brings back one of his most fascinating characters—Texas sheriff Hackberry Holland, cousin to lawman Billy Bob Holland—in this heart-pounding bestseller. In a heat-cracked border town, the bodies of nine illegal aliens—women and girls, killed execution-style—are unearthed in a shallow grave. Haunted by a past he can’t shake and his own private demons, Hack attempts to untangle the grisly case, which may lead to more bloodshed. Damaged young Iraq vet Pete Flores, who saw too much before fleeing the crime scene, and his girlfriend, Vikki Gaddis, are running for their lives. Sorting through the lowlifes who are hunting down Pete, and with Preacher Jack Collins, a Godfearing serial killer for hire, in the mix, Hack is caught up in a terrifying race for survival—for Pete, Vikki, and himself.

Interviews with major Chicana/o authors are the basis for this examination of the commonality of issues in the work of each of them.