The Resurrection Of Winnie Mandela

An elegant and challenging portrait of the extraordinary, glamorous, complex and brutal revolutionary, Winnie Mandela

An elegant and challenging portrait of the extraordinary, glamorous, complex and brutal revolutionary, Winnie Mandela

If I were given five minutes with my younger self—that little girl who cried every time we had to leave for another country—I would hold her tight and not say a word. I would just be still and have her feel my beating heart, a thud to echo her own—a silent message that, no matter the outcome, she would survive and be stronger and happier than she might think as she stood at the threshold of each new home. Sisonke Msimang was born in exile, the daughter of South African freedom fighters. Always Another Country is the story of a young girl’s path to womanhood—a journey that took her from Africa to America and back again, then on to a new home in Australia. Frank, fierce and insightful, she reflects candidly on the abuse she suffered as a child, the naive, heady euphoria of returning at last to her parents’ homeland—and her disillusionment with present-day South Africa and its new elites. Sisonke Msimang is a bold new voice on feminism, race and politics—in her beloved South Africa, in Australia, and around the world. Sisonke Msimang was born in exile to South African parents—a freedom fighter and an accountant—and raised in Zambia, Kenya and Canada before studying in the US as an undergraduate. Her family returned to South Africa after apartheid was abolished in the early 1990s. Sisonke has held fellowships at Yale University, the Aspen Institute and the University of the Witwatersrand in Johannesburg, and is a regular contributor to the Guardian, Daily Maverick and New York Times. She now lives in Perth, Australia, where she is head of oral storytelling at the Centre for Stories. ‘Few of us have felt the grinding force of history as consciously or as constantly as Sisonke Msimang. Her story is a timely insight into a life in which the gap between the great world and the private realm is vanishingly narrow and it bears hard lessons about how fragile our hopes and dreams can be.' Tim Winton ‘Brutally and uncompromisingly honest, Sisonke’s beautifully crafted storytelling enriches the already extraordinary pool of young African women writers of our time.’ Graça Machel, Minister for Education and Culture of Mozambique ‘Msimang is a talented and passionate writer, one possessed of an acerbic intelligence...This memoir is also full of warmth and humour.’ Saturday Paper ‘Sisonke Msimang kindles a new fire in our store of memoir, a fire that will warm and singe and sear for a long, long while.’ Njabulo S. Ndebele, author The Cry of Winnie Mandela 'An excellent blend of both the personal and political...a bold memoir...a tale that will sustain itself for generations.’ Books & Publishing ‘Msimang pours herself into these pages with a voice that is molten steel; her radiant warmth and humour sit alongside her fearlessness in naming and refusing injustice. Msimang is a masterful memoirist, a gifted writer, and she comes bearing a message that is as urgent and timely as it is eternal.’ Sarah Krasnostein ‘It is rare to hear from such a voice as Sisonke’s—powerful, accomplished, unabashed and brave. This is a gripping and important memoir that is also self-aware and funny, revealing the depths of a country we’ve mostly only seen through a colonial perspective.’ Alice Pung ‘It is not possible to do this book justice in so few words...Always Another Country is eloquent and powerful. Msimang’s explication of what it means to be from – but not of – a place is profoundly moving. Msimang deserves to be widely read and fans of Roxane Gay and Maxine Beneba Clarke, in particular, will not be disappointed.’ Readings ‘[An] eloquent memoir of home, belonging and race politics.’ Big Issue ‘Msimang’s graceful memoir is one of those rare books that managed to make me less cynical about the state of literature...It’s a coming-of-age story for those children for whom home is marked by more than a single physical location.’ New York Times

Nelson Mandela, who emerged from twenty-six years of political imprisonment to lead South Africa out of apartheid and into democracy, is perhaps the world's most admired leader, a man whose life has been led with exemplary courage and inspired conviction. Now Anthony Sampson, who has known Mandela since 1951 and has been a close observer of South Africa's political life for the last fifty years, has produced the first authorized biography, the most informed and comprehensive portrait to date of a man whose dazzling image has been difficult to penetrate. With unprecedented access to Mandela's private papers (including his prison memoir, long thought to have been lost), meticulous research, and hundreds of interviews--from Mandela himself to prison warders on Robben Island, from Walter Sisulu and Oliver Tambo to Winnie Mandela and F. W. de Klerk, and many others intimately connected to Mandela's story--Sampson has composed an enlightening and necessary story of the man behind the myth.

"This is a story of Winnie Mandela. On New Year's Eve in 1988, 14-year-old Stompie Seipei Moeketsi was beaten to within an inch of his life. He was stabbed and dumped in the veld on the outskirts of Soweto, and when he was identified six weeks later the trail led to Winnie Mandela and the feared Mandela United Football Club. With the world's eyes turned to South Africa and its hard-won transition story, an uncomfortable story of Winnie Mandela emerged as her trial, appeal and the Truth and Reconciliation Commission became entangled in a web of secrecy and lies, racial tension and political expediency. Was she above the law? How did Nelson Mandela try to protect her? What does it mean for politicians' respect for the rule of law in the democratic era? This exploration of the Mandela United Football Club's reign of terror throws up questions about the nature of justice and accountability - and how these differ for the 'important' and 'unimportant' people of this world."--

A group of women at a specific period in the history of Southern Africa find their family life under the pressures of capitalist modernity and apartheid. These ordinary, intimate stories are anchored to the more powerful public stories of the Penelope of ancient Greek mythology (who waited 18 years while her husband Odyseeus was away), and Winnie Mandela (who waited for 27 years). The life of Winnie Mandela remains one of the great unfolding dramas of our times; a tale of triumphs and tragedies that is only just beginning to be examined.

Since its publication in April 2017, Collective Amnesia has taken the South African literary scene by storm. The book is in its twelfth print run and is prescribed for study at tertiary level in South African Universities and abroad. The collection is the recipient of the 2018 Glenna Luschei Prize for African Poetry, named 2017 book of the year by the City Press and one of the best books of 2017 by The Sunday Times and Quartz Africa. It is translated into Spanish (Flores Rara, 2019), German (Wunderhorn Publishing House, 2019), Danish (Rebel with a Cause, 2019), Dutch (Poeziecentrum, 2020), Swedish (Rámus förlag). Forthcoming translations: Portuguese (Editora Trinta Zero Nove), Italian (Arcipelago itaca) and French (éditions Lanskine). Collective Amnesia examines the intersection of politics, race, religion, relationships, sexuality, feminism, memory and more. The poems provoke institutions and systems of learning and interrogates what must be unlearned in society, academia, relationships, religion, and spaces of memory and forgetting.