The Revolt Of Unreason

This book examines solutions to the crisis of modernity proposed by the Spanish philosopher Miguel de Unamuno and the Mexican philosopher Antonio Caso. Acceptance of the objective claims of modern scientific rationality and the consequent rejection of the objective validity of artistic, moral, and religious claims generates the crisis of modernity. The problem is that of justifying artistic, moral, and religious claims. Miguel de Unamuno in his classic work, The Tragic Sense of Life, addresses the conflict between the belief in personal immortality and modern scientific rationality. Holding that there is no rational justification for the belief in immortality, Unamuno finds a solution in a “saving scepticism” to act “as if” he deserved immortality. In his book Existence as Economy, as Art, and Charity Caso attempts to create an aposteriori metaphysics based on the “current” results of science supplemented by the intuitions of art and morality. In doing so, Caso believes that he has enlarged the scope of the knowable to include objects of art, morality, and religion. Unamuno, by accepting the strict line of demarcation between faith and reason has no other recourse but to turn to decisionism. By turning to intuitionism, Caso believes that he has blurred the line of demarcation. Decisionism and intuitionism, therefore, are worthy of further exploration.

This book examines solutions to the crisis of modernity proposed by the Spanish philosopher Miguel de Unamuno and the Mexican philosopher Antonio Caso. Acceptance of the objective claims of modern scientific rationality and the consequent rejection of the objective validity of artistic, moral, and religious claims generates the crisis of modernity. The problem is that of justifying artistic, moral, and religious claims. Miguel de Unamuno in his classic work,The Tragic Sense of Life, addresses the conflict between the belief in personal immortality and modern scientific rationality. Holding that there is no rational justification for the belief in immortality, Unamuno finds a solution in a “saving scepticism” to act “as if” he deserved immortality. In his book Existence as Economy, as Art, and CharityCaso attempts to create an aposteriori metaphysics based on the “current” results of science supplemented by the intuitions of art and morality. In doing so, Caso believes that he has enlarged the scope of the knowable to include objects of art, morality, and religion. Unamuno, by accepting the strict line of demarcation between faith and reason has no other recourse but to turn to decisionism. By turning to intuitionism, Caso believes that he has blurred the line of demarcation. Decisionism and intuitionism, therefore, are worthy of further exploration.

Examines Bergson’s work from the perspectives of critical philosophy of race and decolonial theory, placing it in conversation with theorists from Africa, the African Diaspora, and Latin America. Building upon recent interest in Henri Bergson’s social and political philosophy, this volume offers a series of fresh and novel perspectives on Bergson’s writings through the lenses of critical philosophy of race and decolonial theory. Contributors place Bergson’s work in conversation with theorists from Africa, the African Diaspora, and Latin America to examine Bergson’s influence on literature, science studies, aesthetics, metaphysics, and social and political philosophy within these geopolitical contexts. The volume pays particular attention to both theoretical and practical forms of critical resistance work, including historical analyses of anti-racist, anti-imperialist, and anti-capitalist movements that have engaged with Bergson’s writings—for example, the Négritude movement, the Indigenismo movement, and the Peruvian Socialist Party. These historical and theoretical intersections provide a timely and innovative contribution to the existing scholarship on Bergson, and demonstrate the importance of his thought for contemporary social and political issues. “This is an exceptionally strong volume that excites and inspires the philosophical imagination; it shows the centrality of questions of race and gender to philosophical inquiry and appropriation.” — Keith Ansell-Pearson, author of Bergson: Thinking Beyond the Human Condition

