The Reformation Basic Interpretations

Seventeen respected colleagues and former students of David C. Steinmetz have contributed to this important collection of essays produced in honor of Steinmetz's sixtieth birthday. The burden of the present volume is to examine the sources and resources and to illustrate the continuities and discontinuities in the exegetical tradition leading into and through the Reformation. Specifically, this collection of essays proposes to highlight the historical context of Reformation exegesis and to describe how a truly contextual understanding signals a highly illuminating turn in Reformation studies. The three essays included in Part 1 offer background perspectives on Reformation-era exegesis. Richard A. Muller provides background on biblical interpretation in the Reformation from the perspective of the Middle Ages. Karlfried Froelich examines the fourfold exegetical method presented on the eve of the Reformation by Johannes Trithemius. John B. Payne offers a view of Erasmus's exegetical method in its relation to the approaches of Zwingli and Bullinger. The five essays included in Part 2 explore exegesis and interpretation in the early Reformation. Kenneth Hagen examines Luther's many approaches to the text of Psalm 116. Carl M. Leth discusses Balthasar Hubmaier's "Catholic" exegesis of the power of the keys in Matthew 16:18-19. Timothy J. Wengert takes on the issue of method, specifically the impact of humanist rhetoric on the exegetical method of Philip Melanchthon. Irena Backus examines Martin Bucer's efforts to make sense of the difficult chronology of John 5-7 in the light of his dialogue with the exegetical tradition. W.P. Stephens addresses Zwingli's understanding of John 6:63, a text crucial to Zwingli's eucharistic debate with Luther. The seven essays included in Part 3 examine continuity and change in mid-sixteenth-century biblical interpretation. Susan E Schreiner probes Calvin’s relation to the sixteenth-century debate regarding the grounds of certainty. Craig S. Farmer examines the exegesis of Bern theologian Wolfgang Musculus against the background of a catena of medieval readings of John 8. Joel E. Kok discusses the question of Bullinger’s status as an exegete in relation to Calvin, with a special focus on the exegesis of Romans. John L. Thompson considers the survival of allegorical argumentation in Peter Martyr Vermigli’s Old Testament exegesis. Lyle D. Bierma shows a clear relationship between Zacharias Ursinus’s exposition of Exodus 20:8-11 and aspects of interpretations offered by Calvin, Vermigli, Bullinger, and Melanchthon. John L Farthing offers a fresh study of Girolamo Zanchi’s interpretation of Gomer’s harlotry in Hosea 1-3. Robert Kolb considers the doctrine of Christ in Nikolaus Selnecker’s interpretation of Psalms 8, 22, and 110. Following a concluding essay by the editors on the significance of precritical exegesis, the final section of the volume, prepared by Micken L. Mattox, presents an up-to-date bibliography of the writings of David C. Steinmetz.

The Reformation transformed Europe, and left an indelible mark on the modern world. It began as an argument about what Christians needed to do to be saved, but rapidly engulfed society in a series of fundamental changes. This Very Short Introduction provides a lively and up-to-date guide to the process. It explains doctrinal debates in a clear and non-technical way, but is equally concerned to demonstrate the effects the Reformation had on politics, society, art, and minorities. Peter Marshall argues that the Reformation was not a solely European phenomenon, but that varieties of faith exported from Europe transformed Christianity into a truly world religion. The complex legacy of the Reformation is also assessed; its religious fervour produced remarkable stories of sanctity and heroism, and some extraordinary artistic achievements, but violence, holy war, and martyrdom were equally its products. A paradox of the Reformation - that it intensified intolerance while establishing pluralism - is one we still wrestle with today. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

Susan Karant-Nunn applies the insights of anthrop- ologists to ritual change in the German Reformat- ion, finding that Church and state cooperated in using ritual as an instrument for imposing social discipline.

With his 95 Theses, Martin Luther advanced the radical notion that all Christians could enjoy a direct, personal relationship with God—shattering years of Catholic tradition and obviating the need for intermediaries like priests and saints between the individual believer and God. The text of the Bible, the Word of God itself, Luther argued, revealed the only true path to salvation—not priestly ritual and saintly iconography. But if words—not iconic images—showed the way to salvation, why didn't religious imagery during the Reformation disappear along with indulgences? The answer, according to Joseph Leo Koerner, lies in the paradoxical nature of Protestant religious imagery itself, which is at once both iconic and iconoclastic. Koerner masterfully demonstrates this point not only with a multitude of Lutheran images, many never before published, but also with a close reading of a single pivotal work—Lucas Cranach the Elder's altarpiece for the City Church in Wittenberg (Luther's parish). As Koerner shows, Cranach, breaking all the conventions of traditional Catholic iconography, created an entirely new aesthetic for the new Protestant ethos. In the Crucifixion scene of the altarpiece, for instance, Christ is alone and stripped of all his usual attendants—no Virgin Mary, no John the Baptist, no Mary Magdalene—with nothing separating him from Luther (preaching the Word) and his parishioners. And while the Holy Spirit is nowhere to be seen—representation of the divine being impossible—it is nonetheless dramatically present as the force animating Christ's drapery. According to Koerner, it is this "iconoclash" that animates the best Reformation art. Insightful and breathtakingly original, The Reformation of the Image compellingly shows how visual art became indispensable to a religious movement built on words.

The final book of the Bible, Revelation prophesies the ultimate judgement of mankind in a series of allegorical visions, grisly images and numerological predictions. According to these, empires will fall, the "Beast" will be destroyed and Christ will rule a new Jerusalem. With an introduction by Will Self.