The Remarkable Adventures Of Portuguese Joe Silvey

A biography of one of the West Coast's most vibrant characters written by one of the West Coast's top historians.

Stanley Park, Vancouver, September 2014. A fourteen-foot bronze-cast cedar sculpture is being erected. Dignitaries from all levels of government are present, including leaders of the Coast Salish First Nations and representatives from Portugal’s Azores Islands. Luke Marston, carver/artist, supervises as his three-year project is revealed to the world. The sculpture—titled Shore to Shore—depicts Luke’s great-great-grandparents, Portuguese Joe Silvey, one of BC’s most colourful pioneers, and Kwatleematt (Lucy), a Sechelt First Nation matriarch and Silvey’s second wife. Silvey and Kwatleematt are flanked by Khaltinaht, Silvey’s first wife, a noblewoman from the Musqueam and Squamish First Nations. The trio are surrounded by the tools of Silvey’s trade: seine nets, whaling harpoons, and the Pacific coast salmon that helped the family thrive in the early industries of BC. The sculpture references the multicultural relationships that are at the foundation of BC, while also showcasing the talents of one of Canada’s finest contemporary First Nations carvers. Combining interviews, research and creative non-fiction narration, author Suzanne Fournier recounts Marston’s career, from his early beginnings carving totems for the public at the Royal BC Museum, to his study under Haida artist Robert Davidson and jewellery master Valentin Yotkov, to his visits to both his ancestral homes: Reid Island and the Portuguese Azores island of Pico—journeys which provided inspiration for the Shore to Shore statue.

Children and teenagers stroll between the skyscrapers in Vancouver, and experience the city in a different way that adults do. They have helped Vancouver transform from humble trading post to towering metropolis, yet how often are they asked to tell their side of the story? Vancouver Kids is a collection of tales about the unforgettable young people of the city of Vancouver. Based on personal interviews and thorough archival research, each true story is narrated in the voice of a young Vancouverite. Join in the adventure as these kids dodge the first cars on newly paved streets, watch the famous Stanley Park take shape, gaze up at brand new high-rises, and even learn the secrets—and dangers—behind big city crime. Vancouver Kids arrives just in time to celebrate the 125th birthday of the city of Vancouver on April 6th, 2011. It is the fifth book in the Courageous Kids series, which includes Kidmonton: Stories of River City Kids, Rocky Mountain Kids, Island Kids, and Northern Kids. For more about this exciting series, please visit www.courageouskids.ca.

This special issue of the Portuguese Studies Review focuses on understanding the Portuguese−Canadian immigrant experience in Canada and Portugal, in terms of identity formation and civic engagement within a broader framework of current debates on multiculturalism, and transnationalism. This special volume resulted from the contributions presented at the Symposium Identity, Civic Engagement and Multiculturalism: Portuguese−Canadian Immigrant Descendants in Canada, which was held at York University, Toronto, on 11 and 12 October 2011. The issue presents studies by Robert A. Kenedy, Fernando Nunes, Ana Paula Beja Horta, Gilberta Pavão Nunes Rocha, Derrick Mendes, Christina Kwiczała, Benjamin Kutsyuruba, Filomena Silvano, Marta Rosales, and Sónia Ferreira.

Performance embodies knowledge transfer, cultural expression, and intercultural influence. It is a method through which Indigenous people express their relations to land and continuously establish their persistent political authority. But performance is also key to the misrepresentation of Indigenous peoples in settler colonial societies. Against the Current and Into the Light challenges dominant historical narratives of the land now known as Stanley Park, exploring performances in this space from the late nineteenth century to the present. Selena Couture engages with knowledge held in an endangered Indigenous language's place names, methods of orientation in space and time, and conceptions of leadership and respectful visiting. She then critically engages with narratives of Vancouver history created by the city's first archivist, J.S. Matthews, through his interest in Lord Stanley's visit to the park in 1889. Matthews organized several public commemorative performances on this land from the 1940s to 1960, resulting in the iconic yet misleading statue of Lord Stanley situated at the park's entrance. Couture places Matthews's efforts at commemoration alongside continuous political interventions by Indigenous people and organizations such as the Native Brotherhood of British Columbia, while also responding to contemporary performances by Indigenous women in Vancouver that present alternative views of history. Using the metaphor of eddies of influence - motions that shape and are shaped by obstacles in their temporal and spatial environments - Against the Current and Into the Light reveals how histories of places have been created, and how they might be understood differently in light of Indigenous resurgence and decolonization.

Xwelíqwiya is the life story of Rena Point Bolton, a Stó:lō matriarch, artist, and craftswoman. Proceeding by way of conversational vignettes, the beginning chapters recount Point Bolton's early years on the banks of the Fraser River during the Depression. While at the time the Stó:lō, or Xwélmexw, as they call themselves today, kept secret their ways of life to avoid persecution by the Canadian government, Point Bolton’s mother and grandmother schooled her in the skills needed for living from what the land provides, as well as in the craftwork and songs of her people, passing on a duty to keep these practices alive. Point Bolton was taken to a residential school for the next several years and would go on to marry and raise ten children, but her childhood training ultimately set the stage for her roles as a teacher and activist. Recognizing the urgent need to forge a sense of cultural continuity among the younger members of her community, Point Bolton visited many communities and worked with federal, provincial, and First Nations politicians to help break the intercultural silence by reviving knowledge of and interest in Aboriginal art. She did so with the deft and heartfelt use of both her voice and her hands. Over the course of many years, Daly collaborated with Point Bolton to pen her story. At once a memoir, an oral history, and an “insider” ethnography directed and presented by the subject herself, the result attests both to Daly’s relationship with the family and to Point Bolton’s desire to inspire others to use traditional knowledge and experience to build their own distinctive, successful, and creative lives.

In early December 2006, a powerful windstorm ripped through Vancouver's Stanley Park. The storm transformed the city's most treasured landmark into a tangle of splintered trees and shattered a decades-old vision of the park as timeless virgin wilderness. In Inventing Stanley Park, Sean Kheraj traces how the tension between popular expectations of idealized nature and the volatility of complex ecosystems helped transform the landscape of one of the world's most famous urban parks. This beautifully illustrated book not only depicts the natural and cultural forces that shaped the park's landscape, it also examines the roots of our complex relationship with nature.