Europe, early in the twentieth century: a world adrift, a pulsating era of creativity and contradictions. The hot topics of the day - terrorism and globalisation, immigration, consumerism, the lack of moral values and rivalling superpowers - could make one forget that it is a century ago that this era vanished in the trenches of the Somme, of Ypres, and of Passchendaele. Or did it? The closer one looks, the more this world seems like ours: feminism and quantum thedory, atonal music and democratisation, mass communication and commercial branding, genetics, state-sponsored genocide, colonialism, consumerism and racism, radioactivity and psychoanalysis are all terms first used during this period. This was a time radically unlike the Victorian era that preceded it, a time in which old certainties broke down and many people lost their bearings. At the heart of this vibrant Europe, was a contradiction that would cause its collapse: the new, modern world of mass production, urban life, technological warfare and a rapidly growing working class was still ruled by men - Kaiser Wilhelm, Tsar Nicolas II, and the Austro-Hungarian Emperor Francis Joseph among them - who thought in the chivalric and paternalistic categories of earlier generations, prefering the image of dashing cavalry officers to the prosaic slaughter of the machine gun, and national mythology to political cohesion and democracy. The eventual scope of the catastrophe often obscures the fact that the great cultural divide in Europe's history lies before 1914. This book will bring to life the immediacy of the lives and issues of this fascinating and flawed period.

In this ambitious new interdisciplinary study, Useche proposes the metaphor of the social foundry to parse how industrialization informed and shaped cultural and national discourses in late nineteenth- and early twentieth-century Spain. Here, Useche offers fresh readings of canonical writers such as Emilia Pardo Bazán, Concha Espina, Benito Pérez Galdós, Vicente Blasco Ibáñez, and José Echegaray as well as lesser known authors.

Of the philosophical movements of the twentieth century existentialism is one of the most powerful and thought-provoking. Its engagement with the themes of authenticity, freedom, bad faith, nihilism, and the death of God captured the imagination of millions. However, in the twenty-first century existentialism is grappling with fresh questions and debates that move far beyond traditional existential preoccupations, ranging from the lived experience of the embodied self, intersectionality, and feminist theory to comparative philosophy, digital existentialism, disability studies, and philosophy of race. The Routledge Handbook of Contemporary Existentialism explores these topics and more, connecting the ideas and insights of existentialism with some of the most urgent debates and challenges in philosophy today. Eight clear sections explore the following topics: methodology and technology social and political perspectives environment and place affectivity and emotion death and freedom value existentialism and Asian philosophy aging and disability. As well as chapters on key figures such as Kierkegaard, Nietzsche, Heidegger, Sartre, and Beauvoir, the Handbook includes chapters on topics as diverse as Chicana feminism, ecophilosophy and the environment, Latina existentialism, Black nihilism, the Kyoto school and southeast Asian existentialism, and the experiences of aging, disability, and death. Essential reading for students and researchers in the areas of existentialism and phenomenology, The Routledge Handbook of Contemporary Existentialism will also be of interest to those studying ethics, philosophy and gender, philosophy of race, the emotions and philosophical issues in health and illness as well as related disciplines such as Literature, Sociology, and Political Theory.

Reason in Revolt further develops the theory of Dialectical Materialism, using the most important scientific discoveries of the 20th century as a tool. First exposed by Marx and Engels, Dialectical Materialism is a comprehensive methodology explaining the unity of the laws that govern nature, science and society, from evolution to chaos theory, nuclear physics to childhood development. First published in 1995 to coincide with Engel's centenary, Reason in Revolt has had a great success around the world. It has been published in Spanish, Italian, Greek, Turkish, Urdu, and is now being translated into German and Flemish. The Spanish edition recently went into its second edition. To date, no one has found serious fault with the science of the book. And every new discovery of science serves to confirm the statement of Engels, that "in the last analysis, Nature works dialectically."

Salvador Dalø: nuclear mystical Christ -- Fray Angelico Chavez: the Virgin of Port Lligat -- José Clemente Orozco: Christ Prometheus -- Miguel de Unamuno: the Quixotic Christ -- Jorge Luis Borges: the fictional Christ -- Richard Rojas: the invisible Christ -- Liberation theology: Christ the liberator -- The Mestizo Christ -- Coda.