The Red Room Riddle

Bruce and Bill meet a strange boy with a bulldog who offers to introduce them to the ghosts in his house.

Bruce and Bill meet a strange boy with a bulldog who offers to introduce them to the ghosts in his house.

The Red Room by H. G. Wells is a short Gothic story written by H. G. Wells in 1894. It was first published in the March 1896 edition of The Idler magazine. Summary: A main character chooses to spend the night in an allegedly haunted room, coloured bright red in Lorraine Castle. He intends to disprove the legends surrounding it. Despite vague warnings from the three infirm custodians who reside in the castle, the narrator ascends to "the Red Room" to begin his night's vigil. Initially confident, the narrator becomes increasingly uneasy in the room. He attempts to conquer his fear by lighting candles, but keeping the candles lit in the draughty room becomes an ongoing battle. Each time a candle is snuffed out, the narrator's fear and paranoia increases. He begins to imagine that the drafts are guided by a malevolent intelligence. As the narrator's fear intensifies, he stumbles onto a large piece of furniture (possibly the bed), and ricochets off the walls in a blind panic, hitting his head and eventually falling unconscious. The caretakers, who find him in the morning, feel vindicated when the narrator agrees that the room is haunted. They are eager to hear a description of the phantom, but he surprises them by explaining that there is no ghost residing in the room. The room is haunted by fear itself.

The greatest haunted house story ever written, the inspiration for a 10-part Netflix series directed by Mike Flanagan and starring Michiel Huisman, Carla Gugino, and Timothy Hutton First published in 1959, Shirley Jackson's The Haunting of Hill House has been hailed as a perfect work of unnerving terror. It is the story of four seekers who arrive at a notoriously unfriendly pile called Hill House: Dr. Montague, an occult scholar looking for solid evidence of a "haunting"; Theodora, his lighthearted assistant; Eleanor, a friendless, fragile young woman well acquainted with poltergeists; and Luke, the future heir of Hill House. At first, their stay seems destined to be merely a spooky encounter with inexplicable phenomena. But Hill House is gathering its powers—and soon it will choose one of them to make its own. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

August Strindberg’s novel The Red Room centers on the civil servant Arvid Falk as he tries to find meaning in his life through the pursuit of writing. He’s accompanied by a crew of painters, sculptors and philosophers each on their own journey for the truth, who meet in the “Red Room” of a local restaurant. Drawing heavily on August’s own experiences, The Red Room was published in Sweden in 1879. Its reception was less than complimentary in Sweden—a major newspaper called it “dirt”—but it fared better in the rest of Scandinavia and soon was recognised in his home country. Since then it has been translated into multiple languages, including the 1913 English translation by Ellise Schleussner presented here.

This is a complete revision of the author's 1993 McFarland book Television Specials that not only updates entries contained within that edition, but adds numerous programs not previously covered, including beauty pageants, parades, awards programs, Broadway and opera adaptations, musicals produced especially for television, holiday specials (e.g., Christmas and New Year's Eve), the early 1936-1947 experimental specials, honors specials. In short, this is a reference work to 5,336 programs--the most complete source for television specials ever published.

When Suzanne Tassigny is killed under suspicious circumstances, her murder remains unsolved until her daughter, Chantal, returns to France a decade later to bring her murderer to justice. But the crime is no longer a police, or political priority in the midst of WWI, and her search fails until she enlists the help of her lover, The Honorable Mayor of Bordeaux. But in the process of her relentless pursuit of the killer, she learns about the woman she did not know - her mother - and most of all, she learns about herself, and about forgiveness.