The Remaking Of Modern Ireland 1750 1950

The publication of J.C. Beckett's The making of modern Ireland in 1966 was a milestone in the modern study of Irish history. A new generation of students has since built on Beckett's insights and has added new questions and problems to the historical agenda. These essays represent the fruits of more recent scholarship. They have all been produced in response to the establishment in 1999 by Four Courts Press of a prize to honor the work of J.C. Beckett. They concentrate on the emergence of modern Ireland from the late 18th century to the 20th, dealing not only with traditional themes of political change but also less explored subjects including emigration, preaching, the role of women and the workings of the law. These essays reflect some of the most important work being undertaken in Irish history today and taken together chart some of the areas being developed in the new understanding of how modern Ireland was made.

Draws from a wide range of disciplines to bring together 36 leading scholars writing about 400 years of modern Irish history

This collection of essays demonstrates in vivid detail how a range of formal and informal networks shaped the Irish experience of emigration, settlement and the construction of ethnic identity in a variety of geographical contexts since 1750. It examines topics as diverse as the associational culture of the Orange Order in the nineteenth century to

Exploring the nature of pious reforms in such areas as liturgy, saint cults, pilgrimage, confraternities, hymns, and Bible translation during the "long nineteenth century."

The first full-length study to explore the impact of the Great War on the lives of women in Ireland. Fionnuala Walsh examines women's mobilisation for the war effort, and the impact of the war on their employment opportunities, family and domestic life, social morality and politicisation.

In 1945, the Irish Catholic Church began a unique relationship with the entertainment industry through an organization known as the Catholic Stage Guild of Ireland. This Guild, whose members included Jimmy O’Dea, Noel Purcell, Cyril Cusack, and Gabriel Fallon, acted as a microcosm of twentieth-century Ireland, dramatically depicting the heartaches and successes of the Irish Catholics. This unprecedented study of the Catholic Stage Guild begins an investigation on the contemporary relationship between the Irish Catholic Church and theatre that, until now, has rarely been examined. Written for those interested in theatre studies, Catholic studies, and Irish studies, the Catholic Stage Guild of Ireland’s persuasion over the theatre population both within and outside the country’s borders proposes a story long overdue to be told – until now.