The Riddles Of The Sphinx

60 riddles and conundrums inspired by the spirit of Ancient Egypt, illustrated beautifully with hieroglyphics and iconic images dating back to 3150 BC. Puzzles include 'The Labyrinth', 'The Temple of Anubis' and 'The Priest's Estate'. Each conundrum is full of secret treasures and traps for the unwary.

This work tells the story of the Great Sphinx of Giza as egyptology has uncovered it. The author details the Sphinx's impact on the ancient world, on Arab writers, on Renaissance travellers, on the pioneers of Egyptology and on modern scholarship. He tells the story of the Sphinx's many bouts of excavation and restoration and above all, puts the Sphinx in the context of all that is known about ancient Egyptian history and religion.

"Solving these riddles is not simply a matter of logic and calculation, though these play a role. Luck and inspiration are factors as well, so beginners and experts alike may profitably exercise their wits on Gardner's problems, whose subjects range from geometry to word play to questions relating to physics and geology. We guarantee that you will solve some of these riddles, be stumped by others, and be amused by almost all of the stories and settings that Gardner has devised to raise these questions." --Back cover.

We have been fascinated by riddles for as long as we have had language – think of the legend of the sphinx in Greek mythology. This wonderful book includes both magical riddle tales and simple challenges, with clues and answers hidden in intricate illustrations. Discover how the farmer saved his daughter by solving the fairies' riddles or how the old hen-wife helped the two brothers solve the mystery of their father's will. Have a read – you'll be hooked.

Kids will love this exciting excavation of ancient Egyptian myths as they follow along with the clever Marcy on a quest to save her dad from the belly of the sphinx! Many years have passed since the tale of Arthur and the Golden Rope, and Arthur is now a world-famous adventurer. If only his daughter Marcy shared his enthusiasm for exploration... Determined to bring out Marcy's adventurous side, Arthur sets off to Egypt to bring back the legendary Book of Thoth. When Arthur doesn't return, Marcy must follow in his footsteps. Can she overcome her fears and rescue her father from the clutches of the great Sphinx?

American teenagers Sam and Salah lead fairly uncomplicated lives. They breeze through classes at their prestigious Manhattan high school, their friends all look up to them, and they've never had to put much effort into attracting girls. But when their class embarks on a field trip to Egypt, complications arise in the forms of Rosie and Octavia, two British beauties who won't be easily charmed. Amid luscious scenes of Egyptian culture and history, these four star-crossed lovers will endure mistakes, missteps, and plenty of misunderstandings before they can achieve their hearts' desires. Told from four alternating points of view, Tyne O'Connell's latest novel is both a fast-paced comedy of errors, and a heartfelt romance that proves sometimes the greatest complication of all is love.

Marking a return for Laura Mulvey to questions of film theory and feminism, as well as a reconsideration of new and old film technologies, this urgent and compelling collection of essays is essential reading for anyone interested in the power and pleasures of moving images. Its title, Afterimages, alludes to the dislocation of time that runs through many of the films and works it discusses as well as to the way we view them. Beginning with a section on the theme of woman as spectacle, a shift in focus leads to films from across the globe, directed by women and about women, all adopting radical cinematic strategies. Mulvey goes on to consider moving image works made for art galleries, arguing that the aesthetics of cinema have persisted into this environment. Structured in three main parts, Afterimages also features an appendix of ten frequently asked questions on her classic feminist essay “Visual Pleasure and Narrative Cinema,” in which Mulvey addresses questions of spectatorship, autonomy, and identity that are crucial to our era today.