The Richard Peabody Reader

Filling an important gap in the literary world, The Richard Peabody Reader is a wide-ranging selection of this great writer's poetry and prose. As a publisher, Peabody's steadfast dedication to that which is new, challenging, innovative, and dynamic has won him a wide reputation among writers whose work he has championed. This volume demonstrates those same values, embodied in nearly four decades of fiercely smart, sophisticated, and often very funny writing. From his first collection of poems, I'm in Love with the Morton Salt Girl, to his most recent collection of short stories, Blue Suburban Skies, Peabody has established and developed a thoroughly unique voice, both warm and piercing, to deliver content that ranges from the hilarious, as in the short story "Flea Wars," to the bittersweet, as in the poem "The Other Man is Always French," to the elegiac, as in the poem in "Civil War Pieta," to the absurd, as in the rollicking farce of the short story, "Bad Day at Ikea." Peabody's aesthetic is all-embracing—strands of punk, beat, experimental, feminist, and political protest literary influences blend with the purely romantic to create a body of work that is both profound and pleasing.

Filling an important gap in the literary world, The Richard Peabody Reader is a wide-ranging selection of this great writer's poetry and prose. As a publisher, Peabody's steadfast dedication to that which is new, challenging, innovative, and dynamic has won him a wide reputation among writers whose work he has championed. This volume demonstrates those same values, embodied in nearly four decades of fiercely smart, sophisticated, and often very funny writing. From his first collection of poems, I'm in Love with the Morton Salt Girl, to his most recent collection of short stories, Blue Suburban Skies, Peabody has established and developed a thoroughly unique voice, both warm and piercing, to deliver content that ranges from the hilarious, as in the short story "Flea Wars," to the bittersweet, as in the poem "The Other Man is Always French," to the elegiac, as in the poem in "Civil War Pieta," to the absurd, as in the rollicking farce of the short story, "Bad Day at Ikea." Peabody's aesthetic is all-embracing—strands of punk, beat, experimental, feminist, and political protest literary influences blend with the purely romantic to create a body of work that is both profound and pleasing.

Winner of the Literary Fiction Category for the 2017 Best Book Award A sparkling debut set in Mark Twain's boyhood town, Flood is a story of what it means to be lost . . . and found. Laura Brooks fled her hometown of Hannibal, Missouri, ten years ago after a historic flood and personal heartbreak. Now she's returned unannounced, and her family and friends don't know what to make of it. She says she's just home for a brief visit and her high-school reunion, but she's carrying too much luggage for that: literal and metaphorical. Soon Laura is embroiled in small-town affairs--the contentious divorce of her rowdy best friend Rose; the campaign of her twelve-year-old godson, Bobby, to become the town's official Tom Sawyer; and the renewed interest of the man Laura once thought she'd marry, Sammy McGuire. Leaving town when she was eighteen had been Laura's only option. She feared a stifling existence in a town ruled by its past, its mythological devotion to Mark Twain, and the economic and racial divide that runs as deep as the Mississippi River. She can't forget that fateful Fourth of July when the levees broke or the decisions that still haunt her. Now as the Mississippi rises again, a deep wound threatens to reopen, and Laura must decide if running away once more might be the best way to save herself.

A best-seller in hardback, this extraordinary collection of fourteen essays and other previously unpublished material will now be available in paperback edition to a wider readership. Vidal has an international reputation as a best-selling author and is perhaps best known for his groundbreaking classic Myra Beckingridge. Often compared to writers such as Edmunda White, Christopher Hitchens and Christopher Isherwood, and still maintaining a high public profile in the US and abroad, Vidal is one of the most profilic social commentators and is at his best on the suse

The fifth volume of A History of the Book in America addresses the economic, social, and cultural shifts affecting print culture from World War II to the present. During this period factors such as the expansion of government, the growth of higher education, the climate of the Cold War, globalization, and the development of multimedia and digital technologies influenced the patterns of consolidation and diversification established earlier. The thirty-three contributors to the volume explore the evolution of the publishing industry and the business of bookselling. The histories of government publishing, law and policy, the periodical press, literary criticism, and reading--in settings such as schools, libraries, book clubs, self-help programs, and collectors' societies--receive imaginative scrutiny as well. The Enduring Book demonstrates that the corporate consolidations of the last half-century have left space for the independent publisher, that multiplicity continues to define American print culture, and that even in the digital age, the book endures. Contributors: David Abrahamson, Northwestern University James L. Baughman, University of Wisconsin-Madison Kenneth Cmiel (d. 2006) James Danky, University of Wisconsin-Madison Robert DeMaria Jr., Vassar College Donald A. Downs, University of Wisconsin-Madison Robert W. Frase (d. 2003) Paul C. Gutjahr, Indiana University David D. Hall, Harvard Divinity School John B. Hench, American Antiquarian Society Patrick Henry, New York City College of Technology Dan Lacy (d. 2001) Marshall Leaffer, Indiana University Bruce Lewenstein, Cornell University Elizabeth Long, Rice University Beth Luey, Arizona State University Tom McCarthy, Beirut, Lebanon Laura J. Miller, Brandeis University Priscilla Coit Murphy, Chapel Hill, N.C. David Paul Nord, Indiana University Carol Polsgrove, Indiana University David Reinking, Clemson University Jane Rhodes, Macalester College John V. Richardson Jr., University of California, Los Angeles Joan Shelley Rubin, University of Rochester Michael Schudson, University of California, San Diego, and Columbia University Linda Scott, University of Oxford Dan Simon, Seven Stories Press Ilan Stavans, Amherst College Harvey M. Teres, Syracuse University John B. Thompson, University of Cambridge Trysh Travis, University of Florida Jonathan Zimmerman, New York University

An anthology of works by 27 women writers of the beat generation.