The Rites Of Cricket And Caribbean Literature

'This is a wonderful idea for a book, and Claire Westall executes the project with skill. It is extraordinarily comprehensive, demonstrating the huge collective labour which has been poured into cricket in the Caribbean, working as a means to bring the Caribbean itself into the imagination. Using literature as her lens is inspired. It will act as a resource for the future a long while yet. Westall brings Caribbean cricket alive.' - Bill Schwarz, Professor of English, Queen Mary University of London, UK This book analyses cricket's place in Anglophone Caribbean literature. It examines works by canonical authors - Brathwaite, Lamming, Lovelace, Naipaul, Phillips and Selvon - and by understudied writers - including Agard, Fergus, John, Keens-Douglas, Khan and Markham. It tackles short stories, novels, poetry, drama and film from the Caribbean and its diaspora. Its literary readings are couched in the history of Caribbean cricket and studies by Hilary Beckles and Gordon Rohlehr. C.L.R James' foundational Beyond a Boundary provides its theoretical grounding. Literary depictions of iconic West Indies players - including Constantine, Headley, Worrell, Walcott, Sobers, Richards, and Lara - feature throughout. The discussion focuses on masculinity, heroism, father-son dynamics, physical performativity and aesthetic style. Attention is also paid to mother-daughter relations and female engagement with cricket, with examples from Anim-Addo, Breeze, Wynter and others. Cricket holds a prominent place in the history, culture, politics and popular imaginary of the Caribbean. This book demonstrates that it also holds a significant and complicated place in Anglophone Caribbean literature.

This book analyses cricket’s place in Anglophone Caribbean literature. It examines works by canonical authors – Brathwaite, Lamming, Lovelace, Naipaul, Phillips and Selvon – and by understudied writers – including Agard, Fergus, John, Keens-Douglas, Khan and Markham. It tackles short stories, novels, poetry, drama and film from the Caribbean and its diaspora. Its literary readings are couched in the history of Caribbean cricket and studies by Hilary Beckles and Gordon Rohlehr. C.L.R James’ foundational Beyond a Boundary provides its theoretical grounding. Literary depictions of iconic West Indies players – including Constantine, Headley, Worrell, Walcott, Sobers, Richards, and Lara – feature throughout. The discussion focuses on masculinity, heroism, father-son dynamics, physical performativity and aesthetic style. Attention is also paid to mother-daughter relations and female engagement with cricket, with examples from Anim-Addo, Breeze, Wynter and others. Cricket holds a prominent place in the history, culture, politics and popular imaginary of the Caribbean. This book demonstrates that it also holds a significant and complicated place in Anglophone Caribbean literature.

'The definitive telling of the life of a West Indian hero' Sir Clive Lloyd The brilliant all-rounder Frank Worrell had to wait until 1960 to become the first permanent Black captain of the West Indies cricket team, denied for a decade by the elitism, insularity and racism of Caribbean cricket’s rulers. When his chance finally came, Worrell transformed a talented but unfocused team into the most exciting side in the world and led his men into unforgettable series against Australia and England. Worrell was universally admired as one of cricket’s great captains when he was knighted in 1964, but three years later, he was dead aged just forty-two. Not merely an extraordinarily talented and record-breaking sportsman, he served the University of the West Indies after his retirement – along with the cricket team and the political federation, one of the three truly unifying elements across a fractious and diverse region. This biography, by the author of the acclaimed Fire in Babylon and with a foreword by Sir Clive Lloyd, is the definitive telling of Frank Worrell's life and legacy. It reveals how an upbringing in Barbados, cricketing adventures around the world and a determination not to be cowed by the powers that ran island cricket, shaped a great West Indian cricketer into a great West Indian, who changed the game forever.

Prison Writing and the Literary World tackles international prison writing and writing about imprisonment in relation to questions of literary representation and formal aesthetics, the “value” or “values” of literature, textual censorship and circulation, institutional networks and literary-critical methodologies. It offers scholarly essays exploring prison writing in relation to wartime internment, political imprisonment, resistance and independence creation, regimes of terror, and personal narratives of development and awakening that grapple with race, class and gender. Cutting across geospatial divides while drawing on nation- and region-specific expertise, it asks readers to connect the questions, examples and challenges arising from prison writing and writing about imprisonment within the UK and the USA, but also across continental Europe, Stalinist Russia, the Americas, Africa and the Middle East. It also includes critical reflection pieces from authors, editors, educators and theatre practitioners with experience of the fraught, testing and potentially inspiring links between prison and the literary world.

This book explains neoliberalism as a phenomenon of the capitalist world-system. Many writers focus on the cultural or ideological symptoms of neoliberalism only when they are experienced in Europe and America. This collection seeks to restore globalized capitalism as the primary object of critique and to distinguish between neoliberal ideology and processes of neoliberalization. It explores the ways in which cultural studies can teach us about aspects of neoliberalism that economics and political journalism cannot or have not: the particular affects, subjectivities, bodily dispositions, socio-ecological relations, genres, forms of understanding, and modes of political resistance that register neoliberalism. Using a world-systems perspective for cultural studies, the essays in this collection examine cultural productions from across the neoliberal world-system, bringing together works that might have in the past been separated into postcolonial studies and Anglo-American Studies.

Caribbean Literature in English places its subject in its precise regional context. The `Caribbean', generally considered as one area, is highly discrete in its topography, race and languages, including mainland Guyana, the Atlantic island of Barbados, the Lesser Antilles, Trinidad, and Jamaica, whose size and history gave it an early sense of separate nationhood. Beginning with Raleigh's Discoverie of...Guiana (1596), this innovative study traces the sometimes surprising evolution of cultures which shared a common experience of slavery, but were intimately related to individual local areas. The approach is interdisciplinary, examining the heritage of the plantation era, and the issues of language and racial identity it created. From this base, Louis James reassesses the phenomenal expansion of writing in the contemporary period. He traces the influence of pan-Caribbean movements and the creation of an expatriate Caribbean identity in Britain and America: `Brit'n' is considered as a West Indian island, created by `colonization in reverse'. Further sections treat the development of a Caribbean aesthetic, and the repossession of cultural roots from Africa and Asia. Balancing an awareness of the regional identity of Caribbean literature with an exploration of its place in world and postcolonial literatures, this study offers a panoramic view that has become one of the most vital of the `new literatures in English'. This accessible overview of Caribbean writing will appeal to the general reader and student alike, and particularly to all who are interested in or studying Caribbean literatures and culture, postcolonial studies, Commonwealth 'new literatures' and contemporary literature and drama.

A multi-faceted portrait of the significance of cricket to the Caribbean, 'The Bowling Was Superfine' is a homage to the game that has been transformed from a colonial sport into a source of Caribbean nationalism.

Few other team sports can equal the global reach of cricket. Rich in history and tradition, it is both quintessentially English and expansively international, a game that has evolved and changed dramatically in recent times. Demonstrating how the history of cricket and its international popularity is entwined with British imperial expansion, this book examines the social and political impact of the game in a variety of cultural sites: the West Indies, India, Pakistan, Sri Lanka, South Africa, Australia and New Zealand. An international team of contributors explores the enduring influence of cricket on English identity, examines why cricket has seized the imagination of so many literary figures and provides profiles of iconic players including Bradman, Lara and Tendulkar. Presenting a global panoramic view of cricket's complicated development, its unique adaptability and its political and sporting controversies, the book provides a rich insight into a unique sporting and cultural heritage.