The Rise Of Consumer Capitalism In America 1880 1930

This book offers a genealogical account of the rise of consumer capitalism, tracing its origins in America between 1880 and 1930 and explaining how it emerged to become the dominant form of social organization of our time. Asking how it was that we came to be consumers who live in societies that revolve around an ever-spinning circle of production and consumption, not only of goods, but also of events, experiences, emotions and relations, The Rise of Consumer Capitalism in America presents an extensive analysis of primary sources to demonstrate the conditions and forces from which consumer capitalism emerged and became victorious. Employing a Weberian approach that brings liminality to the fore as a master concept to make sense of historical change, the author links an in-depth empirical investigation to supple sociological theorizing to show how the encirclement of all aspects of life by the logic of consumer capitalism was a time-bound historical creation rather than a necessary one. A fascinating study of the appearance and triumph of the "ideology" of our age, this book will appeal to scholars of social and anthropological theory, historical sociology, cultural history and American studies.

Presents fresh approaches to the history of capitalism in the context of Weimar and Nazi Germany.

This volume offers the most comprehensive and incisive exploration of American consumer history to date, spanning the four centuries from the colonial era to the present.

The 2008 economic crisis called into question the sustainability of the individualistic consumer society. However, for better or for worse, this long-term crisis represents an opportunity for the creation of a new model of growth to reform capitalism, structurally as well as culturally. As a contribution to this debate, Social Generativity offers a much-needed and original conceptual synthesis, within a unique anthropological focus on the forms of selfhood sustained by the historical and economic conditions of the present day. Encompassing four years of interdisciplinary empirical research based primarily on a sample of social groups, organizations and firms in Italy, this volume redefines the notion of "Social Generativity" from its pyschological origin (as formulated by Erik Erikson) to that of a social action that can be implemented during daily life and in different spheres of existence. A critical analysis of contemporary capitalism, this volume will appeal to postgraduate students and policy makers interested in fields such as Organisational Studies, Anthropological Theory, Social Change, Economic Sociology, Public Affairs and Business Ethics.

Do presidents matter for America's economic performance? We tend to stereotype the Gilded Age presidents of the late nineteenth century as weak. We also assume that the American people were intellectually misguided about the economy and the government's role in it during this era. And we generally dismiss the Gilded Age macro-economy as boring--little interesting or important happened. Instead, the micro-economics of the business world was where the action was located. More broadly, many economists and political scientists believe that individual presidents do not matter much, even in the twenty-first century. Institutional constraints and historical circumstance dictate success or failure; the White House is just along for the ride. In Presidential Leadership in Feeble Times, Mark Zachary Taylor shows that all of this is mistaken. Taylor tells the story of three decades of Gilded Age economic upheaval with a focus on presidential leadership--why did some presidents crash and burn, while others prospered? It turns out that neither education nor experience mattered much. Nor did brains, personal ethics, or party affiliation. Instead, differences in presidential vision and leadership style had dramatic consequences. And even in this unlikely period, presidents powerfully affected national economic performance and their success came from surprising sources, with important lessons for us today.

The Routledge Companion to Urban Media and Communication traces central debates within the burgeoning interdisciplinary research on mediated cities and urban communication. The volume brings together diverse perspectives and global case studies to map key areas of research within media, cultural and urban studies, where a joint focus on communications and cities has made important innovations in how we understand urban space, technology, identity and community. Exploring the rise and growing complexity of urban media and communication as the next key theme for both urban and media studies, the book gathers and reviews fast-developing knowledge on specific emergent phenomena such as: reading the city as symbol and text; understanding urban infrastructures as media (and vice-versa); the rise of global cities; urban and suburban media cultures: newspapers, cinema, radio, television and the mobile phone; changing spaces and practices of urban consumption; the mediation of the neighbourhood, community and diaspora; the centrality of culture to urban regeneration; communicative responses to urban crises such as racism, poverty and pollution; the role of street art in the negotiation of ‘the right to the city’; city competition and urban branding; outdoor advertising; moving image architecture; ‘smart’/cyber urbanism; the emergence of Media City production spaces and clusters. Charting key debates and neglected connections between cities and media, this book challenges what we know about contemporary urban living and introduces innovative frameworks for understanding cities, media and their futures. As such, it will be an essential resource for students and scholars of media and communication studies, urban communication, urban sociology, urban planning and design, architecture, visual cultures, urban geography, art history, politics, cultural studies, anthropology and cultural policy studies, as well as those working with governmental agencies, cultural foundations and institutes, and policy think tanks.

This book offers a political anthropological discussion of subversion, exploring its imbrication with technological and divinization practices, and uncovering some of its particular effects on human existence, from prehistory until the contemporary age. Subversion is often romanticized as a means of opposing or undermining power in the name of supposedly universal values, yet techniques of subversion are actually deployed by people of all modern political and philosophical persuasions. With subversion having become a tool of mainstream ‘power’ that threatens to dominate social and political reality and so render the populace servile and subject to a generalized culture industry, Divinization and Technology examines the ways in which technology and divinization, with their efforts to unite with divine powers, can be brought together as modalities of subversion.

Once the world’s most technologically advanced civilisation, China is poised to yet again take this mantle, having made incredible technological strides over recent decades; but what does this in fact mean? What will this mean for Chinese society, and what ramifications might it have for the future? This book offers an account of social change under the growing influence of communications technology in media-saturated urban China. The challenges presented by the rise of technology and its pervasive nature in the mediation of all facets of everyday life pose questions not just for Chinese society but for all contemporary media societies. Drawing on theories from the philosophy of technology and conceptual tools from political anthropology, this title moves beyond debates surrounding mediative technology as a liberating or malevolent force. China at a Threshold addresses academic concerns surrounding communications technology and state control, looking for an interpretative approach to understand the role media might play in social change so that we might ascertain its impact on social relations. Urging a reconsideration in our understanding of technology as neither liberative nor oppressive, the author advances a proposal that brings social forces into play in their own right. Taking inspiration from thinkers in philosophy and anthropology, this title investigates storytelling and liminal characters as real agents in social change so that we might identify alternative forces for change not reducible to technological impact or human proclivity.