The Rape Of Mesopotamia

On April 10, 2003, as the world watched a statue of Saddam Hussein come crashing down in the heart of Baghdad, a mob of looters attacked the Iraq National Museum. Despite the presence of an American tank unit, the pillaging went unchecked, and more than 15,000 artifacts—some of the oldest evidence of human culture—disappeared into the shadowy worldwide market in illicit antiquities. In the five years since that day, the losses have only mounted, with gangs digging up roughly half a million artifacts that had previously been unexcavated; the loss to our shared human heritage is incalculable. With The Rape of Mesopotamia, Lawrence Rothfield answers the complicated question of how this wholesale thievery was allowed to occur. Drawing on extensive interviews with soldiers, bureaucrats, war planners, archaeologists, and collectors, Rothfield reconstructs the planning failures—originating at the highest levels of the U.S. government—that led to the invading forces’ utter indifference to the protection of Iraq’s cultural heritage from looters. Widespread incompetence and miscommunication on the part of the Pentagon, unchecked by the disappointingly weak advocacy efforts of worldwide preservation advocates, enabled a tragedy that continues even today, despite widespread public outrage. Bringing his story up to the present, Rothfield argues forcefully that the international community has yet to learn the lessons of Iraq—and that what happened there is liable to be repeated in future conflicts. A powerful, infuriating chronicle of the disastrous conjunction of military adventure and cultural destruction, The Rape of Mesopotamia is essential reading for all concerned with the future of our past.

The Mesopotamian influence on Greek mythology in literary works of the epic period is considerable - yet it is a largely unexplored field. In this book Charles Penglase investigates major Mesopotamian and Greek myths. His examination concentrates on journey myths. A major breakthrough is achieved in the recognition of the extent of Mesopotamian influence and in the understanding of the colourful myths involved. The results are of significant interest, especially to scholars and students of ancient Greek and Near Eastern religion and mythology.

This handbook showcases studies on art theft, fraud and forgeries, cultural heritage offences and related legal and ethical challenges. It has been authored by prominent scholars, practitioners and journalists in the field and includes both overviews of particular art crime issues as well as regional and national case studies. It is one of the first scholarly books in the current art crime literature that can be utilised as an immediate authoritative reference source or teaching tool. It also includes a bibliographic guide to the current literature across interdisciplinary boundaries. Apart from legal, criminological, archeological and historical perspectives on theft, fraud and looting, this volume contains chapters on iconoclasm and graffiti, underwater cultural heritage, the trade in human remains and the trade, theft and forgery of papyri. The book thereby hopes to encourage scholars from a wider variety of disciplines to contribute their valuable knowledge to art crime research.

In Cosmopolitan Belongingness and War, Matthew Leep develops a cosmopolitan account of war that blends sharp inquiry into interspecies politics with original poetry on animals, loss, and war. Informed by the works of Jacques Derrida, this book is not only a somber and sobering exploration of the loss of animal lives during the Iraq War—from the initial US invasion to later struggles with ISIS—but also an imaginative tracing of animal experiences in "spectral-poetic moments." By emphasizing elegies, poetic space, and multispecies belonging, Leep envisions the cosmopolitan text as a hybrid form of critical and poetic engagement with animal others. An insightful mix of cosmopolitan poetics, poetry, and analysis of the Iraq War in its multispecies entanglements, Cosmopolitan Belongingness and War connects contemporary concerns with political violence, memory, and interspecies politics to imagine a more spectral, posthumanist, and poetic cosmopolitanism. Interdisciplinary in scope, this book will engage scholars of international relations, political theory, US foreign policy, animal studies, poetry, and Derrida, as well as those interested in human-animal relations in perilous times.

WINNER OF THE BLUE SHIELD AWARD 2012! Drawing on the results of a multidisciplinary research a first comprehensive picture of cultural property protection involving the military is presented. Practical, legal and contemplative aspects are considered while presenting a fascinating new discipline in heritage related studies.

Looting and Rape in Wartime examines the causes of the hundred-year gap between the prohibition against wartime looting and that against rape, theorizing the conditions necessary for the emergence of a global prohibition regime in which a particular practice is not tolerated.

In 2009 it was ten years since the adoption of the Second Protocol to the 1954 Hague Convention for the Protection of Cultural Property in the Event of an Armed Conflict. To celebrate this anniversary, a variety of contributions, focussing on the legal and cultural aspects of the Protocol are presented by Van Woudenberg and Lijnzaad. The innovative aspects of the Second Protocol such as enhanced protection, criminal responsibility and jurisdiction, and the protection of cultural property in armed conflicts not of an international character are addressed. Some country-specific studies are included. It is hoped that this publication will inspire States to accede to the Protocol and that it will serve as a source of inspiration to legal advisers, military personnel and cultural property experts.

The protection of cultural property during times of armed conflict and social unrest has been an on-going challenge for military forces throughout the world even after the ratification and implementation of the 1954 Hague Convention and its two Protocols by participating nations. This volume provides a series of case studies and “lessons learned” to assess the current status of Cultural Property Protection (CPP) and the military, and use that information to rethink the way forward. The contributors are all recognized experts in the field of military CPP or cultural heritage and conflict, and all are actively engaged in developing national and international solutions for the protection and conservation of these non-renewable resources and the intangible cultural values that they represent.