The Registers Of John De Sandale And Riguad De Asserio

Italian Gothic horror films of the 1970s were influenced by the violent giallo movies and adults-only comics of the era, resulting in a graphic approach to the genre. Stories often featured over-the-top violence and nudity and pushed the limits of what could be shown on the screen. The decade marked the return of specialist directors like Mario Bava, Riccardo Freda and Antonio Margheriti, and the emergence of new talents such as Pupi Avati (The House with the Laughing Windows) and Francesco Barilli (The Perfume of the Lady in Black). The author examines the Italian Gothic horror of the period, providing previously unpublished details and production data taken from official papers, original scripts and interviews with filmmakers, scriptwriters and actors. Entries include complete cast and crew lists, plot summaries, production history and analysis. An appendix covers Italian made-for-TV films and mini-series.

News Networks in Early Modern Europe attempts to redraw the history of European news communication in the 16th and 17th centuries. News is defined partly by movement and circulation, yet histories of news have been written overwhelmingly within national contexts. This volume of essays explores the notion that early modern European news, in all its manifestations – manuscript, print, and oral – is fundamentally transnational. These 37 essays investigate the language, infrastructure, and circulation of news across Europe. They range from the 15th to the 18th centuries, and from the Ottoman Empire to the Americas, focussing on the mechanisms of transmission, the organisation of networks, the spread of forms and modes of news communication, and the effects of their translation into new locales and languages.

The “Gothic” style was a key trend in Italian cinema of the 1950s and 1960s because of its peculiar, often strikingly original approach to the horror genre. These films portrayed Gothic staples in a stylish and idiosyncratic way, and took a daring approach to the supernatural and to eroticism, with the presence of menacing yet seductive female witches, vampires and ghosts. Thanks to such filmmakers as Mario Bava (Black Sunday), Riccardo Freda (The Horrible Dr. Hichcock), and Antonio Margheriti (Castle of Blood), as well the iconic presence of actress Barbara Steele, Italian Gothic horror went overseas and reached cult status. The book examines the Italian Gothic horror of the period, with an abundance of previously unpublished production information drawn from official papers and original scripts. Entries include a complete cast and crew list, home video releases, plot summary and the author’s analysis. Excerpts from interviews with filmmakers, scriptwriters and actors are included. The foreword is by film director and scriptwriter Ernesto Gastaldi.

In the assembly-room of the Society of Aristocratic Flagellants, Mayfair, Colonel Spanker strives to confirm his thesis that the punishment of a refined young lady produces more exquisite pleasures than flogging lower-class women and prostitutes... Experimental Lecture by Colonel Spanker is one of the most notorious nineteenth-century English flagellant novels. Henry Spencer Ashbee's Catena Librorum Tacendorum describes it as 'the most coldly cruel and unblushingly indecent of any we have ever read, [it] stands entirely alone in the English language.' (Fraxi, 1885: 250) This edition of Experimental Lecture also includes the full text of The Yellow Room or, Alice Darvell's Subjection, a late Victorian novella focusing on the delights of birching and the pleasures of cruelty. Following the death of her aunt, beautiful Alice Darvell is sent to live with Sir Edward Bosmere, a stern disciplinarian and devotee of Venus Callipyge, who initiates her into the mysteries of the rod. The Yellow Room was first published in 1891. The name of the author, M. Le Comte du Bouleau, is a pseudonym. Authorship is attributed to an English lawyer, Stanislas Matthew de Rhodes (1857-1932). He is also credited with writing Gynecocracy (1893) and The Petticoat Dominant (1898), which are available from Birchgrove Press.

"The Romance of Lust - A Classic Victorian Erotic Novel" is an 1873 erotic novel of anonymous authorship. It follows the exploits of Charlie, a virile and well-endowed young man with an apparently boundless appetite for sex. He chronicles his various sexual encounters involving his sisters Eliza and Mary, his governesses, and other various male and female friends. The narrative is saturated with taboo subjects, and it almost seems that none are omitted: orgies, masturbation, lesbianism, flagellation, fellatio, cunnilingus, gay sex, anal sex, and double penetration all appear at some point. An unparalleled and a wholly satisfying reading experience, "The Romance of Lust" is a classic Victorian erotic novel not to be missed by fans and collectors of the genre. Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this volume now in a modern, high-quality edition complete with a specially commissioned new introduction on the history of erotic literature.