The Reinvention Of The Rose

Desperation.Not a phenomenon Tempest could typically claim, but certainly the catalyst for where she's landed. Not in peril, or pain, but in dire need of the very normalcy she's often emulated, but never been able to obtain.Now... there's nothing in her way, except all those years of being everything except what she now has to become.Herself.As soon as she figures out who that is.

This is the first in-depth study of the feminist movement that swept Italy during the "long 1970s" (1968-1983), and one of the first to use a combination of oral history interviews and newly-released archive sources to analyze the origins, themes, practices and impacts of "second-wave" feminism. While detailing the local and national contexts in which the movement operated, it sees this movement as transnationally connected. Emerging in a society that was both characterized by traditional gender roles, and a microcosm of radical political projects in the wake of 1968, the feminist movement was able to transform the lives of thousands of women, shape gender identities and roles, and provoke political and legislative change. More strongly mass-based and socially diverse than its counterparts in other Western countries at the time, its agenda encompassed questions of work, unpaid care-work, sexuality, health, reproductive rights, sexual violence, social justice, and self-expression. The case studies detailing feminist politics in three cities (Turin, Naples, and Rome) are framed in a wider analysis of the movement’s emergence, its transnational links and local specificities, and its practices and discourses. The book concludes on a series of hypotheses regarding the movement’s longer-term impacts and trajectories, taking it up to the Berlusconi era and the present day.

This pioneering collection brings together an international group of scholars to explore the Vietnamese middle class. From the leisure pursuits of the colonial middle class to the impact of the new urban rich on landscape of the countryside, this interdisciplinary volume explores the ways in which middle classness has been practiced in a wide range of contexts throughout the 20th century and into the 21st. In addition to offering insights into how middle classness was and is constituted and negotiated, this collection illuminates the cultural and social conditions of two distinctive periods in Vietnamese history. Three historical chapters consider how middle class status was experienced and displayed under French colonialism and in 1960s republican. These chapters offer examinations of middle classness through recreation, consumption, and associational life. Six contemporary studies examine the modes of experimentation and practice within middle class urban Vietnam. Still a sensitive topic politically, the contemporary middle class, nascent but increasingly powerful, is exerting a strong impact on the shape of contemporary society and culture, as well as on urban and rural landscapes. This volume offers a series of studies which critically interrogate the practices of those who engage in or aspire to urban middle-class lifestyles in Vietnam both in the past and in the present.

Goodbye, Guns N’ Roses transports the reader into a mind-altering trip through the colors, scandals, nihilism, and mythology that make Guns N’ Roses so much more than another “hair metal” band. A valentine and a breakup letter to one of rock’s most controversial bands. Goodbye, Guns N’ Roses is a genre-rattling attempt to explain the appeal of America’s most divisive rock band. While it includes uncharted history and the self-lacerating connoisseurship of a Guns N’ Roses fetishist, it is not a recycled chronicle — this book is a deconstruction of myth, one that blends high and low art sketches to examine how Guns N’ Roses impacted popular culture. Unlike those who have penned other treatments of what might be considered a clichéd subject, Art Tavana is not writing as a GNR patriot or former employee. His book aims to provide an untethered exploration that machetes through the jungle of propaganda camouflaging GNR’s explosive appeal. After circling the band’s three-decade plundering of American culture, Goodbye, Guns N’ Roses uncovers a postmodern portrait that persuades its viewer to think differently about their symbolic importance. This is not a rock bio but a biography of taste that treats a former “hair metal” band like a decomposing masterpiece. This is the first Guns N’ Roses book written for everyone; from the Sunset Strip to a hyper-digital generation’s connection to “Woke Axl,” it is a pop investigation that dodges no bullets.

A footprint materializes mysteriously on a deserted shore; a giant helmet falls from the sky; a traveler awakens to find his horse dangling from a church steeple. Eighteenth-century fiction brims with moments such as these, in which the prosaic rubs up against the marvelous. While it is a truism that the period's literature is distinguished by its realism and air of probability, Eighteenth-Century Fiction and the Reinvention of Wonder argues that wonder is integral to—rather than antithetical to—the developing techniques of novelistic fiction. Positioning its reader on the cusp between recognition and estrangement, between faith and doubt, modern fiction hinges upon wonder. Eighteenth-Century Fiction and the Reinvention of Wonder unfolds its new account of fiction's rise through surprising readings of classic early novels—from Daniel Defoe's Robinson Crusoe to Jane Austen's Northanger Abbey—and brings to attention lesser-known works, most notably Rudolf Raspe's Baron Munchausen's Narrative of His Marvellous Travels. In this bold new account, the eighteenth century bears witness not to the world's disenchantment but rather to wonder's relocation from the supernatural realm to the empirical world, providing a reevaluation not only of how we look back at the Enlightenment, but also of how we read today.